On Friday, Donis wrote an excellent blog about curse words in her writing and in real life. It made me think about the creative writing class that I’ve been teaching. It’s winding up tonight (six weeks goes by in a flash). One of my students is a retired Marine who has served in Afghanistan. He’s a natural storyteller but at the start of our course he was pretty rough around the edges. Nearly every sentence had at least one f-bomb in it.
That shouldn’t come as any surprise. That’s how Marines talk. In the first story he wrote for us, a little girl is shot and killed by accident in a terrifying incident that kept escalating. If those Marines want to swear up a storm, so be it!
Back when I was in the newspaper business, that’s how we talked as well…men and women. That’s just real life.
But that’s not necessarily how we write. One exception to writing comes to mind and that was the HBO television series Deadwood. Nearly everyone in the show dropped multiple f-bombs on a regular basis.
When used that often, it loses its ability to shock.
So how much swearing in a novel is too much? The old cliché offered by people who are offended by cursing is the usage of expletives arises from a lack of imagination.
I don’t agree. The judicious usage of curse words can do a number of things. For one, it can give a sense of realism.
For example, if I was writing a book from a soldier’s point of view, not swearing just wouldn’t be realistic. If I was writing a novel about nuns, I’d most likely rule it out. But I’m writing crime novels. Criminals use some pretty salty language, and so do most journalists I have worked with, and my protagonist is a crime reporter.
Curse words can show powerful moments of anger or despair. If your protagonist has refrained from cursing through most of the book, but at the moment of crisis, she shouts the f-bomb, then you know that this is serious.
On the flip side of all of this, I listened to a podcast a few weeks ago by Laura Steward who was interviewing the author, Brad Parks. He just released a thriller by the name of Interference that is now on my reading list. She asked him an interesting question. Do you use any curse words?
His response was that his agent had given him some advice early in his writing career. Ten percent of readers who encounter expletives will close the book and never pick it up again. Most likely the same thing happens with the author. They’re done with you.
Brad Parks said that he makes his living by writing thrillers. It’s how he pays the bills. He doesn’t want to alienate ten percent of his customer base.
I get it. But I simply can’t make my characters less real to me. I fear that would make them less real to my readers.
So, dammit, I’m going to get off my ass now and go in and finish writing my next mystery. I might even swear a little to get warmed up.
Stay safe and stay healthy.
Well dagnabbit....shut the front door!
ReplyDeleteExcellent food for thought, Tom. I use curse words sparingly in my Alexa Glock forensics mysteries. In some cases to not use one would ring false. It comes down to context. Personally - something comes over me when I am losing backgammon to my husband. Then I sound like one of the Marines!
ReplyDeleteMy Natalie McMasters series is not for people who don't like vulgar language. Nattie is a twentysomething college student and has a righteous potty mouth, sometimes so bad that other characters in the stories take her up on it. Yes, I am aware that not all people in that age group regale others with liberal applications of the F-bomb, but many do, and Nattie is one of them. Since I'm writing my books as an indie author, primarily for me, I'll suffer the loss of that ten percent to keep my girl in character. But you'll find no foul language in Sherlock Holmes stories, and very little in my 1930s H.P. Lovecraft pastiche, because it just doesn't fit there.
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