Cops in crime fiction

Last week my daughter told me that TV shows and stories about cops are out. The recent protests about police brutality have cast police in a very different light; not as heroes pursuing justice and saving lives, as portrayed on TV and in novels, but as brutal thugs supporting a corrupt and discriminatory way of life. Even in Canada a harsh light has been cast in the dark corners of police interaction with the Black and Indigenous community.

Since I am currently writing my eleventh Inspector Green novel, my daughter's pronouncement gave me pause. My fictional police officers are flawed but, at their core, mostly good guys. I do not write about police corruption, discrimination, or the morally murky world where organized crime and police enforcement meet. My stories are about ordinary people caught up in an extraordinary crisis, and Inspector Green himself, as the son of Holocaust survivors, is passionate about bringing bad guys to account, pursuing justice for victims and supporting the marginalized in society.

Like most of my fellow writers of police procedural novels, I've never pretended my stories were about how policing operates in the real world, not because I want to whitewash the flaws and portray a fantasy ideal, but because most real-life murders and the minutiae of police investigations don't make good storytelling. And that's what mysteries are all about. It's not about the police per se, but about the struggles of people facing their darkest hour, the choices they make, and the fallout from those.

In most mysteries, the murder is merely a dramatic device around which the story revolves. Whether the writer splatters blood all over the page or hides it discreetly offstage, the resulting story is about the interactions, relationships, and conflicts of the characters, both within themselves and between each other. It's about the unravelling of those relationships and the quest for justice for those involved. The protagonist, whether it's an amateur sleuth, an investigating journalist, or a professional police officer, is just the agent in that search, and not the main focus of the story. I think readers love mysteries because of that fundamental theme of searching for justice and righting a wrong.

That said, there is certainly room to inject some reality into this idealized fictional scenario. The atmosphere in the police squad room, the inclusiveness, and the biases can and should be addressed. When I wrote my very first Inspector Green novel, back in the mists of time, I included no female police officers (because that was the reality of the day), but I have slowly been adding them and addressing their unique struggles in later books. Still later I began to think about racial inclusiveness, and in this latest book I have tried to take this one step further.

There has been much written recently about how white the crime fiction world is, both in terms of who is writing it and who is reading it. There has been talk about how to increase diversity and inclusion. I won't go into that further here, but I think all of us writers should be taking a look at the stories we tell and the characters we create. We are always looking for new, compelling themes to wrap a good story around, and the insights emerging from the recent soul-searching on racism can only enrich them as well as making them more relevant to more people's lives. 

bwana politics

 I was going to post about bad writing advice but something this week prompted me to address another topic. What happened is that a few days ago, Facebook informed me that a Facebook post that I reposted had been blocked because they considered it spam. Specifically, it was a post linked to La Bloga, a website that features news and commentary about Latino literature, poetry, culture, and some politics. This particular post mentioned my newest novel, University of Doom, and Floricanto and what they had to say about the border wall. Here's a screenshot of what Facebook told me.

I couldn't figure why this was spam since I only posted it to my feed as I do all my other posts and links and none of them were ever considered spam. When I clicked on the link Facebook provided to explain why my post was spam, it said that this post either violated community standards or presented a security threat. Both assertions are of course, caca. I figured that some Facebook bot had scanned the content and tripped upon some offending words or images, but I have no idea what they were.

Interestingly, I had no trouble posting this screenshot on my feed. Then other members of the La Bloga complained that sometimes their posts to La Bloga were getting blocked and were unblocked only after they submitted an appeal. However this week, no links to La Bloga were allowed by Facebook.

I haven't submitted a request to Facebook that they review my post because the process is demeaning. Basically I have to go, sombrero in hand, huaraches on my feet, and beg, pleeze señor rich, educated white person, I'm just a lowly brown-skinned piasano who means no harm. Pleeze unblock my post so that me and my burro can go on our way.

The issue is one of what we used to call institutional racism, in which the cultural and economic prejudices of those in power are built into a system to the detriment of the marginalized. The eggheads at Facebook see the world through their narrow microscope of entitlement, and being guys and gals who make a lot of money, what they decide is obviously right, no matter the consequences to anyone else. Like other Silicon Valley companies, Facebook is staffed by Ivy League elites who praise themselves for using the appropriate buzz words. Naturally, they proclaim progressive values such as diversity. Facebook recently bragged about a JUMP in the hiring of Latinos from 4 to 5 percent! This in a state--California--where the population is 40 percent Latino. Meaning, Facebook believes in diversity as a concept, just don't hold them to actually putting it into practice. So it's hasta la vista, Mexican peasants.