Holidays with My Characters

Posts from Rick, Barbara, and Aline about holiday customs got me thinking about Christmas when I was a child. I grew up in Virginia, and my parents both worked. Today, my family would be classified as among the "working poor."  That made holidays even more special because my parents always splurged on Thanksgiving and Christmas meals.

On Christmas morning, we had oyster stew and fried oysters for breakfast -- or, in the case of my brother, who would eat neither, his usual cereal.

I never asked why we had oysters, but I know now that the custom is supposed to have originated with Irish immigrants and become an American tradition. After breakfast, we went back to the Christmas tree to open any packages that might have been missed in that first rush to the toys. Our tree was the old-fashion kind -- a real tree that my father had chopped down on my grandfather's farm and that we decorated with tinsel, ornaments, and lights that had to be put on in the right order. The tree went up in early December.

I still have oysters on Christmas morning, but with less of the delight than when I was a child. Now, that I can afford to have them any time I'd like, some of the magic is gone. But it's nice to remember all those childhood breakfasts.

Thinking about all this, has made me wonder about my characters' holiday customs. I suspect that Lizzie Stuart, my Southern-born crime historian, had many of the same meals I did. Of course, she was born and reared in a small town in Kentucky by her grandparents. I must do some research on Kentucky delicacies that her grandmother, Hester Rose, might have served alongside her own childhood favorites from Virginia. And then they would have gone to church. Christmas Day and Easter would probably have been the only two occasions when Lizzie's grandfather, Walter Lee, would have gone without nudging from his wife. As a traveling man, a sleeping car porter until he retired, Walter Lee was not as religious as Hester Rose.

Does Lizzie still go to church on Christmas morning? Or does she share a romantic breakfast with her fiance, John Quinn? In the book I'm working on, they go to Santa Fe to spend Thanksgiving with Quinn's family. Quinn is 1/8th Apache. They will be spending that holiday with his half-sister and her family. His sister, mother, and step-father observe Native American traditions and customs that he does not. His sister, who owns an art gallery, is married to an archeologist, whose parents immigrated from Scotland when he was a child. What will be served at Thanksgiving dinner and what food memories will they share?

And what were Quinn's Thanksgivings like after his mother left his father? Quinn's father was career military and an officer. He had married Quinn's Native American mother and expected her to fit in. Did Quinn and his father join other officers and their families for holiday meals? Or, was his father impatient with such celebrations? Did he occasionally allow Quinn to spend Thanksgiving or Christmas with his mother and her family in Oklahoma?

Intriguing questions and something to think about as I'm imagining that Thanksgiving meal and the discussion over the table about how everyone intends to spend Christmas.

How do your characters spend the holidays?
 

Three Days in Santa Fe

As are my fellow bloggers, I'm still trying to regain my equilibrium. I had planned to fly to Santa Fe last Wednesday to do some research for my next Lizzie Stuart mystery. A friend who had some vacation days left and wanted a getaway came along with me. It says something about our shared state of mind that neither one of us even mentioned the election when we met at the airport on Wednesday morning. In fact, it was Thursday afternoon before we got around to acknowledging what had happened.

But the trip itself was wonderful. I had never been to Santa Fe and by the time I left on Saturday morning, I was ready to move there. 

On the other hand, Lizzie, my protagonist, will be distracted and anxious to get home to Gallagher, Virginia. The disappearance and murder that she has on her mind happened in Gallagher, not Santa Fe. In spite of my own enjoyment of the city, I tried to see it all through Lizzie's eyes.

I also spent some time thinking about what she would actually have the time to see and do on a Thanksgiving visit with her future-in-laws – people she'll be meeting for the first time and who she hopes will like her. But they would suggest that Quinn, Lizzie's fiance, show her around the city. Aside from the question of what would have been open during the Thanksgiving holiday, I also need to know what buildings and businesses were there in November 2004. I read everything I could access before I left, asked questions while I was there, need to dig down and do newspaper research now that I'm back.

Meantime, here are photos from the Santa Fe, November 2012:

Outside a state building

Rotunda dome in capitol with flags on display

Also in the capitol, wonderful leather furniture 

– and an odd sign asking not to put ice in the plants.

Downtown plaza with Native American artists and artisans
selling their work to browsing tourists

I have lots of other photos. I need to sort through what I have in my camera and cell phone and decide which are useful. What would have caught Lizzie's eye and what would she have thought?

I need to make sure the trip to Santa Fe is not an interesting but pointless detour on the journey to solving the murder. But now I have been to Canyon Road and I have a model for the art galley that Quinn's half-sister owns. I've seen the neighborhood where she and her family live. I know more about her husband's work as an archeologist. More important I know how a conversation in Santa Fe will lead to the solution to my mystery back in Gallagher.

It was a good trip and a welcome time-out.

Time and Setting

"Well, let me catch you up. It's now later the same afternoon. . ."

That's what Blanche on The Golden Girls says when Dorothy mentions it's been years since she read a certain slow-moving, long-running comic strip. Time hasn't moved quite as slowly in my Lizzie Stuart series. But it now four year later in a series that began in 2000. The series is now set in 2004.

The first challenge I'm facing is that I've forgotten the details. I'm about to write a book in which Lizzie Stuart and John Quinn, my sleuthing couple, fly off to Santa Fe to spend Thanksgiving with his relatives. This will be the first time Lizzie meets her future in-laws. Only thing, I've forgotten the bits and pieces of their lives from earlier books. I know Quinn's half-sister owns an art gallery. I don't know if I gave her husband an occupation. I don't remember if I mentioned the ages of their children. I know Quinn's mother and step-father are coming from Oklahoma. I don't remember what the illness was that had the step-father hospitalized in the third book. All those pesky little details that I've forgotten. And I haven't been keeping a series "bible" with information about the minor characters because my editor did that so well. But I won't have the same editor or publisher for this new book. I am going to have to go back and look for these details.

Actually, I may re-read the earlier books. I have never done that – read all of the books in the series. I was afraid of an encounter with passages that would make me cringe. But much has changed in both Lizzie's life and my own since we began sixteen years ago. At this moment in her life when she is only two months away from her wedding day at the age of forty, we should look back at how she got there. Since she is not going to do that in the midst of the awful situation that I'm about to put her in, I should do it for her.

Also, re-reading could help me with the warm-up exercise that I always have to do with a new book. I've been writing about another character, Hannah McCabe, for the past few years. During those years, I wrote one short story about Lizzie. I was thrilled when that story was published in Ellery Queen Mystery Magazine, but I didn't immediately return to the series. A reader asked if the short story was a set-up for the next book. I said "no". But as I began writing the new book, it occurs to me that one of the characters in the short story was in Paris during World War II, and Lizzie and Quinn are supposed to go to Paris on their honeymoon. The short story was complete in itself. A passing episode in Lizzie's life as the director of the Institute for the Study of Southern Crime and Justice, but there is that tantalizing mention of Paris. Who knows what . . . but getting back to the book I'm working on now. First, Lizzie has to meet her future in-laws.

I've never been to Santa Fe. Reminding myself that research trips are tax-deductible, I'm going to New Mexico later this month. A whirlwind three-day trip to try to imagine what Lizzie would have seen when she was there in November 2004. Last night I had dinner with a wonderful woman whose son lives in Santa Fe. She brought along a magazine, a map, and tips about "must sees" in downtown Santa Fe. While we were talking about where Quinn's sister and her family might live, she texted her son for more information. The pal who is coming along with me on my research trip had her travel guide to Santa Fe on hand and we discussed short trips Lizzie and Quinn might take – keeping in mind that they need to spend time with his family because that's why they are there. Thanksgiving dinner, football, conversations – except Lizzie is distracted by that missing woman back home in Gallagher, Virginia. . . the woman that she last saw changing a tire on the side of the road.

Because I'm description-challenged I need to go to the place I'm trying to describe. Yes, even if that means going to Santa Fe in this book and to Paris for the next. Those of the hardships of being a writer. But I hope that going to Santa Fe will allow me to see the city through Lizzie's eyes. She is a first-person narrator. Reading a guidebook and watching YouTube videos will not suffice. I will read books about Santa Fe history because Lizzie is a crime historian and she will read those books. I'll do research on art and culture in Santa Fe because Lizzie will want to be able to have an informed conversation with her future sister-in-law, the art gallery owner.

As I gear up for my trip to Santa Fe, I'm reading Mary Buckham's A Writer's Guide to Active Setting: How to Enhance Your Fiction with More Descriptive, Dynamic Settings (2015). I plucked this book off the shelf at a local bookstore. I brought it home and put it on top of a pile of other books that I hoped to read at some future date. Last week when I was thinking about Santa Fe and what I needed to know, I happened to spot Buckham's book. Buckham emphasizes the importance of getting inside your character's head when it comes to describing the setting. Whether it's a city street or her own bedroom, what a character focuses on should reflect both personality and mental state. Buckham analyzes passages from well-known writers to demonstrate how to use setting to strengthen depiction of character.

Lizzie once complained about New Orleans – didn't love the place and couldn't get into it – but she was there to find her long-lost mother and things were not going well. I want to go deeper with my settings, make every description work harder. That means I need to get out of my author's head when I visit Santa Fe for the first time and get into Lizzie's. I hadn't intended to write those earlier scenes in the book yet – the before-the-trip scenes when she encounters the woman who is later missing – but it seems I must. When we arrive in Santa Fe, Lizzie needs to be worried and anxious . . . and we need to be back in 2004.