Sotomayor's story parallels that of Hollywood director Jesús Salvador Treviño, who grew up the L.A. barrio of Boyle Heights. During elementary school, a prolonged stay in the hospital for pneumonia put an unexpected twist in his life. A nurse offered him books from the library cart, and she was shocked that he could barely read. She tutored him and by the time he was released, Treviño had mastered his reading skills and devoured almost every book he could find. His favorites: science fiction, and he credits those stories as opening his eyes to the possibilities of a world beyond the ghetto (why couldn't a Chicano invent stories about outer space?) and saving him from the clutches of gangster life. Like Sotomayor, Treviño fought and sacrificed to reach his dreams and has directed shows such as Star Trek, A New Generation, and Babylon 5.
The interview with Sotomayor was enlightening and inspiring, that is, until Totenburg screwed the pooch when she cavalierly dismissed the judge's preference for genre fiction, as when Totenburg said: "not that all her literature loves are so highfalutin," as a segue to when Sotomayor explains her love of mysteries. Totenburg implies of course (to the doltish and high-hatted opinion we mystery writers are all too aware of), that popular fiction is made of a cheaper cloth than "literary" reads. And moreover, Totenburg went so far as labeling Strunk and White's "Elements of Style," as a "dry manual on writing!" (Ack, I almost spilled my Mimosa when I heard that one.) Maybe I'm too close to the subject but every book on writing should be as dessicated of wit and personality.
1 comment:
Boo, Nina. Boo.
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