Showing posts with label Bloody Scotland. Show all posts
Showing posts with label Bloody Scotland. Show all posts

Monday, August 16, 2021

Launching into the digital ether

Well, that's my latest book out here in the UK with as much fanfare as could be mustered in these times of pandemic. Unfortunately, said fanfare was all digital. Social media has its uses but - as Rick pointed out in his column earlier this week - it is somewhat hit and miss. 

Another example of quite gratuitous self-promotion for which I am just barely ashamed.


In his post, Tom highlighted the effect of Covid on launches, mentioning that Bouchercon has been cancelled once again. In the UK last year every single festival fell away one by one, although we are now seeing the green shoots of recovery. The Harrogate event went ahead earlier in the summer, the Edinburgh International Book Festival is underway even as you read this and in September Bloody Scotland - one of the festivals dear to my heart, not to mention close to my home - has announced it will proceed with a mixture of live and digital events. Naturally, everything is subject to change should a new variant rage through the populace. However, we have made excellent headway with the vaccine rollout here, although there remain pockets of resistance.

Anyway, there was no live launch for me. No ego-boosting. No lines of well-wishers clutching freshly bought copies waiting for me to scratch a pen over the title page, although I did visit a couple of bookstores in Glasgow to deface their stock with a Sharpie. Which I borrowed from behind the counter because I had forgotten to take a pen. I hope to get out and stage such raids on other stores soon. I may even take my own pen.

Instead, there was a flurry of Twittering, Facebooking, Instagraming and even Linkdining. Those more savvy with the technology can meld the various ingredients into a satisfying broth. My approach is more like throwing pasta at the wall to see what sticks.

My efforts are aided by those bloggers, readers, friends and other authors who share and comment - and I would like to take this opportunity to thank each and every one of them. Also booksellers who place the book in prominent positions and also do more than their fair share of Twittering. (Yeah, I know it's Tweeting, don't write in.)

Reviews have been good so far, which is heartening. Again, thank you to all who have taken the time to do so. As for sales? I have no idea but given the glut of product out there I can only hope for the best. 

On a general note, given the past 18 months, that's really all we can do. 

Oh - and get vaccinated, for goodness sake.



Monday, November 23, 2020

Court in the Act

Ah, Scotland.

As you know, I'm a Scot, living in Scotland. And because many of you enjoyed the images last time (well, a number of you. Okay, a few. Fine! A couple) here's a taster of the delights:


The aptly-named Rest and Be Thankful

Not all if it looks like that, despite what the tourist board or Outlander may tell you. Yes, vast tracts of our 31k square miles and around 800 islands are picture postcard perfect, there's no denying it. We have mountains and valleys and lochs (one lake!) and green fields and rivers and beaches that can take the breath away. Usually by the weather. 

But there are a lot of misconceptions about my country.

We don't all wear kilts. We don't all look like Sam Heughan (no matter how much we suck in our gut). We don't all eat haggis regularly (they are tricky little rascals to catch). We don't all have the urge to go out and kill an Englishman when we hear the skirl of the pipes (although sometimes we do have the urge to kill the piper).

Not every part of my country looks like that above. There are areas that have absolutely no picturesque qualities at all. We have neighbourhoods that suffer from urban blight. We have crime.

It is our legal system that is arguably the least understood, even by Scots. We have seen and read so many legal dramas from the USA and England that there are many who do not know that, like the past, we do things differently.

For instance - juries. In Scotland they are 15 strong not 12, which means there can be no prospect of a hung jury. However, a judge can allow a trial to proceed with as few as 12 should any drop out due to illness. A majority here can be a straight 8 to 7, which means that if only one person believes guilt - or otherwise - the accused can be jailed. Or otherwise. 

Juries have three verdicts from which to choose - Guilty, Not Guilty and the controversial Not Proven. This is a holdover from the older system where charges were either Proven or Nor Proven. 

Our judges do not bang gavels and demand order. 

There are no opening statements. 

We do not have charges such as manslaughter or arson - they are culpable homicide and wilful fireraising. Other, more arcane, charges include hamesucken - home invasion today - and plagium - child stealing.

It was some of these differences that the Scottish Faculty of Advocates, the court service and forensic scientists wanted to illustrate in a courtroom drama in which I played a part. A real-life case was selected - one from the 1930s - and then adapted to fit a modern setting and names changed to be  presented in an actual courtroom during the Bloody Scotland crime writing festival in 2019 under the title You the Jury. 

Real lawyers played the advocates, a real judge presided, real court staff kept proceedings going, real forensic scientists played themselves and the jury was selected from the audience. I had put together the various witness statements and some of the evidence, the forensic experts handled their own. I also played the accused but did not give evidence. All I did was sit in the dock and look innocent or guilty, depending on your point of view.

Two performances were scheduled but they sold out within a matter of days so a third was slotted in. It sold out too.  

We had intended to take the show on the road but then 2020 happened and that was that. A charity event in Glasgow and almost two weeks at the Edinburgh Festival Fringe went by the board. 

One performance was filmed and the highly professional result, which has been made available for study in schools and colleges, was screened as part of this year's virtual Bloody Scotland Festival. It was again hugely popular.

In two of the three performances I was found Not Proven, which given the evidence presented was the best we could expect. It was, however, interesting to note that the evidence was presented in exactly the same way by the same advocates and witnesses each time and yet one jury was convinced of my guilt by a majority while the other two were not. They were not certain enough to vote Not Guilty, though, so the tricky third verdict proved useful to them. When someone could be sent away for life on the basis of a single vote, the Not Proven verdict is necessary, I believe.

It was a pleasure and an honour to work with the legal professionals and it was an incredible experience to watch it all come together in the single day rehearsal we had.

I am certain, though, if I'd had more to do than merely sit in the dock and look guilty, innocent or somewhere in between, we would have required a LOT more rehearsal time!


A rehearsal shot for You the Jury