This year -- once again -- I intend to participate in National Novel Writing Month. I say "intend" meaning I will sign up again and try to complete the challenge. In case you've never heard of this annual event, the challenge is to write 50,000 words in November.
Many writers -- published and unpublished -- take part in the event. Many swear by it as an opportunity to focus on a work-in-progress or start a new project. Many see it as a way to power through a first draft, to get something down on paper.
However, even though I've tried this in the past -- a few years ago and again last year -- I have never gotten beyond the first few days. My life always intervenes. I have a day job, and there are things I must get done. But my larger problem -- or challenge -- is that my writing habits don't follow the guidelines. I don't sit down to write every day. I make notes. I scribble on sheets of papers. I sit down at the computer when I have chunks of time and scenes that I have been working on in my head that I am ready to write.
My process works, but it is messy and slow. Eventually, I'm always forced to withdraw from the world and sprint to the finish line. This works when I have a concrete deadline. But with this big book, my 1939 historical, all I have is my commitment to my agent and myself that I will get it done. I'd like to do that before we both are another year older. So, in November, I'm going to try to make NaNo my time to sprint.
I hope that committing to a month of being disciplined -- of designating a time to write and sitting down to do it -- will help me get to the finish line. I am not a pantser, but I have done my character bios and my plot outline. My research is at the point when I need to be deep into the story to know what else I need to know. I can keep writing and fill in whatever is missing in my knowledge of 1939 later.
I am hoping that this year, I will be able to use my advance preparation and my strong desire to get this book done to override my own plodding process. I need to finish a book that is closer to 100,000 words than 50,000, but I will not be starting from scratch. I don't care about registering my word count. I only want to make a public commitment. I want to set myself up for 30 days of nagging. That's the kind of "support" I need. I know I can write a book. I want people to hound me about getting this one done.
I am going to sign up with the local NaNo group. I am going to get support (nagging) from my Sisters in Crime and my local RWA chapter. I am going to pay myself ten dollars a day and reward myself with an expensive treat if I make my word count.
During November, I will be using my post to report in. Please nag.
Don't tell me I'm doing well. Ask me if I am going to get my 50,000
words done.
Is anyone else planning to do NaNoWriMo? Anyone done it and had great success getting a draft done?
Frankie Bailey, John Corrigan, Barbara Fradkin, Donis Casey, Charlotte Hinger, Mario Acevedo, Shelley Burbank, Sybil Johnson, Thomas Kies, Catherine Dilts, and Steve Pease — always ready to Type M for MURDER. “One of 100 Best Creative Writing Blogs.” — Colleges Online. “Typing” since 2006!
Showing posts with label National Novel Writing Month. Show all posts
Showing posts with label National Novel Writing Month. Show all posts
Friday, October 19, 2018
Friday, November 03, 2017
Writing Different
As I mentioned, this year I'm taking part in National Novel Writing Month (NaNoWriMo). I'm not sure if I'm going to reach the 50,000 words, but I am now looking for time when I can write each day. I do write every day, but — because I'm trying to finish a nonfiction book — I haven't carved out a time each day to work on my historical thriller. Instead, I've been doing research.
I've done research on the mood of America in the 1930s. Research on fashion and houses and Gone with the Wind. Research on the 1939 New York World's Fair, J. Edgar Hoover, Eleanor Roosevelt, the Great Depression, and the cost of living. I've done research on train schedules and the details of the tasks performed by sleeping car porters. I've watched films released in 1939 and listened to popular music. I've watched video tours of Washington, D.C., New York, and Atlanta. I've also watched a video showing how to drive a 1936 Ford. I know a lot about some things and a little about others.
The question — the real test — is whether during this month of focused writing I know enough to make it through the first draft without stopping to do research. Can I insert a question in brackets to remind myself to fact-check later and keep moving? That is not the way I normally write. I don't like to fill in information later. But this is my month of challenging myself to write different.
Writing different means that instead of working on my novel on weekends, I will get up a couple of hours earlier and start writing. I will write the entire two hours, not go back to read what I wrote the day before and edit. I will keep moving forward, working toward a first draft that is sure to be horrible.
But writing a horrible first draft may be what I need to do with a thriller. I need to feel the forward motion.
Right now, I'm going to bed. Getting up at 7 am is a shock to my system. I will keep you informed about how my attempt to write a novel in a month goes. If nothing else, I think it will force me to stop researching everything that crosses my mind, and instead focus on what I need to know.
Is anyone else doing NaNoMoWri? How did you prepare for the month of writing?
Friday, November 06, 2015
Untidy Ends
Sorry, everyone. It's my day to post and I forgot. I was up late last night trying alternate endings to the book that I'm working on. I signed up for National Novel Writing Month. I plan to work on my nonfiction book about dress, appearance and crime during the day and the new mystery in the evening. I don't expect to hit 50,000 words by the end of the month. But it will get me started.
I have an outline. I've written a synopsis based on that outline that needs serious cutting before I can send it to my editor. Right now, the synopsis is running around 20 pages because my characters have started talking and I've included snatches of dialogue and details about the action.
I should be pleased at how well this is coming together. I am pleased. But I have a problem. My problem is that I have four characters with good motives to do my victim in. In my outline and synopsis, these characters have taken turns coming to the attention of my protagonist and the village police chief. After much time spent thinking through how these characters would have viewed the victim and whether any one of them might have taken that final step of eliminating him, I finally know who the killer should be. That brings me to the problem that had me up late last night and still preoccupied this morning when I should have been posting -- the all-important conclusion.
Yes, we know who the killer is. My protagonist -- tenacious sleuth that she is -- has solved the crime. But how does she handle the expected climactic encounter with the killer? Where does it happen? What weapon does she use to defend herself? Could she talk the killer into surrendering?
Would my editor let me get away with, "And then she subdued the killer and waited for the police to arrive. More details about this encounter to be provided later" in my synopsis?
I have an idea that I need to get back to -- it might work. If not, I think I'll go to bed early and hope something comes to me in my dreams. Wish me luck!
I have an outline. I've written a synopsis based on that outline that needs serious cutting before I can send it to my editor. Right now, the synopsis is running around 20 pages because my characters have started talking and I've included snatches of dialogue and details about the action.
I should be pleased at how well this is coming together. I am pleased. But I have a problem. My problem is that I have four characters with good motives to do my victim in. In my outline and synopsis, these characters have taken turns coming to the attention of my protagonist and the village police chief. After much time spent thinking through how these characters would have viewed the victim and whether any one of them might have taken that final step of eliminating him, I finally know who the killer should be. That brings me to the problem that had me up late last night and still preoccupied this morning when I should have been posting -- the all-important conclusion.
Yes, we know who the killer is. My protagonist -- tenacious sleuth that she is -- has solved the crime. But how does she handle the expected climactic encounter with the killer? Where does it happen? What weapon does she use to defend herself? Could she talk the killer into surrendering?
Would my editor let me get away with, "And then she subdued the killer and waited for the police to arrive. More details about this encounter to be provided later" in my synopsis?
I have an idea that I need to get back to -- it might work. If not, I think I'll go to bed early and hope something comes to me in my dreams. Wish me luck!
Subscribe to:
Posts (Atom)