Really? JAWS is fifty years old?

 By Thomas Kies

Fifty years…that sounds like a long time ago, and I guess it was.  But sometimes it doesn’t seem like it. 

I read in the Washington Post that it was fifty years ago that Patty Hearst was kidnapped.  For those of you who don’t recall, Patricia Hearst was the heir of the Hearst fortune, scheduled to be married, when she was targeted and kidnapped by a rag tag, disorganized group of far-left terrorists called the Symbionese Liberation Army. 

Shortly afterward, she renounced her “class privilege” and appeared to have joined the terrorist group calling herself “Tania”.  After a series of bank robberies and shootouts, many with deadly results, she was captured.  

At her trial, she claimed that she was brainwashed, raped, and suffered from “Stockholm Syndrome” where a captive begins to identify and empathize with his or her captors. Even so, she was found guilty and sentenced to 35 years in prison, reduced to seven years.  Her sentence was commuted at 22 months by President Carter and eventually pardoned by President Bill Clinton. 

While reading this account, I tried to recall what books were released fifty years ago.  These are a few of what I found:

Carrie--Stephen King (think about how many books he’s written since that one was first published)

Helter Skelter--Vincent Bugliosi

Jaws—Peter Benchley (think about how many times you’ve heard that iconic clip of music for the movie)

All the President’s Men—Carl Bernstein 

Tinker, Tailor, Soldier, Spy—John Le Carre`

Centennial—James Michener. 

The Seven Per Cent Solution—Nichola Meyer (think about how many Sherlock Holmes books have been written since then) 

Coincidentally, Marc Jaffe, an editor who worked for Bantam, recently passed away at the age of 102.  He worked on Jaws when it was originally published, as well as such blockbusters as The Exorcist, Catcher in the Rye, and 90 Minutes at Entebbe.  He was a legend in the publishing business. 

Fifty years sounds like a long time, but when it comes to stories, some of them feel much younger than that—books that stand the test of time and live in our collective consciousness. When you’re a writer, you hope that happens with your own work.  

Have a great week and happy writing.  

Short Chapters

 By Thomas Kies

I was recently asked by a fledgling writer about how long a book should be. I told him that the book is as long as it takes to tell the story, but generally speaking, it appears that the word count should be anywhere from 60,000 words to 110,000.  

Last week Douglas Skelton did an excellent blog on books he’s pulled off his bookshelf, blew away the dust, and reread, such as Ed McBain, Robert Ludlum, and Harold Robbins.  These were books he read early on in his life.

It made me think of some of the authors I read when I was much, much younger.  I think back fondly on the James Bond novels by Ian Fleming.  Back then, the Signet paperbacks were only sixty cents, but we’d read them, trade them for others, and talk quietly about them.  Don’t let the teachers see you with those books, after all, some of them have sex scenes. 

The way Bond treated women back then, we’d consider misogynistic now. 

I was absolutely hooked on the John D. MacDonald novels featuring Travis McGee.  The premise of the McGee mystery/thrillers was that McGee was the finder of lost or stolen things, a self-styled “Salvage Consultant”. He lived on a houseboat in Florida that he won in a poker game called the “Busted Flush”. And all the covers of those paperbacks seemed to feature a semi-nude woman.  Don’t let the teacher catch you with any of those either.

But I also became addicted to the wildly popular novels of James Michener.  His books were amazing…and amazingly long.  His book Hawaii is nearly a thousand pages. Centennial was over a thousand pages long.  Not something you’d likely see in a novel now.  Most of his books would begin with long chapters about the cultural and geologic history of whatever region was the subject matter of that particular novel. 

Could a writer get away with that now?  Not a chance. 

Novels need to start fast, be tightly written, and don’t even think about writing a 1,000-page book. Even chapters are shorter.  People's attention spans are shorter, their time is in demand from their jobs, families, and the world around them. 

Before getting published, I attended a writer’s conference and sat in on a workshop where the facilitator insisted that all books have chapters that were around twenty pages each.  I’ll admit, that in my first novel, Random Road, some of my chapters were around that long.

But as I continue to write, my chapters have become shorter, in some cases four or five pages.  It’s basically a scene and once that scene is over, bam, time move on to a new chapter. 

Why short chapters?  They make a good stopping point.  Maybe the reader only has fifteen minutes set aside per day (or night) for reading.  Or they have just so much time on their train commute. Or that's just the time they've set aside before their next task. 

But the funny thing is that when we give the reader a place to pause, they keep reading. 

The biggest compliment I get is when a reader tells me they couldn’t put a novel of mine down, that they read it in one sitting or over the course of several days.  

And I thank them for the compliment in spite of the fact what it took them a day or so to read, it took me nearly a year to write.