I’m 15,000 words in, and I feel like I don’t have a lot of filler. But I can’t see the book topping 100,000 words. It’s moving well, and the outline is helpful. But . . . is it on pace to hit even 70,000?
It has me thinking back to some of my favorite novels, particularly those by Ross Macdonald. The Lew Archer classics are short but far from small. They are existential and deal with moral ambiguity in ways even Chandler did not. Some weighed in at 180 pages, but the tale of the tape doesn’t mean much when you hit as hard as Macdonald.
Therefore, the question quickly becomes: Regardless of length, is the book satisfying for the reader? I’ve read several 800-page books that should have been 400 pages. Conversely, I love all 900 pages of Moby Dick (yes, even the middle 200 about the whale). But Gatsby is fewer than 200 and is one I would take on my island to reread until eternity.
One thing I know about myself is that I have a habit of putting lots of players on the stage. That leads to the danger of not fully developing them all. As I’m re-examining my outline, keeping track of who is allowed to sing loudly for all to hear and who fades into the background is useful. As is considering which questions were asked and not answered. I’m not talking about the plot here, but rather who made a cameo and never got back on stage.
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| Author's Best Friend or Bored Reader? |
As you can see, for me, it comes back to the outline. I am holed up in Maine for the week with my dog, doing home-owner work and writing. We will get back to work, starting by revisiting the outline.
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