Hurry up and wait

 I had intended this post to be the revelation of my new book title, the twelfth Inspector Green mystery, featuring the disgruntled, exiled Green toiling away in the "Siberia" of police assignments and even contemplated retirement. Like THE DEVIL TO PAY, the previous  book, it also features his daughter Hannah, now a young patrol officer, and her boyfriend Josh, a newly minted homicide detective. I submitted the manuscript to my publisher on January 10, five days before the deadline. The publication date is January 2025, so I know it's going to be a glacial process. I heard nothing back until this past week, when I learned who my editor will be, and later exchanged emails with him. Luckily, it's the same experienced editor I've had for almost all of my previous sixteen books. So unless I have really missed the mark this time, it should be a fairly smooth and amicable editorial process.

To me, the title is the crucial crowning touch of a book, which captures its essence, creates intrigue, and matches the mood of the book. Thrillers and cozies both have identifiable qualities that capture the essence or at least the mood of the book. The single work FEAR would never  work in a cozy, and many thriller readers would run screaming from a pun. 

I want my titles to be unique, sophisticated, and thought-provoking as well as emotionally gritty, because that's the kind of book I aspire to. Sometimes I discover the title early on but other times the book is written but has an unfinished feel because I haven't found the perfect title. 

This was the case this time.

I had a working title that I used through, but it never really felt right and I was concerned that it was too generic sounding and also too "thriller-like". At some point in the writing, another title came to me that seemed to fit almost perfectly, but because it has similarities to one of my previous book titles, I pushed it aside and kept looking. But my thoughts kept coming back to that title.

As I sometimes do, I asked my four beta readers (the Ladies Killing Circle) to vote on the two possibilities, and the results were split,  for the same reasons I had. So in the end, because the deadline loomed,  I sent the manuscript to the publisher and suggested they decide which title works best. That was six weeks ago, and although there has been progress, there are still some members of the publishing team who have yet to weigh in.

So that's where we stand. I'm hoping for an answer in the next two weeks, but in the publishing business, you never know. So stay tuned, and maybe by my next blog post, I'll have something to talk about. And crow about.

Keeping Track

 By Charlotte Hinger

Boy, do I ever wish I had started keeping track of everything connected with writing from the beginning. Some years back when I needed to assemble a Curriculum Vitae (CV) for a writing class I would be teaching. It was the pits to put together. 

A CV is more detailed than a resume. A CV should contain everything: publications, awards received, talks and presentations, service rendered, organizations. 

How was I to know anyone would care about this stuff? I had all the information in crates and boxes. Usually in pasteboard files and scattered here and yon with various contracts. Awards I had received were branded on my heart. And copies of publications, you bet. 

But all the talks and presentations, readings, promotions, panels I had been on---no way could I remember. Yet these references, too, were there somewhere in these boxes. I've written a substantial number of reviews and articles. Why wasn't the proof of this all in one place?

This is the year I have taken a vow to go through all my paper. There's no shame in saving everything and I refuse to apologize for it. In fact, when I wrote the acknowledgement section for Mary's Place, a historical novel that will be published in July by the University of Nebraska Press, I dug out minutes from a committee I served on thirty years ago to get the names of fellow members of the Interfaith Rural Life Committe when we were trying to help farmers cope with losing their land. But the information should have been easily accessible. 

One of the few books that addresses organizational systems is The Successful Novelist; Lessons from a Lifetime of Writing, Craft and Working with Publishers by David Morrell. Yes! The mega-award winning author of First Blood. Rambo, himself. 

The Successful Novelist is one of the best books about the craft of writing I've ever come across. I highly recommend it. It will also help you develop a system if you plan on staying in the game.

Back in the Learner's Seat

I've been at this writing game for awhile. My debut novel was published in 2006. Since then I've had several more novels and numerous short stories come out, plus I've done time as a creative writing instructor. However, after the pandemic, I felt unplugged from the writing community and to boost my connections, I recently attended Superstars 2024, about which I wrote some in last month's post. The experience proved more fruitful than I anticipated, delivering valuable advice about promoting and marketing yourself as a writer, specifically tips on newsletters and running a successful Kickstarter campaign. There were also great panels focusing on lessons learned, or more aptly said, "Things I wish I would've known at the beginning of my writing career."

My favorite class was "Finding The Perfect Story Structure" taught by Kevin Ickenberry. This is a subject I've presented in MFA programs and so on this, consider myself as more knowledgeable than the typical lay person. Even so, I was amazed by how much I learned. Ickenberry led us through a history of story structure from Aristotle to the present, character dynamics, archetypes, and modern interpretations about story such "Save The Cat." He also introduced me to The Heroine's Journey, a different take on narrative and structure that focuses on community dynamics rather than the solitary quest as in The Hero's Journey. That discussion helped me better understand the relationships and motives within a criminal gang in my current WIP. 

A much published and respected author, Kevin Ickenberry retired from the military, having started as an Armor officer (aka a treadhead) and ended his career in the Space Force. He writes fantasy, alternative history, and (big surprise) military science fiction. At this last Superstars, he was honored for his service to the organization, having served as a volunteer extraordinaire, mostly as Kevin J Anderson and Rebecca Moesta's chief of staff who made sure things got done and got done right.

Tempus Fugit

 Time passes so quickly that it alarms me sometimes. How did I get anything done at all in my real life when I worked for other people? The truth is that I didn't, or at least I was only able to do whatever was absolutely necessary to live.

Now my work is writing, and work at it I do, and yet it still feels to me that I'm always short of time. Days bleed into one another, and weeks, and months, and a year passes without my quite being aware of how it happened. It seems that I'm constantly busy, and yet I feel like I make little progress.

Yet when I remember the monumental events in my past that changed my life forever, or set me on a new path, I realize that most of them happened quickly, sometimes in an instant. I think of that when I'm frustrated, when it comes to me that I have less and less time in front of me to fool around with and wonder if it's just going to be like this for the rest of my life.

In the words of that immortal philosopher, Yogi Berra, "it ain't over till it's over."

With that in mind, I keep plugging along on the new book, and I finally see an end to the first draft, at least. I need a few more good weeks of writing. The end of this month is shaping up to be very busy, so I'm working hard to get as much done as I can before things get crazy. 

As for the new book, it's interesting to see how it's shaping up. I may have mentioned before that no matter what you plan to write, things show up in books that never occurred to you when you started out. This book is the beginning of what I hope is an entirely new series, a contemporary mystery with a story element set in the 1990s. My protagonist, a young Dutchwoman names Miep, is dealing with a lot of demons that I didn't realize were there until I started writing her.  Funny. You dig deep for your characters, and bring up a lot of stuff that was way down inside yourself.

P.S. I have no title for the new book yet. If anybody has any great ideas, I'm all ears.

Becoming A Hybrid Author, Part II

 by Sybil Johnson

Today I’m continuing my thoughts on becoming a hybrid author and what I learned along the way. If you didn’t see Part I, you can find it here.  

Sorry this post is so long. I tried to break it up into topics so it’s easier to read. I’m not fond of long blog posts myself. 

•  Get font licenses where needed.
  I admit I didn’t think too much about needing licenses for fonts until I put out Brush Up On Murder. I’ve known people who design them so I’ve seen the amount of effort that goes into it. I even tried doing it once, for fun. That didn’t last long.
  
  If you use a font for your own personal use, you don’t need a license, but as soon as you start talking about publishing and advertising materials, you may need one. I’m talking about the fonts you use in the interior of the book as well as the cover.  That also includes fonts used on a website in banners across the top or on bookmarks. Let’s get real here, the chances of anyone coming after you are slim, but would you want someone to use something you’d created without looking into whether you need a license or not?
  
  If you use Atticus to design the interior of your book, they restrict the fonts you can use to only those that don’t require licenses. For covers, you need to ask whoever designed yours which fonts they used so you can look up whether or not you need a license. The license you’ll need will be the desktop license. Don’t think “I can use Times New Roman”. At $340, it’s one of the most expensive fonts to license. Most fonts are in the $30-$60 range for a lifetime license.
  
  To learn more about fonts and licensing: https://kindlepreneur.com/font-copyright/
  
  
•  Decide on launch plans.
  This is another item that falls into the plan ahead category. Are you going to have an in-person launch party at a bookstore or other venue? Are you going to do a Facebook launch party? Are you going to do a blog tour? You need to think about these things and schedule them ahead of time. Some require more lead time than others. Because of a lot of things that were going on at the time, I decided not to do any bookstore or other in-person events. Or a Facebook event. I’ve done both in the past. I did do a blog tour through Escape With Dollycas. A lot of people don’t think blog tours are useful, but I’ve found them to be so with cozies.
  
  
• To ARC or not to ARC.
  That is the question. If you do your print book through IngramSpark, you can also do print ARCs through them. That requires a different book cover. While I have print ARCs for all of my traditionally published books, I opted not to do one this time around. I don’t really see any use in them anymore.
  
  You still want to get reviews, though, so I still think it’s worthwhile to use something like NetGalley to get digital ARCs out to the reviewing public. NetGalley is a tad too expensive for me so I opted for BookSirens, which a fellow author had used. It’s $10 to upload the book once it’s accepted and $2 for everyone who reads it. If you supply an email list of your favorite reviewers, they don’t charge for those.
   
• Pre-orders, anyone?
  There’s also the issue of pre-orders. Do you have a pre-order period or not? I chose to do that since it’s a new book in the series. I know authors who don’t. It’s easy to do through any of the places you’ll be selling it. You just specify when you’re uploading the book whether the book is available for pre-order.
  
  If I were re-issuing a book , though, because say I got my rights back, I wouldn’t bother. The books have been out in the world and reviews have happened or not already.
  
  
•  More on print books.
  I mentioned in Part I that I chose to go through IngramSpark for the print version of my books instead of Amazon. The reason I went this route for the print version is, if you go through IngramSpark, it allows you to use their global distribution network. That means, it’ll appear on Amazon, Barnes and Noble, and be available to libraries and bookstores to order. You can do print versions through BOTH Amazon and IngramSpark, if you want. Some authors do this. There are different book cover requirements between the two so this is where a professional designer is a big win. They’ll know what needs to be done. Atticus allows you to format interiors for both Amazon and IngramSpark, you just need to specify the size of the volume.
  
  
• More on ebooks.
  As I mentioned in Part I, I chose to do my ebook versions directly through Amazon, B&N for Nook, and Kobo. The hardest part about this was setting up the accounts. Amazon was a breeze. The others were a bit more challenging. You can format your epub versions through Atticus. Use the same version for all three of the above. (Amazon doesn’t use .mobi files anymore but, if you really need one, you can create it via the free Kindle Previewer program.)
  
  There’s also SmashWords and you can also do an e version through IngramSpark.
  
  
• Learn from those who came before you.
  Lots of authors have published their own books. You may know some of them. Ask them questions, but do some research first to make sure you know what to ask. If you’re a member of Sisters in Crime, there are a lot of webinars available on the national website. Courses like the Self-Publishing Formula also can be valuable. 
   
• Set aside time to write while you’re figuring out this publishing thing.
  This is something I didn’t do very consistently. I didn’t completely give up on writing. I wrote blog posts, author essays for a couple issues of Mystery Readers Journal (one on crafts in mysteries and one on Southern California settings in mysteries), an essay on writing craft-based cozies for a book about writing cozies edited by Phyllis Betz (soon to be out) and a couple short stories. Both of those have been rejected multiple times now, but I persevere. I think I could have done more, but I don’t intend to beat myself up about it...too much.
  
  
• Most important of all, though, be kind to yourself when things get overwhelming.
  
  That’s my journey into the indie publishing thing. I hope my musings have been helpful. There are so many topics I could cover. These are the things I found either surprising or most interesting.
  
  

We Won

 by Charlotte Hinger

My heart is still in Kansas even though my body is in Colorado. I watched the extremely satisfying Super Bowl game with my daughter, Michele, and son-in-law, Harry Crockett. 

A visitor to their home once asked if the large photo in the background was that of my late husband (Michele's father). I said "no, it's the Crockett's patron saint--Hank Williams."

It was fun to watch a sporting event and focus on something besides the rancor of today's political climate. 

Political turmoil in this country is not new. It's bred in our bones. 

I'm amazed at all the upheaval America has survived. Those who wanted a new government were in bitter conflict with the Loyalists who wanted to remain a colony of Great Britian. Our vicious Civil War fostered so much animosity between family members that for some the stain of ill will is present today. 

And who can dismiss the 1960"s with the deep divisions over the Vietnam War? For that matter, the social changes introduced during that era were profound and lasting. 

This year's problems are augmented by suspicion. Self-serving political commentators have soured our belief that we can trust the government. I have my favorite sources of information. But my neighbor pays more attention to people I simply can't abide. 

It's a long time to the beginning of a new football season and an even longer time to the next general election. 

Here's to hanging onto our sanity until our country treasures it's many blessings once again. 

Bad Reviews

 Donis here, Dear Readers. Today I'm posting a "Tip of The Week" from wildly prolific writer and my friend, Dan Baldwin, Dan is the author of westerns, mysteries, thrillers, short story collections and books on the paranormal. He is the winner of numerous local, regional, and national awards for writing and directing film and video projects, and if anybody knows what he's talking about, it's Dan. His weekly writing tips are always spot on and fun to read, and when I received this one, I asked his permission to repost it here. If you'd like to check Dan out, and maybe receive his Tips email yourself, do yourself a favor and click on https://danbaldwin.com

Do you get discouraged when you receive a bad review for the work you toiled so diligently on? Well, don't! A bad review tells you more about the reviewer than about your work. And Dan has the proof!

Concerning Bad Reviews….

by Dan Baldwin

Catcher in the Rye

"The book as a whole is disappointing, and not merely because it is a reworking of a theme that one begins to suspect must obsess the author. Holden Caulfield, the main character who tells his own story, is an extraordinary portrait, but there is too much of him.

In the course of 277 pages, the reader wearies of [his] explicitness, repetition and adolescence, exactly as one would weary of Holden himself. And this reader at least suffered from an irritated feeling that Holden was not quite so sensitive and perceptive as he, and his creator, thought he was."

Tropic of Cancer

"Miller stands under his Paris streetlamp, defiantly but genially drunk, trolling his catch mixed of beauty and banality and recurrent bawdry-a little pathetic because he thinks he is a discoverer and doesn't realize that he is only a tourist on a well-marked tour. We see him at last as an appealingly zestful, voracious, talented hick."

The Great Gatsby

“This story is obviously unimportant and, though, as I shall show, it has its place in the Fitzgerald canon, it is certainly not to be put on the same shelf with, say, This Side of Paradise. What ails it, fundamentally, is the plain fact that it is simply a story -- that Fitzgerald seems to be far more interested in maintaining its suspense than in getting under the skins of its people."

For Whom the Bell Tolls

"A master of the concentrated short story, Hemingway is less sure in his grasp of the form of the elaborated novel. The shape of For Whom the Bell Tolls is sometimes slack and sometimes bulging. It is certainly quite a little too long."

To Kill a Mockingbird

"Miss Lee's problem has been to tell the story she wants to tell and yet to stay within the consciousness of a child, and she hasn't consistently solved it."

O Pioneers!

"Miss Willa S. Cather in O Pioneers (O title!!) is neither a skilled storyteller nor the least bit of an artist."

Slaughterhouse Five

"The short, flat sentences of which the novel is composed convey shock and despair better than an array of facts or effusive mourning. Still, deliberate simplicity is as hazardous as the grand style, and Vonnegut occasionally skids into fatuousness..."

Brave New World

"Mr. Huxley has the jitters. Looking back over his career one can see that he has always had them, in varying degrees... [he] rushes headlong into the great pamphleteering movement. [Brave New World] is a lugubrious and heavy-handed piece of propaganda.”

Lolita

“Lolita then, is undeniably news in the world of books. Unfortunately, it is bad news. There are two equally serious reasons why it isn't worth any adult reader's attention. The first is that it is dull, dull, dull in a pretentious, florid and archly fatuous fashion. The second is that it is repulsive...”

And just for good measure, consider the following:

The Wizard of Oz

“It has dwarfs, music, Technicolor, freak characters, and Judy Garland. It can't be expected to have a sense of humor as well, and as for the light touch of fantasy, it weighs like a pound of fruitcake soaking wet."

Titanic

“James Cameron has never been known for his dialogue, but Titanic carries some stinkers that wouldn't make the final draft of a Days of Our Lives script."

Lawrence of Arabia

“Seldom has so little been said in so many words."

Citizen Kane

“You’ve heard a lot about this picture and I see by the ads that some experts think it ‘the greatest movie ever made,  I don’t… It’s different. In fact, it’s bizarre enough to become a museum piece. But its sacrifice of simplicity to eccentricity robs it of distinction and general entertainment value.”

Need I say more?

Becoming A Hybrid Author, Part I

 by Sybil Johnson

The first five books in my Aurora Anderson series are traditionally published by a small press. When they decided not to publish the sixth one, I could have tried to get another publisher to take it on, but I figured that would be hard since the original publisher still had the rights to the first five. So I decided to publish Brush Up On Murder myself. Here are some things I learned along the way. This is Part I. You’ll see Part II in my next post in two weeks.

• Give yourself permission to fail.
  I am a perfectionist. I dislike failing or looking stupid. This attitude can paralyze me and prevent me from doing things that scare me. This was an issue when I was figuring out how to put out my book. I could probably have done things faster if I hadn’t second guessed myself so much and felt so anxious. I had to learn to just forge ahead knowing I’d probably make mistakes, but that it was okay. 
  
•  Plan ahead.
  I’m usually a planner but, for some reason on this particular adventure, I didn’t write out a plan with dates and deadlines like I should have. It was somewhat ad hoc. So don’t follow my lead. Remember that if you need someone to do your cover or edit your book or format your book, you need to find out when they’re available and work that into your plans. Also note that, for a print cover, the designer needs to know how many pages the formatted interior is so they can create the cover properly. 
• Take stock of what you know and figure out what you need help on.
  Having been traditionally published was a help here. I’d seen the process so knew a little about what had to be done. Still, I wasn’t super sure about it so I took Mark Dawson’s Self Publishing Formula course. While I discovered I knew a lot more than I thought I did, it did fill in a bunch of gaps for me and I have a backup whenever I have a question. I felt a lot more confident in my ability to get the book out. 
•  Decide what you can do yourself and what you want to farm out.
  To publish a book, you have to (1) get a cover, (2) format the interior, (3) have it edited, (4) write the back of book copy. Okay, there are a lot of other details, but those are the major ones. I knew I didn’t have the ability to do the cover and I wanted someone I trusted to edit it. Luckily, the person who did the first four covers in my Aurora Anderson series was available to do this cover and the person who’d edited my first three books, who I trust so much, was doing freelance editing work. I hired those two for those items. I chose to format the book myself because I like doing that kind of stuff. I have a PC and didn’t want to buy a Mac in order to use Vellum, the book formatting software a lot of people use. Luckily, Atticus had recently become available. It works on my PC and, after a little learning curve, I found it fairly easy to use. I could format both the print version for IngramSpark (that’s what I use for the print book) and the ebook version through it. For the back of the book copy, I had to do that for my other books so that was something I knew I could do. 
• Decide what’s most important to you and do that first.
  The “normal” course of putting out a new book seems to be to release the ebook version(s) and the print version(s) at the same time. This doesn’t have to be so. There’s a learning curve to it all. You don’t have to release all of the ebook versions (Kindle, Nook, Kobo) at the same time. You can decide to say, release the Kindle one first and follow up with the others later. Or not bother with the others at all. You don’t have to release the print version at the same time, either. Decide what versions are most important to you and do those first. Of course, if you feel like you’ve got it all in hand, release them all at the same time. That’s what I did. It’s a little easier on the ebook front because now you only have to produce the book in the .epub format and can upload that to Amazon, Nook and Kobo. 

See you in two weeks with more.

I Need A Hit Man

 By Charlotte Hinger

  

 No, I'm not plotting mayhem during this election cycle. Not yet, at least.

I need a hit man in my new mystery. It can't be someone too good at the job. The person should be a little dumb. More than a little. Can't be too bright or he won't take the job to begin with. 

Eureka! I discovered a terrific book, The Perfect Kill, written by a retired CIA agent, Robert Baer. He did a wonderful job of explaining the major ways assassins screw up. The fact is, there aren't that many really efficient ones around. 

As the saying goes, "good help is hard to find." Criminals often can't keep their mouths shut. I'm amazed at the number of times in real life murderers can't resist telling someone about their crimes. Not out of a feeling of remorse or a need to confess, but a compulsion to brag. Too often mediocre hit men think they are the smartest person in the room. 

Although I need a inferior hit man, through rather weird research, I unearthed some of the practices used by the very best.

Incidentally, these lessons can also be applied to writing and the promotion of books.

1.  Hits should be planned meticulously and always have a backup plan. 

2.  Protect your reputation. Always, always keep your word. Show up when you've promised you'll be there. 

3.  Don't work for crazy people. Check out organizations and individuals before you agree to do a job.

4.  Don't involve unnecessary people in your operation. You'll lose control. 

5.  Don't dance in the end zone. No one likes a braggart. 

6.  Don't make enemies. Keep a low profile. 

Although Baer's book is focused on political assassinations it provides fascinating instructions for those who would like to pursue a life of crime. Or writing. It's fascinating reading. 

Really? JAWS is fifty years old?

 By Thomas Kies

Fifty years…that sounds like a long time ago, and I guess it was.  But sometimes it doesn’t seem like it. 

I read in the Washington Post that it was fifty years ago that Patty Hearst was kidnapped.  For those of you who don’t recall, Patricia Hearst was the heir of the Hearst fortune, scheduled to be married, when she was targeted and kidnapped by a rag tag, disorganized group of far-left terrorists called the Symbionese Liberation Army. 

Shortly afterward, she renounced her “class privilege” and appeared to have joined the terrorist group calling herself “Tania”.  After a series of bank robberies and shootouts, many with deadly results, she was captured.  

At her trial, she claimed that she was brainwashed, raped, and suffered from “Stockholm Syndrome” where a captive begins to identify and empathize with his or her captors. Even so, she was found guilty and sentenced to 35 years in prison, reduced to seven years.  Her sentence was commuted at 22 months by President Carter and eventually pardoned by President Bill Clinton. 

While reading this account, I tried to recall what books were released fifty years ago.  These are a few of what I found:

Carrie--Stephen King (think about how many books he’s written since that one was first published)

Helter Skelter--Vincent Bugliosi

Jaws—Peter Benchley (think about how many times you’ve heard that iconic clip of music for the movie)

All the President’s Men—Carl Bernstein 

Tinker, Tailor, Soldier, Spy—John Le Carre`

Centennial—James Michener. 

The Seven Per Cent Solution—Nichola Meyer (think about how many Sherlock Holmes books have been written since then) 

Coincidentally, Marc Jaffe, an editor who worked for Bantam, recently passed away at the age of 102.  He worked on Jaws when it was originally published, as well as such blockbusters as The Exorcist, Catcher in the Rye, and 90 Minutes at Entebbe.  He was a legend in the publishing business. 

Fifty years sounds like a long time, but when it comes to stories, some of them feel much younger than that—books that stand the test of time and live in our collective consciousness. When you’re a writer, you hope that happens with your own work.  

Have a great week and happy writing.