Venturing into the World

 As I read what my blogmates have written over the past months about venturing out into the world, I feel like the woodchuck who lives under the storage hut in my backyard. He (or perhaps she) pokes a head out of its tunnel to have a look around before emerging out into in my pocket-size but lushly green backyard. There is a grapevine that has been impossible to kill and that every summer intrudes across the low fence into my neighbor's yard. Despite being ripped out by a tree trimming company last year, it is back again and now climbing into a young tree nearby. While looking innocent, that grapevine can kill the tree. But it and the wild flowers around it provide the woodchuck and the rabbit family that live in my backyard with a place they can quickly shelter when I come into the backyard with my dog, Fergus. 

Not understanding the concept of leashes, they don't know that even when Fergus dashes into the yard, I have a firm hold on him. No woodchuck will be pursued into its tunnel or rabbit, squirrel, or chipmunk harassed on my watch. The birds are capable of fending for themselves, but they would all probably be safe even if Fergus were running free. He is a lover not a predator. In all likelihood, he would be front paws down, butt up in the air as he barked at a baby rabbit and waited for it to play. 

But unlike Penelope, the Maine Coon cat, with whom he lives and who alternates between indifference, mild interest, flirting as she brushes by him, stopping to sniff, and meowing in distress as she sits beside the kitchen door waiting to be let down in the basement -- her "cat cave" where she sleeps inside an old work table left by the family who once owed the house or up in a space in the ceiling or behind paint cans or a box of Christmas decorations. She would be more convincing about her need for a place to escape to if Fergus didn't help her out by chasing her to the door and then sitting down beside her to wait for me to let her out -- sometimes barking or scratching on the door with his larger paw so that I will come and open the door for her. 

Penelope, a rescue cat, would love to run out the front door when it is open. She once did in the middle of the night when I took Fergus out. As I searched for her with flashlight in hand, wondering if she would come in on her own if I dared leave the front door open, she ran back up the steps leading down to the street and up the walk and the front steps and back into the house. Penelope had found that venturing out at night in the dark was more freedom than she wanted. But she still waits by the door when Fergus and I go out, and I have learned to close the door from living room into foyer before opening the front door. I am thinking of getting a collar with her name and my telephone number in case she should ever manage to dash by me or someone else and get herself lost before she realizes she is out in a neighborhood where dogs are being walked -- and that we live several cross streets up the hill from an avenue with four lanes where traffic is rushing by.

Although I share Penelope's desire to explore, I feel rather like the woodchuck peeping out from under the storage hut. I have been going out every morning to take Fergus to daycare. I've been doing that for months. I return to pick him up in the afternoon after trying to get some work done. I'm now going to supermarkets and to pick up food. I've even had dinner out with a friend three or four times. I've gone to a mystery conference. Sometimes I wear a mask, sometimes I don't. I find myself matching my behavior to that of others in some settings. It seems -- oddly enough -- almost an accusation to wear a mask when no one else is wearing one. I feel as if I am suggesting the other people might be careless enough to be there if they are ill. But that makes no sense. They could well be contagious without no raging symptoms. When I am going to be in a busy place with lots of other people, I opt for the mask. 

But now -- in September -- I have my first airplane trip since the pandemic began. I am planning to take an international flight from Newark, New Jersey to Dublin, Ireland. After three days in Dublin, I am going to get on a smaller plane and fly over to Torquay for the International Agatha Christie Festival. 

https://www.iacf-uk.org/festival-2022

I am excited about finally being able to accept an invitation to do a presentation at the festival. I'm also excited about going to Ireland for the first time and having the opportunity to do some field research that I can use when I begin writing my 7th Lizzie Stuart.  Book 4 is about to be reissued by Speaking Volumes with a new cover. See below:

I am plotting the 6th book after a lapse of years. It seems a lovely bit of serendipity to be going to Torquay for the festival. My first Lizzie novel, Death's Favorite Child, was set in Cornwall, written during and after a vacation in St. Ives with a friend. In my book, Lizzie and her travel writer best friend Tess Alvarez were staying at the same sort of private hotel. When the young housekeeper, niece of the two sisters who were the proprietors, was murdered, Lizzie had her first crime to solve. The plot and the characters and even the murder weapon were inspired by Dame Agatha.

That first book was the one in which Lizzie met John Quinn, American homicide detective, who was visiting his former partner who had retired to St. Ives with his Scottish wife. Now, two years later in series time, Lizzie and Quinn are engaged and due to be married in Book 7. I anticipate they will be sidetracked from their honeymoon in Paris by a matter involving Quinn's late father (career military) and his Irish roots.

So, I'm venturing out and crossing my fingers that some new variant of Covid won't upset my plans. Even though I purchased travel insurance in case I have to cancel, I'm feeling optimistic. I hope I'll be able to take that flight to Ireland. Although I'm coming back in coach, I'm treating myself on the way over. A chat with my travel agent and a discount sale convinced me that I should splurge on an upgraded seat on my direct flight to Dublin. I'll be able to stretch out in my own little sleep pod. With only three days in Dublin, I want to enjoy every moment -- just in case I come home with Covid and need to go back into my hole.

Life? or I-25?

All publishers love to have their authors promote books to various groups. I enjoy giving talks and presentations. When people tell me they have read my books and enjoyed them, I am delighted. It makes me feel like a real writer.

Nevertheless, I've become increasingly nervous about traveling the main artery that serves Colorado. I-25 is a real nightmare. In order to go just about anywhere in the state it's necessary to travel on this main interstate.

I had my first highway accident coming back from giving a talk in Kansas. Luckily, I was the only car involved. It occurred during a construction zone. I braked to avoid rear-ending the car ahead, then grazed the concrete barrier on the driver's side. I was able to drive across the lanes and get to the shoulder on the right side, but boy! It was a miracle that I didn't hit someone.

When I got out to survey the damage, there was none to the body. But a back wheel was at a weird angle. Not knowing anything about cars, I thought the wheel could be fixed quickly and easily. Instead, it's complicated. The twist harmed the suspension and that's a major repair. I'm driving a rental that I really like, but I had no idea that scheduling body work, arranging tows, and retrieving belongings would be so time-consuming.

Travel used to be easy. I like to drive and the well-maintained Kansas roads were /are wonderful. But it's occurred to me they are in terrific shape because we don't have a fraction of the traffic we have here in Colorado. This state--and especially the Denver area-- is growing by leaps and bounds. The tech industry is booming. Western Kansas is primarily agricultural and farms are few and far between.

I don't feel safe driving at night anymore. I don't know if this attitude is accurate or fed by the media's reporting of every last grim detail of urban crime.

For right now, I'll keep on trucking. The September meeting of RMMWA is about human trafficking. I would like to know more.

More on inspiration

Barbara here. In my last post, I wrote about inspiration on the road, specifically a three-week personal holiday travelling through India and Nepal. I am still on that trip, now staying at the final destination of Kathmandu before flying home later in the week. Throughout the trip internet access has been capricious and slow, so I will try to be short.

The trip has been filled with inspirational moments that make your spirit and imagination soar. Imagine the passion and enduring loyalty that drove a grieving emperor to build a tomb to his beloved dead wife, embarking on a dream that took 22 years, employed 20,000 workers, and cost an unimaginable sum. Clad in shimmering white marble inlaid with precious stones, perfect in its symmetry, set off by fountains and gardens, it is breathtaking. Humbling yet exalting.

Another inspirational moment was sunrise in a boat on the Ganges River, joining the many faithful who make a pilgrimage to this sacred river seeking blessing or fulfillment of a wish. Along with others I lit a candle in a tiny flower boat and watched it dance along the current with the others, bearing our wishes out towards the sea.

A third inspiration came at sunrise again, on a flight out of Kathmandu over the legendary Mount Everest. Despite the persistent smog that plagues Asian cities, the sky over the Himalayas was a fierce, crisp blue, and the sun lit the white glacial peaks in perfect detail. Everest is but one of dozens of jagged, terrifying peaks around it, but its power lies in the human dreams that it has inspired. Cold and solitary, it still carries with it those legions of climbers who have dared to dream big, who've fought and triumphed and sometimes died on its rugged slopes.

There were many other touchingly inspirational moments as well. Watching a young rickshaw driver who couldn't have weighed 100 pounds, valiantly struggling to pedal his large charges around the markets. Watching young mothers trim the excess silk from the scarves and fabric bolts in the silk factory in Varanasi, sitting on the floor in a circle with their babies and toddlers by their side.

As Aline said in her Monday post, writing is about stepping into another person's shoes and imagining their world. Travel not only offers us other shoes, but other worlds and lives beyond our own. Not only will that enrich our writing, but our humanity as well. I will carry the inspiration of these moments with me for a long time.

Getting Out of Your Own Way, or Inspiration on Its Own Terms

I have spent the past two months doing the requisite publicity campaign for The Return of the Raven Mocker, my ninth Alafair Tucker mystery. This entails guest blogging and running hither and yon making personal appearances. Early in my career, I spent a lot of money on out-of-state book tours and conferences, which don’t seem to produce a return commensurate with my outlay. However, it can’t hurt to get yourself out there, right?

For the past few years I’ve been forced by circumstance to curtail my out-of-state travel, and I don’t see that changing any time soon. So I flit about in Arizona, which is the best I can do right now. I had a short respite last week, when I was able to stay home and do nothing but write on my tenth novel for five days in a row. It was great. The rest of this month and the next I’m back on the road.

I wish I had the money, time, and freedom to travel for my own pleasure, like I used to. Europe was my playground when I was younger. Now I’d give anything to be able to travel to India and Vietnam like a certain couple of blogmates of mine, one of whom wrote about her adventures yesterday (see below). Barbara’s experience of having an entire plot line spring forth from her overtired brain is so familiar. Anything that screws with your thinking processes is really good for getting out of your own way. In my experience, if I start trying to figure story lines out as though they are math problems, I end up like B’rer Bear and the tar baby in the briar patch, all stuck and unable to find my way out.

I have had some of my best ideas while dropping off to sleep or coming slowly awake in the morning. Or when water is falling on me or otherwise making me wet—in the rain, in the shower, in the swimming pool. I’ve heard other artists say the same. What is the mystical property of water? Water muses? Ozone? It’s best not to try and analyze it, for success can’t really be duplicated. Even if you do feel like you have to wear your lucky socks every time you sit down to write.

Genius comes when it will. I remember a story that Lawrence Olivier told about a particular performance he did of Lear that was so brilliant that the audience was left gasping. After the play was over, he went to his dressing room and trashed the place, because he had no idea how he had done it and knew he’d never be able to do it again.

I’m still waiting for that to happen to me.