Can It Happen?

 by Charlotte Hinger

On my way to Kansas last month, I listened to Dissolution, Michael Gear's first book in his two-book Wyoming Chronicles series. It was mesmerizing. So much so, that when I returned, I immediately checked out the second book, The Fourth Quadrant, from the library. 

Gear speculates that if someone or some country introduces malware into the United States monetary system, (especially our credit cards) it would bring the whole country down. Normally, I'm not a science fiction fan nor do I usually seek out books set in the future, but I had no problem believing the chaos that would ensue. 

In the book no one could get gas. Think they could have paid cash? You can't withdraw your money if there are no accurate records of bank balances. The book is terrifying and very plausible. 

In the past, when people talked about terrorist attacks on the United States, I have always imagined something chemical or biological. I never dreamed so much damage could come from ruining our monetary system. Naturally, the people who immediately took control were thugs who ignored the Constitution and took advantage of the situation. There was a complete breakdown of the laws that undergird our society. 

The book seemed credible! If it had been written at another time, perhaps it would have seemed farfetched. However, the biggest shock to me was (and always will be) the destruction of the New York trade center. I honestly didn't believe that could happen to America. 

For that matter, I was astonished by the damage caused by Covid. Who would have thought that in this time of sweeping medical advances that a virus would cause so many deaths. 

Perhaps even more surprising to me is that I believe that goodness will triumph in the end. There have always been right-minded people who do the right thing at the right time and save the future. 

Dame Julian of Norwich said it best: "And all will be well, and all manner of things will be well."

How Long?

 by Charlotte Hinger

Wonder of all wonders. I'm very close to getting a historical novel published that I wrote in the '90s. This book is very dear to my heart, and I've never given up on it. I'm not saying anything about the publisher yet. Book deals can fall through at the very last minute. In fact, that happened a couple of years ago. I've learned never to really count on it until the contract is signed by both parties. 

Ironically, this historical novel "came close" to being published twice before. In the first instance, the editor moved to another house and his replacement didn't like it. The second time, the editor was severely injured in a car accident and by the time she had fully recovered, the press had abandoned publication of historical novels. 

When and if this is a done deal, with contract in hand, I'll say a lot more. 

My agent once emphasized the importance of building a body of work. When you finally connect, a publisher is often interested in other manuscripts.

Soldiering on is hard in the face of rejection. Especially for beginners who doubt their talent. The biggest determiner of whether or not one should continue writing is whether or not one likes the process. I really like to write most of the time. Unlike Frankie, I used to be a first draft junkie. Now, I like the rewriting and revision process.

 I have one more historical novel on the shelf and am positive it will find a home someday. 

My first novel required a tremendous amount of research. The other two historicals did too. All of my mysteries have a strong historical thingy that is causing murders in the present. I love concocting tangled plots. 

Getting the historical novel published (finally!) is a surprise. I'm distressed when people say "it's not what you know, it's who you know." That is seldom the case in publishing. Especially with the large New York houses. They want to make money. Sales potential is crucial. However, I'm convinced there is an element of luck involved. It's a matter of stumbling across the right editor at the right house at the right time. The sale of this book proves that. 

Getting published also requires an incredible amount of persistence. Plus guts. My friend Michael Gear once commented that often "those who have the talent don't have the courage, and those who have the courage don't have the talent." 

There's no question who will get published. It's the ones who submit their manuscripts!

Improve!

Kathleen O'Neal Gear and W. Michael Gear were keynote speakers at the recent Women Writing the West conference. The Gears have over 17 millions copies of their books in print worldwide and translations into 29 languages.

 If that weren't enough to turn you green with envy, Kathleen has a super academic record. She has published over 200 articles in the fields of archaeology, history, and bison conservation. The United States Department of the Interior has twice awarded her a "Special Achievement Award" and she received a "Certificate of Special Congressional Recognition" from the United States Congress in 2015. 

I met the Gears when they first attended a Western Writers Conference in Fort Worth. At that time they were living in a cabin in Colorado. I recall Michael saying they just had a mattress thrown on the floor. It was all they could afford. 

In the late Richard Wheeler's autobiography, An Accidental Novelist,  he reported on meeting the Gears (yet unpublished) at that same convention. He was interviewing wannabes for Walker Publishing and agree to read their stories. After the convention, a UPS truck delivered an enormous box. "I discovered a cache of manuscripts, five hundred pagers, one thousand pagers, one after the other." Wheeler was looking for books of about 60,000 words and could not publish these monsters. 

When they did finally begin selling, Michael told Richard they were down to their last 75 bucks and about to return to contract archeology. Richard points out that they were both willing to integrate editorial suggestions and made swift progress toward becoming best-selling novelists. 

In Michael's talk at WWW he stressed the important of improving one's writing. He emphasized that writing has changed over the years and we must read today's best-selling authors to understand how styles have evolved. 

I read a lot and some of my favorite novels were written during the 60s. It was the era of great social novels which were mini history lessons that captured the spirit of America. I learned more about the Civil Rights movement in a novel, Five Smooth Stones, that I have in any of my African American textbooks. And I own a bunch!

Yet, in re-reading these books, I find that language is stilted, and exposition and explanations are too drawn out. A lot of books that were best sellers during the years they were published would be rejected today. 

People are in a hurry. They don't put up with much. They like short chapters with whiffs of a backstory. I heard someone say that Americans like a lot of white space. Michael encouraged the listeners to read broadly. Read all the genres on the best-sellers list. Think about techniques that might improve our own writing. 

This is not a license for degrading our writing. Think of how much is conveyed in poetic images. It can be a new art form. 

Now don't yell! Once I asked writing students to notice how James Patterson changed a whole plot with a chapter ending with a one word paragraph. I know how disheartening it is to walk into a library and see seventeen copies of Patterson's latest book on the shelf. But there's a reason why he sells. 

It's a challenge to cultivate our own style and voice while keeping all the new rules in mind. When you feel frustrated, remember the Gears and their astonishing determination. They wrote a lot before they discovered the pot of gold at the end of the rainbow.