The Wrong Girl, The Right Title

I (Donis) have been enjoying our recent posts about elegant variations, but today I want to throw back to last Thursday's entry concerning titles, by John. And the main reason I want to do that is because my publisher recently informed me that they have changed the title of my upcoming novel. They ran the new title by me, of course, and asked if I had objections. I didn't, even thought this is the first time in eleven books that I've had a publisher change the title I put on the manuscript. The upcoming book, which will be out in November, is the first of a new series for me, and I had a lot of trouble coming up with a title in the first place. I love the series title, The Adventures of Bianca Dangereuse, and fortunately that is not changing. The new series is structured like the episodes in an old silent movie serial, and like those movies, I had chosen a book title that was overblown and overdramatic. That's what the publisher thought, too. Overblown and overdramatic.* So they suggested that the book be called The Wrong Girl, because this is what one of the characters says to a man who seduces and kidnaps young women.

"One of these days, you're going to choose the wrong girl."

And does he ever.

I like their thinking, too. Whenever I write an Alafair Tucker mystery, I spend many weeks trying out prospective titles on friends and relatives, judging titleworthiness by the look in their eyes. For most of my past endeavors, I have chosen a title early on in the writing process, and then changed it when the book was finished. For the Alafair series, all the titles are taken from something that one of the book's characters says in the course of the story:

"I think The Old Buzzard Had It Coming"
"He was standing on The Drop Edge of Yonder"
"It looked like Hell With the Lid Blown Off"
"Here's your Forty Dead Men, McBride. Don't waste them, 'cause the man you miss may be the one who kills you."

 And so on... While I'm writing, I'm always waiting for someone in the novel to tell me what to call it.

I love reading about how the titles for my favorite books come about. Titles are important. You want to convey something of the spirit of the story, catch the reader’s eye, intrigue her enough that she wants to read that book. When friends and family hear that a new book is underway, one of the first questions I get is, "What's the title?"

How about you, dear reader? Does a fabulous title make you want to buy a book? I’m trying to think of books that I actually wanted to read because of the title. The only one that comes immediately to mind was Bad Luck and Trouble, by Lee Child. Tom Wolfe titles catch my eye, but which of his books have I actually read? Did I read Radical Chic and Mau-Mauing the Flak Catchers? No, I did not. I read The Right Stuff, Hooking Up, and I Am Charlotte Simmons. (Okay, I also read The Electric Kool-Aid Acid Test, but I was young and it was the ‘60s.)

Commonly authors don't get the final say on what the title of their novel will be. Publishers have the idea that they know what will sell a lot better than some introverted, socially inept author does. Maybe they do. Being introverted and socially inept, I wouldn't know. This time, I think they made a good business decision.
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*The old title: Lust for Vengeance. What do you think?