My Favorite Present

 

by Charlotte Hinger

My favorite Christmas present this year was not one I received, it was one I gave to my granddaughter, Audrey Crockett. My photo of this project (taken in haste) didn't reproduce very well on this blog. It's a collage of seven generations of women beginning with Marie Stephanova Pishney. (bottom right)

Next is my own grandmother, Lottie Caroline Pishney Smerchek, then my mother Lottie Josie Smerchek Southerland and myself, Charlotte Faye Southerland Hinger. Above is my daughter Michele Renee Hinger Crockett, then granddaughter Audrey Charlotte Crockett Bell, next to my first great grandchild Francesca Michele Crockett Bell. 

I put all the photos in inexpensive frames from Michael's. Then I glued them all to foam board. The finished project looked much neater than it does in the photo and the colors are more consistent. I was able to size each photo through my word program and also apply a sepia tint. 

The Smerchek family did an outstanding job of keeping records. Our Bohemian heritage has been traced back to a church in Moravia, I believe in the 1600s. 

Readers who are familiar with my mysteries will recognize my mother's names, Lottie Josie. Lottie is the protagonist in my series and her twin sister, Josie, serves as a female Dr. Watson, who keeps her on the right track. 

I have tons of pictures to file and place in albums, but I wish I had taken more through the years. Back in the day, film was costly and I had to watch every penny. Now we have digital photography and can take as many as we like. 

One of my most joyful writing projects was the honor of editing the Sheridan County history books. There were over 500 family stories submitted and the photos brought tears to my eyes. 

In addition to my family pictures, I treasure each photo I took at conventions through the years. This coming year I want to develop better photography skills. Even if photos aren't to be used directly in our written material, they are a wonderful reference. 

Let Me Go

Let me go ye gods of manuscripts. Take this book off my mind. Shoo! Get out of my writing room.

I sent off my non-fiction book this week. It's for University of Oklahoma Press. Right now the working title is Nicodemus: Race and Culture on the Kansas Frontier. The moment I put it in the mail I wanted it back. I instantly thought of things I wish I had said, or shouldn't have said. When I worried that the paper was too cheap or not the right weight or the right degree of brightness, I knew I had passed over the line into a new kind of craziness.

Did I remember everyone I wanted to thank in the acknowledgements? Were all the names spelled correctly. Was I wrong on just about everything? Was there some crucial resource that I left out? Was the epilogue too short? It took a long time to finish this project. Academic books require extensive documentation. I've read so many microfilmed newspaper that I'm lucky I still can see.

Non-fiction books have their own protocol. For one thing, I had so send this manuscript in both print and digital formats, with each chapter in a separate digital file. Poisoned Pen Press wants everything in a single digital file. In fact that's true of most fiction publishers nowadays. Each method has it's own merits.

Single large files are a dream to edit. For that matter I can change a name instantly throughout the whole book. We had to do that in Hidden Heritage when I read two days before I sent in the final manuscript that a family in New Mexico was suing the government over the same issue that was the linchpin of my mystery.

When I got home from FedEx, I realized I had left out the checklist. See? I told myself I would leave out something that was critical. I'll scan it and email it to my editor.

I have a couple of things left to do. This kind of book has a lot of pictures and acquiring permission to print them is quite tedious. The first step is to determine who owns the copyright. The next step is  writing to the owner and getting signed permission to publish. The stipulations are very restrictive. I only have one more picture to collect. I don't want to take a chance on it getting lost in the mail and will go to LaJunta, CO to scan it. It's a priceless picture of Lulu Craig, whom I quote throughout the book.

I have to do my own indexing. The process is quite precise. However, one of the things I appreciate about OU Press is detailed instructions. There are professional indexers, but the price would come out of my own pocket and it would be really hard for someone else to pick out the sub-headings I have in mind.

This is a learning process. Right now, I'm maxed out on integrating new information. And I want the book off my mind while I finish my fourth mystery.

You can bet I'll let everyone know when the academic book is published.