Workshop Ideas, Please?

 By Thomas Kies

Over the past few years, I’ve taught Creative Writing and Advanced Creative Writing classes at our local community college.  I love doing it because I love talking about writing, publishing, books, and storytelling.  

The college has asked me to shake things up a bit for the spring and lead some workshops.  I’ve already reached out to the Carteret Writers Network and they’d like to have me do workshops at the new home of our county’s arts council, a beautiful location with the perfect space.  The college has bought into the idea as well. 

I’m reaching out to you for your advice on what workshops I should lead. What would you like to be part of?  Or what would you like to teach?

In the past, I’ve done session entitled “Good Guys, Bad Guys, and Plot Twists” for the North Carolina Writers Network at the writers' conference in Wrightsville Beach and I’ve done a similar workshop for the Pamlico Writers Group. 

In my classroom, I’ve covered character development, story arcs, character arcs, plot twists, colorful descriptions and the value of emotion in writing. 

We’ve talked about heroes and antiheroes and how to create a relatable protagonist and how all villains may not be bad…or at least that's what they tell themselves.

I’ve covered self-publishing vs hybrid publishing vs traditional publishing. I’ve talked about the value of finding and getting a good literary agent. We’ve discussed how long a chapter should be, how many words should your novel be, and how to begin and end a scene. 

But now, I’ve got to develop two or three solid workshops lasting about two hours each.  The audience will most likely be comprised of both new authors and those who have had some writing experience. What do you think?  If you have an idea, let me know in your comments below!!  I can use your help. 

Too Dumb for Words

by Charlotte Hinger

Janet Hutchings, the editor of Ellery Queen Mystery Magazine, asked me to create a blog post for their on-line blog. Her guests blog about suspense, short stories and the mystery-fiction scene. I was delighted to have the opportunity. Here's the link to my post: 

The Bliss of Ignorance (by Charlotte Hinger) | SOMETHING IS GOING TO HAPPEN

Last Monday, Thomas Kies, had a great post about how he conducts his writing class. I can't applaud him enough. What a great approach. His classes are kind and helpful. He does his best to help his students achieve their goals. It says the world about the kind of man he is. 

My post was about my lack of writing education when I began my career. I was literally self-taught. Yet, in some ways I was better off because I never heard the discouraging words so many newcomers have to endure.

After a friend of mine read my post she said she wished she had never taken graduate courses in creative writing. That, and a critique group convinced her she had no business ever submitting a thing. She's just now getting her first novel published after picking herself up years later and working up the courage to try again.  

Another friend told me her writing classes leached all creativity from her years ago. She will never write now. 

This just burns me up! What in the world is going on? I didn't have access to either liberal arts colleges or writing groups in the little Western Kansas prairie town I lived in. I learned all the publication processes from books and magazines. What a luxury to learn without pressure. 

I attended my first writing group as a guest of a friend in another state. I had just finished Come Spring, a historical novel, which was later published by Simon and Schuster. I was in awe of the cultured well-dressed attendees. Yet, by the evening's end, I decided it was the meanest group of women I had ever come across. They absolutely slaughtered the work of the only one there who was writing a novel.

How could that poor timid little soul take that week after week? That's the real story of what soured me toward writing groups. I was glad I didn't have any part of my manuscript with me. I would have been expected to read it and probably would never have submitted my work after the group "helped me."

Again, what in the world is going on?

 I can't abide cruelty in any form. It's especially egregious when it comes to creativity. It doesn't take much to blow the flame out of candles. 

Three cheers for Thomas Kies. If you haven't read his post, do so. It a model example of the right way to teach a difficult subject.

Turning Points

 

I think every writer has at least one turning point in their writing. Something that sets them on a different path. It might be an illness, a chance comment, or a teacher like Rick noted in his post yesterday. For me it was two online mystery writing courses and their instructors, G. Miki Hayden and Kris Neri.

So many authors I know have wanted to write since they were kids. Not me. Sure I wrote stories in grade school and junior high and enjoyed it, but I never had a desire to write books or short stories. I never even had a desire to take a creative writing class in high school or college. 

 Then I hit my 40s and decided it would be fun to try writing a cozy mystery. I’d read so many of them I figured I knew how to write one. I soon found out how wrong I was. So I started reading books on writing mysteries and worked on my story. Then I decided I needed more guidance and took a couple online classes on writing mysteries. 

 I chose online classes because I don’t take criticism well. I figured it would be easier to hear critique of my work online. I could read it, weep for a couple hours in a corner, then go back to reading the comments and really understanding what they were talking about. 

The first online course was one I found through the Writers Digest website. G. Miki Hayden pointed out so many things I was doing wrong, but also told me those things I was doing right. The second was through UCLA extension taught by Kris Neri, which built on what I’d learned in the other course.

I credit both of these teachers with setting me on the right path. 

What about you all? Do you have any turning points in your writing journey?

In other news, I have an interview on John Hoda’s podcast, My Favorite Detective Stories. It was a fun conversation. You can listen to it here