Last night I had the official launch of my latest book, PRISONERS OF HOPE, and so begins the frenetic season of promoting a new book. It's short but busy, often with back to back events that consume much of my fall weekends. This is my seventeenth book, and that's a lot of weekends. Missed opportunities to cut the garden back, rake the leaves, take leisurely walks in the glorious fall trees, and even vacuum the extra dogs that have accumulated under the tables in my house.
The launch is always the highlight of this time. I am not very organized and have not developed a newsletter, mailchimp list, or even email groups to help me send out invitations, so it takes time but I try to send out invitations to all of my contacts who live in the Ottawa area. I book a venue, arrange a bookseller, order some food, and cross my fingers that people will come. To my delight, they always do, some new readers, some faithful ones of old, and of course, my long-suffering family. This starts the season off with a boost, because everyone is excited about the new arrival and effusive in their praise. Thanks so much to all you loyal friends and fans who come out to support us authors!
I hold on to this boost during the long weeks of readings and signings that follow. Some are well attended, often to my surprise and gratitude, but other times I am reading to a rapt audience of five, including bookstore or library staff. I recall being scheduled earlier in my career to do a conversational hour at a conference, and one person showed up. One hour is a long time sitting face to face with a stranger!
All writers have horror stories about the dreaded mall signing. Bookstores forget you're coming or only order five books, snowstorms turn the mall into a graveyard, a raucous children's event is running in the store next door, or, despite seventeen books, no one has heard of you but they love James Patterson. As if authors need more lessons in humility after dozens of rejection letters, brutal editing, nasty reviews...
Through it all, you smile gaily, trying to look inviting but not desperate as you watch people walk by the store. Do they make eye contact? Do they scan your table as they pass? Or do they detour around to enter the store from the other side? Do they look on the verge of murder themselves as they drag a couple of screaming children in tow? Do they go for the fiction table or the scented candles?
If you decide the signs look favourable, you embark on phase one. "Hello. Are you a mystery fan?" or some such. Some pretend not to hear you as they scurry past. Some give a curt no, some say yes, rather dubiously as if uneasy about what they're committing to. If they stop, you begin phase two. You explain who you are and give a one-floor elevator pitch about the books. If they are still standing there, you continue with more detail. My favourite point is when the person's eyes suddenly widen in surprise and they say "Oh wow, you're the author?"
Most people are too polite to turn you down outright. Once entrapped into conversation, they mumble appreciatively and look for a gracious exit strategy. Is the book available on Kindle? Is it in the library? I'll be back once I go to the bank. Sometimes, after engaging for five or ten minutes and reading the blurbs of each book, they smile, say good luck, and move on. I feel for all these people. They don't want a book, it wasn't in their plan for that day, and they made the mistake of saying yes. I always thank them for stopping by, hand them a bookmark, and wish them a great day.
There are also the people who approach your table with great purpose and enthusiasm, raising your hopes, only to ask where the washrooms are or whether you have the latest Harry Potter. You learn to smile at these. An honest mistake.
There is two groups of people that seasoned authors encounter all the time, however. One is the person who's bored, killing time, possibly waiting for a friend who's in the store. So they figure they'll chat with the author. They usually position themselves directly in front, blocking everyone else's access to the table. After a few minutes of conversation, it becomes clear they have no intention of buying a book but merely want to talk. About their experience in the book business, about their grandchildren, whatever. Meanwhile potential readers are passing by, sometimes peeking around the talker to try to see the books.
At every signing, it seems, there is also the customer who isn't interested in your book but wants to tell you about the book they have written, or plan to write, or want to write. There are variations on this, but they usually want book advice such as where to get their book published. Curiously, I have found these are almost always middle-aged men who don't read fiction (often proclaimed with pride). They can explain their non-fiction book for hours, as others drift by, pause to peek, and go on their way.
Both these types of customers are difficult to deter, often standing by patiently if you interrupt them to address another reader and then resuming when that reader has left. Neither of them end up buying a book.
Why do we keep doing mall signings, you ask? Well, first of all, the connection to the booksellers, particularly the indies, is key. They are book lovers and readers themselves, and their belief in you means a lot. They are the ones who stock the book and recommend it if they like it (and you). They all have horror stories themselves about difficult or entitled authors, and believe me, they get their revenge.
But the signings are always redeemed by the customers who listen to the five-floor elevator pitch, ask some questions, say it sounds interesting and take the risk. Building readership one by one seems to be how the business works in the absence of a publisher with a big promotional budget. The signings are redeemed even more by the customer who comes up to the table with a big smile and exclaims "I love your books, I've read them all! I could hardly wait for the next one! And I want one for my friend's birthday too."
That is music to an author's ears. It's why we write, after all.
The launch is always the highlight of this time. I am not very organized and have not developed a newsletter, mailchimp list, or even email groups to help me send out invitations, so it takes time but I try to send out invitations to all of my contacts who live in the Ottawa area. I book a venue, arrange a bookseller, order some food, and cross my fingers that people will come. To my delight, they always do, some new readers, some faithful ones of old, and of course, my long-suffering family. This starts the season off with a boost, because everyone is excited about the new arrival and effusive in their praise. Thanks so much to all you loyal friends and fans who come out to support us authors!
I hold on to this boost during the long weeks of readings and signings that follow. Some are well attended, often to my surprise and gratitude, but other times I am reading to a rapt audience of five, including bookstore or library staff. I recall being scheduled earlier in my career to do a conversational hour at a conference, and one person showed up. One hour is a long time sitting face to face with a stranger!
All writers have horror stories about the dreaded mall signing. Bookstores forget you're coming or only order five books, snowstorms turn the mall into a graveyard, a raucous children's event is running in the store next door, or, despite seventeen books, no one has heard of you but they love James Patterson. As if authors need more lessons in humility after dozens of rejection letters, brutal editing, nasty reviews...
Through it all, you smile gaily, trying to look inviting but not desperate as you watch people walk by the store. Do they make eye contact? Do they scan your table as they pass? Or do they detour around to enter the store from the other side? Do they look on the verge of murder themselves as they drag a couple of screaming children in tow? Do they go for the fiction table or the scented candles?
If you decide the signs look favourable, you embark on phase one. "Hello. Are you a mystery fan?" or some such. Some pretend not to hear you as they scurry past. Some give a curt no, some say yes, rather dubiously as if uneasy about what they're committing to. If they stop, you begin phase two. You explain who you are and give a one-floor elevator pitch about the books. If they are still standing there, you continue with more detail. My favourite point is when the person's eyes suddenly widen in surprise and they say "Oh wow, you're the author?"
Most people are too polite to turn you down outright. Once entrapped into conversation, they mumble appreciatively and look for a gracious exit strategy. Is the book available on Kindle? Is it in the library? I'll be back once I go to the bank. Sometimes, after engaging for five or ten minutes and reading the blurbs of each book, they smile, say good luck, and move on. I feel for all these people. They don't want a book, it wasn't in their plan for that day, and they made the mistake of saying yes. I always thank them for stopping by, hand them a bookmark, and wish them a great day.
There are also the people who approach your table with great purpose and enthusiasm, raising your hopes, only to ask where the washrooms are or whether you have the latest Harry Potter. You learn to smile at these. An honest mistake.
There is two groups of people that seasoned authors encounter all the time, however. One is the person who's bored, killing time, possibly waiting for a friend who's in the store. So they figure they'll chat with the author. They usually position themselves directly in front, blocking everyone else's access to the table. After a few minutes of conversation, it becomes clear they have no intention of buying a book but merely want to talk. About their experience in the book business, about their grandchildren, whatever. Meanwhile potential readers are passing by, sometimes peeking around the talker to try to see the books.
At every signing, it seems, there is also the customer who isn't interested in your book but wants to tell you about the book they have written, or plan to write, or want to write. There are variations on this, but they usually want book advice such as where to get their book published. Curiously, I have found these are almost always middle-aged men who don't read fiction (often proclaimed with pride). They can explain their non-fiction book for hours, as others drift by, pause to peek, and go on their way.
Both these types of customers are difficult to deter, often standing by patiently if you interrupt them to address another reader and then resuming when that reader has left. Neither of them end up buying a book.
 |
| My last book signing at the wonderful Aunt Agatha's. |
But the signings are always redeemed by the customers who listen to the five-floor elevator pitch, ask some questions, say it sounds interesting and take the risk. Building readership one by one seems to be how the business works in the absence of a publisher with a big promotional budget. The signings are redeemed even more by the customer who comes up to the table with a big smile and exclaims "I love your books, I've read them all! I could hardly wait for the next one! And I want one for my friend's birthday too."
That is music to an author's ears. It's why we write, after all.
