Showing posts with label Spur Awards. Show all posts
Showing posts with label Spur Awards. Show all posts

Tuesday, September 17, 2024

Writing Time (Or Not)

 by Charlotte Hinger


Last June I had the pleasure of watching my friend, Michael Gear, receive Western Writers Spur Award for Best Short Fiction. Michael is of one of favorite authors. Not only is he a mesmerizing speaker he is generous in giving other writers a boost. 

Seperately or with his wife, Kathleen, (both are renowned archaeologists)  he is responsible for over 70 novels. I was impressed with Michael's energy after the awards presentation. He greeted each person like they were a long lost friend.

Writing individually or as a couple, the Gears have over 17 million copies of their books in print world-wide which have been translated into at least twenty-nine languages.

The Gear's secret is hard work. According to their website, after a fairy tale romance and subsequent marriage in 1982, they spent the next three years in a primitive cabin, with no running water and only two wood stoves for heat. Mike wrote eight novels before he finally sold one. Kathy wrote five non fiction books, and sold the first novel she ever pitched.

Kathleen told me they each spent two hours daily on social media, fan mail, etc. Talk about hard work! And they write every day. 

There are many times during my life I’ve had to admit my usual modus operandi simply wasn’t working anymore. I’ve gotten trapped psychologically into believing I’m handling things when I’ve not. But it usually boils down to the fact that I'm not working hard enough. 

My latest pitfall is the myth of believing I can “clear time” for writing. I've written about that before. That has never ever worked for me. It’s not working now. It won’t work in the future. This summer has been especially disruptive. Something always happened to blow the “cleared time” sky high.

My best approach has always been to write five days a week. Naturally that expands to include weekends at certain stages.

There were many questions I wanted to ask the Gears. What about the business side of writing? Do they hire help for some of these tasks? 

Although I think my life needs more Tweaking, not Tweeting, I need to develop a consistent social media approach. 

Some people never write when they are promoting. Some, like the Gears, write every day no matter what the circumstances. Some take long breaks between drafts of a book. Some write in multiple genres.

So how do you do it, Type M'ers? Have there been times when you’ve had to switch your approach?

Thursday, November 10, 2022

Writing That Sings

 By Johnny D. Boggs

This week finds me in Albuquerque, New Mexico, for the annual International Western Music Association convention. What makes a writer of prose want to hang out with songwriters, poets and performers?

After all, my key is “out of;” a meter is something I feed to keep from getting a parking ticket; and notes are what I owe the bank or my scribbling that I can’t read three hours later.

But when I was sloppily writing short stories as a kid, sometimes I would decide: This needs a theme song. I’d pen dreadful lyrics, which I would imagine Frankie Laine singing.

That said, my friend Micki Fuhrman and I co-wrote a song that placed second – out of 116 entries – in the IWMA’s songwriting competition this year. Micki, who also writes fiction, won a Spur Award and finalist honors this year for Western Writers of America’s Best Western Song and is nominated for four IWMA awards this year, including Songwriter of the Year.

Jim Jones, a multiwinner of IWMA awards, also writes Western novels, so I asked him how writing songs helps him with his fiction, and vice versa.

“For me, a song is in some ways a synopsis for a novel,” he said. “If you write a song, you have a synopsis. And if you have a storyline, it gives you tons of songs to write.”

Jones mentioned Mike Blakely, a Spur Award winner for Western novels and Western songs. “Mike has transformed many characters from his novels into songs.”

The song Micki and I cowrote came about when we were talking about the placement of words. I said something like, “Take signing a letter ‘Yours Truly.’ What if you flipped the words to ‘Truly Yours?’” Next thing I know, we have a song titled “Yours Truly, Truly Yours.”

Micki’s album Westbound, nominated for IWMA’s Traditional Western Album of the Year, includes a song I wrote – “Loving County,” inspired from Elmer Kelton’s classic Texana novel of the 1950s drought, The Time It Never Rained.

Studying great songwriting helps when I’m writing prose. There are beats to dialogue, action scenes, descriptions. Sentences need a rhythm.

“I came into fiction writing as a professional songwriter,” Micki told me, “and I believe the skills I learned composing songs shaped the way I write stories.

“With a song, I have about three minutes to set up a scenario with a beginning, middle and end. Every word has to work hard, and the more ‘picture words,’ the better, since I see the lines of a song as movie frames.

“Now, as I write a short story or a novel, I subconsciously follow the tenets of songwriting: rhythm, pacing, fluidity of words, alliteration, color and emotion.”

Thank goodness, I don’t try to sing while writing pros. But when I’m looking over a draft, I will often think back to lyrical styles of songwriters I’ve long admired – John Prine, Guy Clark, Johnny Cash, Mary Chapin Carpenter, Pete Seger, Jimmy Webb, Carole King, Count Basie, Townes Van Zandt, Loretta Lynn, Bob Dylan, Sam Cooke, Jon Chandler, Rosanne Cash, Woody Guthrie, Bob McDill, Johnny Mercer, Joni Mitchell, Tom T. Hall, Bob Seger, Mickey Newberry, Bruce Springsteen and, yes, Blakely, Jones and Fuhrman – and incorporate some of that into my prose.

It might not always sing, but every now and then I’ll hit the right note.