Catherine Dilts
It's finally feeling like summer. With the warmer weather, my attitude toward the writing and publishing life is warming up. I feel like I emerged from a cold, dry spell, although I have been writing constantly during this time.
Along with many other traditionally published authors, I'm exploring self-publishing options. My first experiment is with my co-author and daughter, Merida Bass. We just released book one of a YA science fiction series. Written under the pen name Ann Belice, Frayed Dreams begins the Tapestry Tales series.
Merida's enthusiasm has given me a boost. She's also an artist. The image is of Ando the squirrel monkey perched on top of a Teens For Earth badge. She created the book cover, too.
I did some research on self-publishing, and learned that many authors are paying large sums to have their work edited, put into the proper publishing formats, given ISBN numbers, having covers created, and on and on. The folks offering this assistance are called hybrid publishers. An article on Reedsy stated that the cost of self-publishing a book can be as much as $10,000. Or more.
There's nothing wrong with this, if you have the money to pay for services, and the understanding that you may not recoup your expenses. But we decided if we're self-pubbing, we're paying for as little as possible. Yes, the learning curve was intimidating. I might not have attempted it if my daughter didn't have the tech savvy and desire to do most of that side of it herself.
I haven't abandoned traditional publishing. I will have exciting news to announce about a short story sale, after I have the signed contract in hand. And I might consider traditional book publishing again.Honestly though, I'm ready to see what I can do in this new world of publishing. Having complete control over my novels is appealing. With that control, will my access to market or my sales suffer? We'll see.
I'm optimistic about new directions.
