WRITERS RITUALS

By Vicki Delany

Next Saturday (March 16) I’ll be at Murderous March, a conference put on by The Upper Hudson Chapter of Sisters in Crime, In Albany, NY.  (For information and registration, click here)

I have been asked to say a few words. I thought I might talk about my writing routine. As I write three books a year, people are interested in how I can manage to do that.

One thing I’ve found over the years, is that no one approaches writing, or anything else, the same as anyone else. We all have our individual way of doing things, and the trick is to find what suits you.

But, here’s a bit of what I plan to say in Albany:

I was once asked if I had any rituals to spark my writing creativity.  Rituals? Pshaw! I don’t need no stinking rituals, thought I.

When I thought again, I realized that I did.  I get up every morning, seven days a week.  I go to my main computer in my office, and read e-mails, read the papers online, spend a bit of time on Facebook or Twitter. 

Then it’s time to start to write.  I walk into the dining room and stand at my Netbook computer which is on the half-wall between the kitchen and the dining room and boot it up.  As I pass through the kitchen, I put one egg on to boil.

I always write, standing up, on the Netbook.  I read over everything I did the previous day, doing a light edit as I go.  I then take my egg into the study and eat it while checking email. 

Then back to the small computer for several writing hours.

Who knew I was so regimented! Not me, until I stopped to think about it.  The problem, you see, is I don’t like writing, particularly not first drafts. So the egg is my reward. If I get started, I can have a treat.  I can be bribed by one medium-boiled egg.

Turns out I am not alone in needing this little routine to get me started.  I am reading a fascinating book titled Daily Rituals: How Artists Work by Mason Currey. Currey describes the daily routines of hundreds of artists, not just writers but composers and artists too.

Philip Roth said, “Writing isn’t hard work, it’s a nightmare,” as he describes his schedule. Ten to six every day with an hour break for lunch and to read the newspaper.

William Styron said, “Let’s face it, writing it hell.” His routine: sleep until noon, read and think in bed for an hour. Lunch at 1:30, afternoon errands and mail.  And only then “ease into work mode” By 4:00 he would be ready to go to his study and write for four hours.

Before beginning his creative day, Beethoven counted out 60 coffee beans every morning to make his coffee.  

One fellow (whose name I forget) liked working in the morning so much, he had two mornings.  He got up at three to write for a couple of hours, then went back to bed and got up at a reasonable time for another morning of writing. 

Hemmingway was also a morning guy. (And a stand-up writing guy). No matter how much he’d had to drink the night before, Hemmingway was up and starting work at 5:30.

Vicki Writing (not exactly as shown)

By contrast, Thomas Wolfe began his writing day at midnight, and would write until dawn. Then have a drink and go to bed.  According to the book, he also masturbated extensively while writing.

Gertrude Stein confessed that she could never write for more than half-an-hour a day. “All day and every day, she said, you are waiting around to write that half hour a day.”

Jean Paul Sarte kept to a strict schedule.  He also figured his creative mind needed fuel. A lot of fuel. 

According to his biographer, “his diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol – wine, beer, vodka, whisky, and so on – two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”

Makes one medium-boiled egg look mighty tame.

Time to tell me your little secret. What’s your writing ritual?

Book news: SOMETHING READ SOMETHING DEAD, the fifth Lighthouse Library mystery by me as Eva Gates, will be released on Wednesday. 

Coconut Cupcakes

by Vicki Delany

Late to the party as usual, but I loved Rick’s suggestion of us putting some recipes from our books up on this blog.

There is a lot of cooking and eating in my books. In the Sherlock Holmes Bookshop series, Mrs. Hudson’s Tea Room is located next to the shop; In the Year Round Christmas series, Merry’s best friend owns Victoria’s Bake Shoppe, and in the Lighthouse Library series (by me as Eva Gates) Lucy’s cousin owns Josie’s Cozy Café.

I sense a theme here.  To continue the theme, my just-announced series for Kensington is the Tea By The Sea Mysteries (Spring 2020).

I myself love to bake, but I don’t do much of it any more mainly because now that I don't have children at home, I don’t need an entire cake after dinner, thank you very much.  But when I have guests, I like to pull out all the stops. A lot of the baking mentioned in my books is things I make myself., although the books don’t have recipes.

So here, from Vicki’s kitchen as well as Mrs. Hudson’s Tea Room, are coconut cupcakes.  These aren’t traditional Christmas treats, but the white icing, I think, gives it a lovely wintery feel.

I won’t be back on this page until the New Year, so I wish you all very Happy Holidays and a Merry Christmas.

What will I be doing this year for the holidays you ask? Here’s a hint:

VICKI DELANY’S COCONUT CUPCAKES

·               1 3/4 cups all-purpose flour

·               2 teaspoons baking powder

·               1/2 teaspoon salt

·               1/2 cup packed sweetened shredded coconut

·               6 ounces (1 1/2 sticks) unsalted butter, softened

·               1 1/3 cups sugar

·               2 large eggs, plus 2 large egg whites

·               3/4 cup unsweetened coconut milk

·               1 1/2 teaspoons pure vanilla extract

·               1 1/3 cups large-flake unsweetened coconut

1.      Preheat oven to 350°F. Line standard muffin tins with paper liners.

2.      Whisk together flour, baking powder, and salt. Pulse shredded coconut in a food processor until finely ground, and whisk into flour mixture.

3.      With and electric mixer on medium-high speed, cream butter and sugar until pale and fluffy. Gradually beat in whole eggs, whites and vanilla, scraping down sides of bowl as needed. Reduce speed to low. Add flour mixture in three batches, alternating with two additions of coconut milk, and beating until combined after each.

4.      Divide batter evenly among lined cups, filling eat three-quarters full. Bake, rotating tins halfway through, until a cake tester inserted in centers come out clean, about 20 minutes. Remove from oven; turn out cupcakes onto wire racks and let cool completely. Cupcakes can be stored overnight at room temperature, or freeze up to 2 months, in airtight containers.

5.      To finish, use a small offset spatula to spread a generous dome of icing onto each cupcake, and, if desired, garnish with flaked coconut. Store at room temperature until ready to serve.

Icing: Use your favorite buttercream vanilla icing. I like to use a splash of coconut milk rather than plain milk. If you don’t normally add milk to your icing, you can cut down slightly on the butter and replace with coconut milk.

Searching for Inspiration

By Vicki Delany

THE SPOOK IN THE STACKS, published on June 12 by Crooked Lane Books, is my 30^th published book.  Wow! Seems like a lot.  It is a lot.

What thirty novels means, is that I’m running out of ‘ideas’.  Ah, yes, the proverbial ‘idea’.  At the beginning of my writing career I had SOMETHING TO SAY. My standalones (Burden of Memory, Scare the Light Away) discussed, in broad terms, the changing role of women and effect of events of the past on the present. The first Constable Molly Smith book (In the Shadow of the Glacier) was about forgetting the past, and asks if that is ever desirable or even possible.  The eighth Molly Smith book, Unreasonable Doubt, was about a man who’d spent twenty-five years in prison for a crime he did not commit, and asked how could that happen.

It’s not so much that I don’t have anything to say any more, but maybe that I don’t want to write about it.  So now I write cozy mysteries, which really don’t have anything much to do with the larger pictures of redemption, justice, revenge, etc etc, although they do have a lot to say about character and friendship.

Which means I am sometimes in search of inspiration. One of the ways I’ve found it is in the world of classic novels.

Case in point: My lighthouse library series, of which The Spook in the Stacks is the latest. One of the premises of that series is that the book the classic novel reading club is reading is reflected in the plot of my book.  In Reading Up A Storm, they’re reading Kidnaped by Robert Louis Stevenson.  

Reading up A Storm opens with a shipwreck during a storm, and ends with an idea to capture the bad guy taken directly from Kidnapped.  The Spook in the Stacks is set over Halloween, but because this is a light, funny mystery I didn’t want to use a true horror novel. So I hit on The Legend of Sleepy Hollow and Bracebridge Hall by Washington Irving. (Warning for those wanting to read along: Bracebridge is long, and very dull.) Two men vie for the affections of the rich man’s (grand)daughter. An idea straight out of Sleepy Hollow.

Vicki Reading (not exactly as shown)

Vicki Writing (not exactly as shown)

In the fifth book, Something Read Something Dead (coming in March 2019), cousin Josie is planning her wedding and the club is reading The Busman’s Honeymoon by Dorothy L Sayers.

Once I had the idea, or the inspiration, I made it my own. My books are not an attempt to recreate these classic works, but maybe just to pay homage to them.

As well as giving me ideas, they’ve made me re-read some of the world’s great books.  And that’s always an inspiration.

What's your favourite classic novel? Maybe I can use it in the Lighthouse Library series one day.

And a Good Time was Had by All

By Vicki Delany

As Donis posted a picture of me with her and Ann Parker in Scottsdale on Thursday, let me follow up with my .02.

The Vicki Delany shelf at the Poisoned Pen

I was in Arizona last week for CozyCon at the Poisoned Pen bookstore. It was an afternoon of nine authors, not all of whom are cozy writers, but most were. As usual in a PP appearance we talked books, books and more books, with each other, with our moderator Barbara Peters and with those kind enough people to come out and hear us.

In short, it was great.

Kate Carlisle, Paige Shelton, C.S. Harris, Jenn McKinlay, Vicki Delany

The following day, Donis, Ann Parker and I went to the Tempe Public Library, where we did much the same.

Again, a fun appearance.

I do these sort of things now so I can hang out with my friends.  The day before CozyCon I had lunch with Donis, I shared a hotel room for one night with Kate Carlisle. Kate, Jenn McKinlay, Paige Sheldon, C.S. Harris, Ann, and I hung out at the hotel bar (some hanging for longer than others).  On Sunday Ann, Donis and I had brunch before our library visit.

The only reason I know all these people and I consider them to be my friends is because I did the slog of conferences and book signings earlier in my career.  Now, don’t get me wrong. Generally, I like bookstores and conferences, but they are work.  A lot of work. And you’re paying your own way most of the time.

It’s the networking that counts, in my opinion.

And the networking counts in the long run. Maybe not in book sales, but certainly in fun.

Speaking of book sales: THE SPOOK IN THE STACKS, the 4th Lighthouse Library book by me as Eva Gates comes out on June 12. I am particularly pleased about this, because that series was cancelled by Penguin Random House after the third book. It was then picked up by Crooked Lane Books. YEAH! If you know anything about the book biz, you'll know that it's very unusual for a new publisher to continue an existing series, unless the books are in the mega-bestseller range. Mine are not, but I am thrilled to have it back.  A lot of credit goes to the Facebook group SAVE OUR COZIES. 

Speaking of Facebook, with the new book about to come out, I'll be running more contests for ARCs or earlier books in the series, so pop over and like my page. www.facebook.com/evagatesauthor

Thank you.

by Vicki Delany

It has often been said that writers toil in solitude. We then release a book and wait anxiously for reviews to start coming in.  We might meet a few readers at conferences or book signings but generally we then retreat back to our unheated garrets and toil on the next book.

There is some truth to that, but the rise of social media has given us a way of interacting with our readers that previous generations of writers could only dream of.  

This was brought home to me this past week when I announced on Facebook and Twitter that my Lighthouse Library cozy series (written under the pen name of Eva Gates) has been saved. As you may know Penguin Random House did a massive cull of their mass market line, and cozies were particularly hard hit. The Lighthouse Library series included. As the series was a work for hire, the publisher owned the copyright and thus I couldn’t continue to write it.

The people at Crooked Lane Books, who publish the Sherlock Holmes Bookshop series, wanted to take it on, so they asked my agent, the marvellous Kim Lionetti of Bookends, if she would ask Penguin if they’d release it.

And they did! I got the copyright and then signed a contract with Crooked Lane for the next three books in the series.

I made the announcement on social media, and the response from readers was overwhelming and heartfelt. I was genuinely touched at what people had to say.

So, thank you to everyone who wrote to me.

We don’t have a publication date yet, but probably spring 2018 for Lighthouse Library #4. And I will be keeping the Eva Gates name.

Write What You Know? Not so fast

By Vicki Delany (Eva Gates)

In her post of last week, Barbara writes about the need for the author to put themselves in another’s shoes.  Essentially, isn’t that what most writing, except for memoirs and biographies, is? You are telling someone else’s story. I suppose you can fictionalize your life story, (and it’s said that most first novels are largely auto-biographical) but anyone who writes more than one book has to start moving out of what they know.

We all have heard the adage “Write what you know.” I’ve never been a big fan of that idea.

What do I know? I know how to write computer code for 20^th century computers; I am highly computer-literate; I do a mean jig-saw puzzle; I can paddle a canoe

, and I am a very good baker.

All of which, let’s face it, is pretty dull.  Writing about my life as a computer programmer would make a mighty boring book.

So, instead I go by the adage, “Write what you want to know.” 

I have no background in law enforcement whatsoever, so when I decided I wanted to write a police procedurals series set in Canada,  I set about learning what I needed (and wanted) to know.

When I was asked to write the Lighthouse Library series set in the Outer Banks, I didn’t proclaim, "But I’ve never been to the Outer Banks,” instead I said, “Sure.”  I then read up on the Outer Banks and on lighthouses, and I went down there for a visit.

Not only did I learn many things I wanted to know, I got the chance to visit a wonderful place, and to learn a lot about the fascinating history of lighthouses.

As eating is important to any good cozy mystery, I immersed myself in North Carolina cooking (It’s a tough job, but someone’s got to do it).  Fried green tomatoes, shrimp po’boy, shrimp and grits, hush puppies. Yum. 

Here’s a bit from the third book in the series, Reading Up A Storm:

I practically know Jake’s menu by heart. I didn’t have to think hard about what to order. “Shrimp and grits please.”

“You’re becoming a true Southern woman,” Connor said.

“If Southern means shrimp and grits, then I’m in.  And a couple of hush puppies too, please.”

These days you can do a lot of research on the Internet, but I maintain that particularly when it comes to setting nothing can replace actually being there.  Google Earth can show you the layout of the streets compared to the ocean or lakes and rivers, and Streetview can give you a snap shot of streets and buildings at a moment in time, but nothing replaces actually seeing the light at dusk, or the sky when storm clouds move in. Even the best computer program can’t give you the scent of salt on the air, or the feel of the hot sun on your arms.

And only by being there, can you experience those unexpected moments that add real color and texture to your book.

Case in point, on my last visit to the Outer Banks, I went to the Bodie Island Lighthouse at dusk to see the light when it’s on.  Coming back I saw a deer at the side of the road.  Coming from heavily wooded Ontario, I wouldn’t have expected to see deer where the vegetation so space and poor. 

So, now Lucy Richardson, my protagonist, watches out for deer when she drives back to the lighthouse at night.

There really is nothing like being there.

Creative Spaces

By Vicki Delany

I am in Vietnam right now, and no doubt having a marvellous time. So I searched for an old blog post that could use an update.  I wrote this back in 2009. I have solved the problem, and I tell you how at the bottom.

------------

CBC radio runs a programme called Spark which is all about the world of computing and the Internet and how it is changing our lives. Today I heard an interview which stuck with me. The guest was talking about creative spaces. Meaning spaces as in gaps, not physical places.

She said that in the past when people were engaged in a creative activity, which of course to me means writing, if they got to a point where they were stuck, they would take a break and look out the window perhaps, have a glass of water, let their mind move. This even works with something as minor as looking at the flowers on your desk or the picture you keep there of your loved ones. Then, once your mind was in the place of the creative gap, it would kickstart itself (I am now using completely my own interpretation of what she had to say), and you’d return to the creative task with a fresh idea.

In the age of the Internet, however, as soon as we have a momentary pause, we flip over to Outlook to send off an e-mail and read three others, or we check our Facebook account, or Tweet to #writing to say we how hard we are writing.

We are not entering a place of the creative pause.

I have absolutely noticed that with myself. Sometimes, I don’t even realize that I’m doing it.  The mind will hesitate over the next thing to happen in the book, and wham! my fingers have sought out the Inbox. I have tried closing down mail and all browsers. Works for about fifteen minutes and I have to check quickly to see if anyone thinks I’m important enough to send me an e-mail.

I have talked to writers who have two computers, one for writing and one for all other stuff. That sounds like a great idea, but I don’t want two computers, I don’t want to get into having to shift documents around between one and the other. I have a laptop and a wireless router because I like to carry the laptop around the house and take it outside.

You know where this is going, don’t you?  I’m going to have to switch the router off when I’m writing.

I started thinking about whether the constant access to the Internet has affected my own writing. I’ve written before about how invaluable it is for doing research, but I’m thinking now about the creative process itself.

I have always written fiction on a computer. Way back in the ‘80s I was one of the few people I knew to have a computer in the house – my company gave me one to take home. It was an IBM PS/2 as I recall. Of course we didn’t have the Internet, or not something totally all-encompassing then. When did it become such an integral part of our lives?  By 2000 at least, I guess.

At a guess, my first three books were written without the constant presence of the Internet. Are they different, most importantly are they better, than what I have written since? I can’t say. When I worked full time I wrote in the evening, usually with a glass of wine at hand. Now I write in the morning with a pot of coffee at elbow and that has probably had a strong effect on the quality of my prose also!

Tomorrow, I’ll switch the router off.

Coming April 5, 2016, now available for pre-order

Let’s hope my head doesn’t explode.  

------------

2016 Update:  My head didn’t explode, but I gave in and bought a dedicated writing computer, a small netbook. I have talked about how I now write standing up, but what’s important for this conversation is that what I use when standing up is totally dedicated to one thing only: writing a novel. I don’t even use it to write these blog posts.  I have never set up email and I have never even opened the browser. It seems to be working fine for me. 

I do have it connected to the internet, because I use Dropbox for backup and sharing.  And that's been a boon too.

Retreating!

By Vicki Delany

As Barbara told you last week, I had the pleasure of spending a couple of days at her lovely cottage on Sharbot Lake last week, along with other writer friends for a writers retreat.

A writers retreat is usually thought of as someplace the author can go to get away from their daily bustle (husband (or wife) children, job, household chores) to get some serious work done on their work-in-progress. Aside from the chores (always the chores) I don’t really have anything I need to get away from. And as you know if you know my writing schedule, I don’t seem to have trouble getting work done.

Writer Writing

But a retreat, I found, can perform another valuable role, and that’s simply to put you in the mind-space to come up with something new.

Mornings were set aside for our writing time. Barbara always writes her first draft in long hand (unbelievable!) so she goes down to the sunny dock. As I need a computer, I also need a table and chair or, as I use at home, a stand-up surface, and a lot of shade, so I stayed on the upper deck.

The afternoons were set aside for reading, swimming, and talking. The first afternoon, we settled down at the dock in our bathing suits with towels, hats, sunglasses, sunscreen, and of course books.

First topic of conversation was what everyone was reading.

Robin Harlick was reading The Far Side of the World by Patrick O’Brien, part of the Master and Commander series. Not a series I’ve ever had any interest in.

But, as it happened, my work for the retreat was the proposal for the fourth Lighthouse Library series by Eva Gates. The book is set at Halloween and it opens when they are decorating the library suitably. You know the stuff: cobwebs, tombstones that say RIP, plastic spiders. And a ghost story to go along with it all.


As Robin talked about the book, I knew exactly what I needed to make the Bodie Island Lighthouse Library Halloween exhibit something special.

The Flying Dutchman. A ghostly ship, doomed to wander the seas forever. In the form of a model ship for the display, and a ghost story to recount.

Perfect! It seems like a small thing, but in writing it’s often the small things that cause a book to rise above the ordinary. And I never would have thought about it if not for being at Barbara’s retreat with time to think and talk with bookie friends and write.

Home again, home again

By Vicki Delany

Here I am relaxing at home. (Not actually relaxing, mind because I have three books still to be released in 2015 and more to write for 2016, but you get the point). Over the months of February and March I visited Arizona, North Carolina, Florida, Oregon, Michigan, and Pennsylvania.  Oh, and my home province of Ontario also.

All in the service of promoting my newest book, By Book or By Crook, the first in the Lighthouse Library series, written under the pen name of Eva Gates.

Its been an exhausting schedule, but as has been said many times before, the best part of being a writer is the friends you make.  I travelled and did appearances with Kate Carlisle, Jenn McKinley, Donis Casey, Erika Chase, and Barbara Fradkin. I talked books with Molly Weston and Barbara Peters. At Left Coast Crime in Portland, I hung around with the great Canadian contingent of Robin Harlick, Cathy Ace, Sam Wiebe, Linda Wiken, Barbara Fradkin, Eric Brown and Madeleine Harris-Callway (some of whom are pictured below).
















And there I met readers galore. Below is the table that Linda Wiken and I hosted at the LCC banquet. 

I am often asked if I find this sort of tour worthwhile, and I say yes.  With some reservations. It`s always difficult to tell what lasting effect (if any) your appearance will have.  I didn’t sell anywhere near enough books to pay for the flights and hotels, nor did I expect to, but I hope it will pay back over time.  I signed at Mystery on the Beach in Del Ray Beach Florida and By Book or By Crook was the number five bestselling paperback (trade and mass market) in the store for February. 

Booksellers who might not have read my new book otherwise, read it because I was coming, and loved it and so they promoted it to their customers. Certainly being on a panel with bestselling cozy authors like Jenn McKinlay and Kate Carlisle is invaluable for introducing Eva Gates as a new cozy author.

Cave Creek AZ with Kate Carlisle and Jenn McKinlay

Wherever I was I managed to find the time to drop into Barnes and Nobel to sign copies of the store stock of By Book or By Crook and slip my bookmarks into them.  Hopefully, browsing readers will come across them.

Next up: Malice Domestic in Bethesda, May 1 – 3, and the Mechanicsburg Mystery bookstore in Mechanicsburg PA on May 3rd. And, best of all, ROAD TRIP! with Mary Jane Maffini and Linda Wiken.

Until then, I had better get some writing done. 

The Art of the Cozy Mystery

By Vicki Delany

Did someone mention cozies?

I do believe Sybil did.

I’d like to take that opening to introduce a new cozy writer to the good people of Type M.

Her name is Eva Gates, and here’s a picture. Look familiar?

No, she is not my evil twin (or my good twin). She’s just me.

Eva Gates is the pen name for the new series I am writing for Penguin US. I am going over to the light side, and becoming a cozy writer.

And so far, I am loving it.

As you know (you don’t?, then time to find out) the books I write are mainly middle-boiled. The traditional police procedurals of the Constable Molly Smith series or the slightly darker standalone gothic thrillers.  What most of those books deal with is human tragedy. Broken families, bad people, conflicted cops, traumatized soldiers.

Here’s a line from Among the Departed that I think sums up my approach to the books I write.  

“When I decided to become a police officer I knew I’d have to deal with the hard side of life. Beaten children, raped women, accident victims, blood and gore. But that’s not the hardest part, is it? It’s the goddamn tragedy of people’s lives.”

Now that I’m writing cozies, I’m loving it. It’s great fun to be writing a book just for fun.  But more than fun, these books are about REAL people. Librarians, the people on the library board, the owner of the local bakery, a small-town mayor. Friends and relatives are close and loving and supportive. They are shocked, shocked, when murder interrupts their peaceful lives. They don’t have tragic lives and are stunned when bad things happen.

And then they, in the person of the protagonist, are determined to solve the crime, clear the innocent-accused, and put things back to rights.

In many cases the author uses whimsy and humour to do that.  Because there is a lot of humour in most people’s lives, isn’t  there?

And, as Sybil pointed out, there are usually pets. Cozies are heavy on pets because it helps the reader relate to the characters.

By Book or By Crook is now available for pre-order. Pre-orders are important for writers, in creating a buzz and letting our publishers know people are interested in this book.  If you want to pre-order the book, either in paperback or in e-book, here’s a couple of links. Amazon.com, Amazon.ca.