Guest Post: Janet Laurence

 Hello, Aline here. It's my pleasure to introduce you this week to Janet Laurence, a woman of many talents and very much a live wire.  She has not only written cookery books but a book about how to write them, she was 'Bon Viveur' to the Daily Telegraph newspaper and is the writer of contemporary novels as well as several crime series.  So she's well-placed to write about That Question.


THE IDEAS SHOP 

Any writer will have been asked the same question whenever they give a talk: ‘Where do you get your ideas?’

It’s as if there is a shop you can go into, look along the shelves, browse the items stacked on the display tables, and find a few ideas that will fire your new book – or whatever it is that you need ideas for. Whereas in real life ideas are all around, if your mind is open to them.

Ideas for the first crime novel I wrote, A Deepe Coffyn, came from a talk given by P D James. Up until that point, though a great admirer of her crime novels, I had never met her, nor had I written a book, any book! It was at a conference of Southern Writers held in a lovely centre (now, alas, gone) just south of Chichester. There were peacocks in the garden uttering their unbeautiful cries every now and then.

Phyllis told us all we had the perfect setting for a crime novel. It provided a ‘closed circle of suspects’, which she said was important, and the peacocks added an unusual touch of atmosphere. Unlike many speakers at such conferences, Phyllis did not disappear immediately after her talk but stayed the rest of the weekend, allowing any of us who wanted to speak with her. Awe struck, having told her how much I admired her books, I said I didn’t think I could ever write a crime novel because I could never guess ‘who dunnit’ in all the ones I read.

‘Ah,’ she said gently, ‘you see, when you know whodunnit, it’s all much easier.’

 Her talk and my conversation with her came back to me some months later when I had to produce various pieces of writing for a course I went to at the same conference centre. I’d gone there hoping to be helped into writing a romantic novel, I was keen to pursue a career rather on the lines of Mills& Boon. Instead, I ended with all the makings for the first in my culinary crime series featuring Darina Lisle, roving cordon bleu cook. ‘Have knives, will travel,’ kept running through my brain as the course attendees were instructed to write various pieces.

I bashed out a first page, then samples of conversation, and various scenes to order on my portable typewriter (no lap top in those days), following the same characters, and gradually realised I had the makings of a crime novel. So I created a weekend symposium of the Historical Epicurean Society (and I still can’t understand why there isn’t one), held at a centre providing a closed circle of suspects, a cook,my main character, to provide the historical food, and a murder.

Both the conference and the creative writing course taught me, first: that if something somebody said, be it a speaker or in general conversation, reverberated in my mind, it was offering me something. Some idea. I might not know exactly what or if I could use it, but there it was, mine for the taking.

 Writing the ten books in that series, I found that as I was approaching the end of one, an idea for the next would gradually take shape in my mind. Where had I found the idea?

I set that series in the food world, one I knew quite well as I wrote the weekly cookery column for the Daily Telegraph at that time and was one of the very early members of the Guild of Food Writers. So I had a licence to talk to anyone I thought might be able to give me background information and, maybe, ideas I could use.

There was an importer of specialist foods who told me some of the problems they had as well as showing off their range of foods. Then and in the train going home, my mind was turning what he’d said into possible ideas for characters and dastardly motives. I think he was the only person I sent a copy of the book that resulted from their help (acknowledged in the book), who didn’t write and thank me! There are definitely informants who have been dismayed at what I have read into their seemingly innocent factual account of their dealings.

 When I sent Peter Bazalgette the book I wrote after he had so kindly allowed me to attend a day’s recording of the Food and Drink programme he produced and directed for the BBC, he wrote back saying he’d had no idea the programme contained so many possible areas for conflict and resentment.

That’s what I mean about opening one’s mind to possible ideas. After I sent a book to someone I worked for as a public relations consultant he asked me to promise never to set one of my novels in his world! So far I haven’t.

 I find that the really interesting part of writing crime is the way that murder – and which of us does not write about murder? – and its subsequent investigation throws a spotlight on relationships. Being suspected of murder, or being close to someone who could just possibly have killed someone, could be likened to being in the cauldron stirred by the witches in Macbeth, with its ‘eye of newt and tongue of frog’, etc, etc.’ The resulting crime novel brew raises previously unsuspected passions and reveals reasons that could well be motives for murder.

Which brings me to the heart of any crime novel: what can set one human being to kill another? It is the most dastardly, most final action one person can take against another. Here I find a valuable source of information in newspapers, particularly the Daily Mail. For instance, there has recently been a story regarding the havoc current public interest in having their DNA analysed can produce. A remarkable number of men have been dismayed to discover that the sons they had regarded as their progeny were, in fact, sired by another. That could well engender murderous thoughts against the wife but I find I can’t stop thinking about one particular case where the husband is suing the wife for the money he had spent in bringing up the son, I think he was about seven years old when the husband discovered the child wasn’t his, and he’d rejected the child from his life (I think I saw from a later story that he hadn’t).

 Now, for my purposes, the reaction of the supposed father isn’t my main interest. What occupies my mind are the possible feelings of the child as he grows up with a father that isn’t a father, who rejects him for no fault of his, and the terrible question mark over who is his biological father. Add a mother whose personality so far as the child is concerned is irrevocably changed and there is a story that could well lead to murder.

 Of course, wherever the idea comes from, by the time whatever work it inspired has been written, the actual source has been changed out of any recognition. This is the nature of creative writing.

One book I wrote arose from a news clipping about a child who found a beauty box that had been accidentally left behind on a beach. When the owner was finally tracked down, it turned out that she had felt unable to face anybody without her makeup and therefore hadn’t come out of her room until the box that contained what she considered ‘her face’ was found. When the book was finished, the only factor that remained from that cutting was the reliance one of the main characters had on her looks and their effect on others.

These ‘ideas’ are spurs that set my mind working. They can show themselves anywhere and at any time.

Talking to people, particularly people one doesn’t know, often produces amazing details of others’ lives. I find myself thinking, and sometimes saying, ‘there’s a story there’. Usually I don’t note the interesting details or history down and such is my chronic lack of memory (nothing new, I lost it when I was about ten. One week I had total recall, the next - a blur) I usually forget whatever it was. I would be totally lost without my diary. However, I was once told that if an idea is good enough, it will return. Which infers that if it doesn’t return, it wasn’t worth much. That is calming but I don’t really believe it’s true.

 Waiting in a station or airport, travelling in a train or on a bus, can produce ideas and characters. Body language can be almost as informative as words and faces can suggest characters. It doesn’t matter if your translation of that language or facial looks is way off beam. The ideas that have arisen can form the basis of a short story, or of a sub-plot.

 I was watching an episode of ‘Who do You Think You Are’ when the subject that week discovered a couple of ancestors along the line had been part of the fairground world around the turn of the nineteenth into the twentieth century. All of a sudden, there on the TV screen was a large wooden screen illustrating various jungle animals and I was carried into another world. In the same programme was a marriage certificate that stated the bride was a spinster. But there was an earlier marriage, one that seemed to have been forgotten. Which, I thought, surely meant that the second marriage had not been legal. The ideas churned in my mind. I recorded the repeat of that programme so I could watch it again and again. Two essential cogs for the second book in my Edwardian Ursula Grandison series had been put into place.

 If I think a television programme could possibly provide ideas or background information, I record it. Easy enough to delete if it doesn’t.
                                                                                                                      

True crime books are fertile grounds for ideas. I read in one that suicides are never committed lying down. Well! Mulling over this interesting fact, it occurred to me that what looked on the face of it a genuine suicide, could be questioned by someone aware of the ‘never lying down’ information. So I had a turning point for the first in my Edwardian series.

 Ideas come in all shapes and sizes. Some can kick-start a book, others can help along a plot in difficulties. An audience member at a talk I gave complained he couldn’t see how to sort his plot out and could I please tell him what he should do. Keep working at it, I said, especially before you go to sleep at night, and keep an open mind. Eventually, I assured him, he would find the answers.

 So maybe there is an Ideas Shop out there. We just take it along with us as we try and sort out our plots and characters. May mine never be shut!

Guilt as a Plot Device

I'm still trying to finish up summer projects, settle into fall semester, and set up a schedule. But I did have a thought this morning that I want to share.

I woke up when it was still early --or seemed to be. My bedroom doesn't get morning sunlight, so I always have to check the clock. I mention this because I looked down toward my feet and remembered that my cat, Harry, had knocked on my door (literally -- with large Maine Coon paws. He does that every morning when I haven't gotten up by the time he is ready to start the day. It's his follow-up to meows).

Last night, he knocked as I was reading, and I was surprised. I opened the door, he strolled in and instead of looking around and leaving, he hopped up on the bed. He stretched out and settled in. It was almost as if he had been reading my mind and thought this would be a good time to remind me that he is a cat who enjoys company. I had been gone most of the day, and first he curled up in my lap for a nap after he'd eaten, now he was getting in more quality time with me by sleeping on my bed instead of his favorite living room chair.

He seemed to have sensed that I was feeling guilt and decided to rub it in. Before he knocked on the door I was reading a book (research for 1939 thriller that I have on my nightstand) and debating a trip in 2020. I've been wanting to visit Ireland and Scotland. A friend is going on a guided bus tour of Scotland, and emailed to invite me to join her. I have enough travel points to cover my airfare, and it would be the perfect time to do some research for the seventh Lizzie Stuart book I plan to write (assuming I'll finish the sixth). Only problem: If I go to Scotland, I will have to board Harry with his sitter while I'm away. His sitter is one of his favorite humans, and he stayed with her when I was in Alaska. But he was really upset with me when I crated him up and dropped him off. He tried to hide under a chair when I returned to pick him up. Of course, we have been together almost three years longer now. He should know by now that I'll come back to bring him home. But I'm still worried that two weeks away from home would be traumatic for him.

Okay, I know, he's a cat. But I have to live with him. And I feel guilt about not being a good "parent" to my "fur baby" (guilt is built into this language). Even though my cat lives much better than some people and he's certainly lucky that even though I didn't intend to adopt a cat, I was persuaded. He has a good life, and it's not like he would suffer during those two weeks. But I feel guilty. On the other hand, Harry's sitter has a camera in the room reserved for the one cat she is boarding. I can dial in and even talk to him. So if she can keep him, I will probably go.

That brings me to how this is related to writing -- as I was thinking about Harry this morning, it occurred to me that what we feel guilty about provides a clue about what we feel important. I have a character that I'm trying to get a handle on -- two of them in fact -- and I'm going to ponder this.

It turns out there is a difference between feeling "guilt" and feeling "shame". The two emotions are aligned, but not the same https://digest.bps.org.uk/2015/10/15/guilt-prone-people-are-highly-skilled-at-recognising-other-peoples-emotions/

As you can see from the title of the article, people who experience guilt are attuned to how our behavior affects others. But the question is what we do about that guilt. If a character does something because of guilt -- or doesn't do something that everyone would expect him or her to do, knowing that the character would have felt guilty if he or she didn't  . . . follow that?

Of course, it's possible to make a decision and then backtrack. I'm still feeling guilty about going away later this year and leaving Harry alone at home -- even though he'll have twice-daily visits from his sitter. But I'm locked in, having paid. What if I wasn't, and he climbed into my suitcase as I was packing. . .

I'm penciling in time to think about what each of the characters in my thriller might feel guilty about. This could also work for the character who disappears in my next Lizzie Stuart book. I might as well put my own guilt to good use. 

Time for Nice Girls to Be Bad

Donis here. After spending more than a decade writing about a family in Oklahoma in the 1910s, I've started a new series set in Hollywood in the 1920s, featuring a glamorous, young, up-to-date woman named Bianca LaBelle. I'm in a whole new world, and in trying to portray a realistic picture of what Bianca's life is like, I find myself doing research on the strangest and most interesting things.

Bianca is a silent movie actress, so I had to learn about movie makeup as well as the daily makeup routine of a modern young twenties-era woman. In the age of the Flapper, even nice girls wore makeup on the street, and young women were very much influenced by the glamorous ladies in the movies – pale complexions, dark red “bee stung” lips, and a ton of kohl eyeshadow.

There was a reason that movie queens sported that particular look, and it had more to do with lighting and film quality in the early silents than any particular idea of female pulchritude. In the 1910s and early part of the 1920s, film was orthochromatic, or blue-sensitive. Red appeared to be black and light blue filmed as white. In fact, blue-eyed actors had trouble finding work because their eyes basically disappeared. Imagine a movie full of characters as blank-eyed as Little Orphan Annie. Actors’ skin would appear dark gray, and their facial features tended to disappear and look fuzzy. Flaws were magnified tenfold. Studio lighting was harsh. Special makeup was necessary to make actors look like real people with eyes and mouths.

In the 1920s, makeup artists like Helena Rubinstein and Max Factor began creating different tones of greasepaint and powders especially designed for film, making it easier for actors to look natural. White chalk was sometimes added to hands to match the whitened faces. Eyes were nearly always lined with kohl and darkened with grey or purple eyeshadow to help them stand out.

By 1923, the movie industry started using better studio lighting and panchromatic film, which registered colors more naturally. Actors could cultivate a much more natural look on film. But by that time, all the smart young things were sporting mascara and bow lips.
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The Wrong Girl: The Adventures of Bianca Dangereuse, Episode 1, now available for pre-order on Amazon

Trials and tribulations

by Rick Blechta

I guess this week’s post might be of more interest to authors than non-authors, but I believe anyone might find my topic interesting.

Here it is in a nutshell: as an author, what is the most annoying thing you face? I’m not talking about the big-ticket items such as agents or publishers not getting back to you, having your novel’s title changed because of a “marketing decision”, or maybe being interviewed by someone who has not read your book or who has any idea who you are.

So, we’re talking about the more petty annoyances. Here are the top three on my hit list:

• At a signing, being buttonholed by someone either telling you their life story or asking questions about how to get their novel published — but at the same time having no intention of purchasing your novel.
• Someone you hardly know or maybe don’t even know asking you to introduce them to your agent/publisher, maybe even going so far as to ask you to recommend them.
• Someone who tells you they have an amazing idea for a novel. “I’ll tell you my idea. You can write the novel and we’ll split the proceeds fifty-fifty!”

The first one on my list is the really sticky wicket, mainly because it takes place in public. It doesn’t take long for an author to spot these folks. The obvious solution is to tell them something like, “I’m signing right now. It’s not kind to make the folks behind you wait. Perhaps we can talk after the signing concludes.” Trouble is: what if there no one else in line?

I’m not by nature an unkind person, but there have been times where I’ve wanted to scream, “Look here! If you want advice, I'll give you advice! Just bugger off!” But I often wonder why these people never buy your novel.

The second one is very awkward. I’m not willing to risk my reputation recommending someone whose writing skill I don’t know, nor do I have sufficient time to invest in reading their manuscript. They don’t seem to realize it’s a pretty big request to make. My default is to tell them to contact either my agent or a publisher through the normal channels, then contact either of those and tell them what I’ve done and that I have no idea whether this person has anything usable on offer.

The last one is less fraught. I simply say, “I’m sorry but I can’t work like that. But I wish you great luck and may you make me regret my decision for the rest of eternity.”

So those are my top three. What are yours?

What's in a Name?

I wonder if you've ever been asked to allow some worthwhile charity to auction the right for someone's name to be used as a character in one of your books? And if you did, how much did you afterwards regret your charitable impulse?

I did it a few times and got away with it. There was never a promise that the named character would be the murderer or the victim or even one of the principals and luckily the winners were people with perfectly ordinary names that could be fitted in quite easily to the book I was currently writing – and indeed, one was someone I knew and I already had a character who was much in the same mould.

I think there was a particular fashion for this at one time and stories began coming through that it had become a 'thing' for people with unusual names to make a point of winning auctions, just to wind up the authors. That was when I had a problem.

The book I was writing, Lamb to the Slaughter, was set in a small Scottish border town where feelings are running high about the threat to the small local shops posed by a supermarket's plans to open on the doorstep. Elderly Colonel Carmichael is shot dead on his doorstep; other characters have names like Forbes, MacNaughton, Burnett, Wilson – all common Scottish names.

So you can imagine how I felt when I was told the name of the man who'd won the auction and whom I was now obliged to insert somehow into my story – Wilfrid Vernor-Miles. There may be Scotsmen who are called Wilfrid, but I've certainly never met one. And Vernor-Miles – he'd definitely have to be posh, with a name like that and it was going to stick out like a sore thumb.

Mercifully, one of my characters was working for a pheasant shoot and I could actually slot in Wilfrid as one of the clients. But it did make me decide that in future I'd give the charity a donation instead of a name in future.

Ian Rankin has had a bigger problem. He recently offered two slots for names that would be put in his next Rebus novel and was, I think, gratified that he got two very high bids, each for £5000. He didn't know who had bought them, though, until the names were disclosed to him later. The bidders, clearly possessed of a lot of money and a wicked sense of humor, were – Lee Child and Karen Slaughter.

I'm waiting with interest to see how he deals with that – and whether he ever agrees to auction a name again!

Guest Post - Libby Klein

Please welcome Libby Klein, author of the Poppy McAllister series, to Type M. I first met Libby at Left Coast Crime in Reno where her appearance on a panel kept me in stitches. You can visit her online at https://libbykleinbooks.com/ Take it away, Libby...

My Annual Pilgrimage to South Jersey

 

by Libby Klein 

 

Cape May is the birthplace of the Poppy McAllister series. Victorian charm meets tourist hell in all its beachy glory. Readers can take a virtual tour through my series that visits every landmark and experience that I treasure, and / or that keeps me awake at night filled with regret.

I grew up in beautiful Victorian Cape May, NJ and absolutely hated it. Rural living was not for this girl. Like Zsa Gabor, “Darling I love you but give me Park Avenue.” This plus sized, fair skinned, blonde had no ability to tan or look good in a bathing suit. I wanted a life far more exciting than picking out tomatoes at the farm stand for tonight’s dinner – although now I miss that terribly. I moved away more than thirty years ago in search of excitement, but there are two things that bring me back every year in spite of the mosquitoes, the humidity, and the crushing summer prices.

The first thing is the lure of the ocean. There is nothing more relaxing than sitting by the surf as the sun goes down. The crash of the waves. The golden glow of the sunset glittering off the water as it disappears over the horizon. The beach is near empty and peaceful. Most of the tourists have gone to meet dinner reservations or head to the thrills promised by the Wildwood boardwalk. Sea planes, retired from the never-ending drag of their advertising banners, park in hangers until tomorrow morning’s run. Even the seagulls calm their aggression by fifty percent as day turns to night.

Then there is the nostalgia, and specifically – food pining. Yes, the high school is bigger and the shops on the mall have all changed, but the fudge is exactly the same that you remember from when you were a kid. I’m not a seafood person so all my favorite spots are of the low budget inland variety. Every trip I have to hit the trifecta: Cheesesteak, Pizza, Frozen Custard. The best cheesesteak I ever ate was at a little country store in Green Creek. You probably don’t know where that is if you’re not a local because there are no touristy things to do or see over there. I also can’t give you a recommendation for it because the cook is retired, and the grill is closed. So, I’m pretty much just rubbing it in at this point. But I can tell you an excellent second choice and where I go now is Russo’s Market in North Wildwood. Be careful though, they make a cheesesteak the size of an elephant trunk. I can’t even finish a small by myself and I’m only eating the filling.

The second stop on my culinary tour of South Jersey is Mack’s Pizza on the Wildwood boardwalk. There has long been a vicious contention that the other place has the better pizza. That’s a ruse, but you want to keep the rumor going strong so you can still get a table at Mack’s, eh? This is not gourmet pizza. It’s summer pizza. Childhood memory pizza. It’s the pizza you eat as a teenager when you wander up from lying on the beach. I mean, not me – but the teenagers who don’t burn when the sun touches their skin. It hasn’t changed in fifty years, and it’s the one thing I will ignore the repercussions of and take an emergency gluten pill for. Hey, pizza emergencies are real! Don’t judge me.

The last stop on my ode to summer is in a little burg called the Villas. There is a frozen custard stand that’s barely more than a shack with a window, and a tiny miniature golf course behind it. It’s called Milky Way and there are only four parking spaces. The Milky Way is in a residential neighborhood - right in the middle of Lower Township government buildings, a hardware store, and a fish shack. Was there no zoning fifty years ago? If you should find it, ask for a small vanilla cone. Trust me – they don’t know what small means. It will be huge! And get it with crunch coat. Crunch coat is the stuff that dreams are made of. If someone chopped up a bunch of peanut brittle and tossed in some rainbow jimmies (sprinkles for the rest of the country) that would be crunch coat. It took me forty years to come up with the brilliant idea to get extra crunch coat in a bowl for dipping after the outside layer was gone.

There is so much more that you need to complete your visit for South Jersey authenticity, but there is no time to go into skee ball, the boardwalk, water ice, Italian hoagies, saltwater taffy, and funnel cake. For that you’ll have to make your own pilgrimage or read my Poppy McAllister Mysteries for a virtual vacation. All you’ll be missing is the very tiny sample of fudge that comes with a coupon for your next visit that you will never redeem. If you need one, let me know. I have thirty.

Libby Klein graduated Lower Cape May Regional High School sometime in the '80s. Her classes revolved mostly around the culinary sciences and theater, with the occasional nap in Chemistry. She loves to drink coffee, bake gluten free goodies, and befriend random fluffy cats. She writes from her Northern Virginia office while trying to keep her cat Figaro off her keyboard. Most of her hobbies revolve around eating, and travel, and eating while traveling.

Life? or I-25?

All publishers love to have their authors promote books to various groups. I enjoy giving talks and presentations. When people tell me they have read my books and enjoyed them, I am delighted. It makes me feel like a real writer.

Nevertheless, I've become increasingly nervous about traveling the main artery that serves Colorado. I-25 is a real nightmare. In order to go just about anywhere in the state it's necessary to travel on this main interstate.

I had my first highway accident coming back from giving a talk in Kansas. Luckily, I was the only car involved. It occurred during a construction zone. I braked to avoid rear-ending the car ahead, then grazed the concrete barrier on the driver's side. I was able to drive across the lanes and get to the shoulder on the right side, but boy! It was a miracle that I didn't hit someone.

When I got out to survey the damage, there was none to the body. But a back wheel was at a weird angle. Not knowing anything about cars, I thought the wheel could be fixed quickly and easily. Instead, it's complicated. The twist harmed the suspension and that's a major repair. I'm driving a rental that I really like, but I had no idea that scheduling body work, arranging tows, and retrieving belongings would be so time-consuming.

Travel used to be easy. I like to drive and the well-maintained Kansas roads were /are wonderful. But it's occurred to me they are in terrific shape because we don't have a fraction of the traffic we have here in Colorado. This state--and especially the Denver area-- is growing by leaps and bounds. The tech industry is booming. Western Kansas is primarily agricultural and farms are few and far between.

I don't feel safe driving at night anymore. I don't know if this attitude is accurate or fed by the media's reporting of every last grim detail of urban crime.

For right now, I'll keep on trucking. The September meeting of RMMWA is about human trafficking. I would like to know more.

Passion and Widgets

Life has a habit of getting the best of me, and I often find myself falling behind in one aspect of life or another. There are days, admittedly, when I do not make it over to Type M for Murder to read the daily post. So I find myself sitting down later and reading posts in bunches. Today was one of those days.

As we know, writers inspire other writers. And after my binge-reading, I’m thinking a lot about my Type M colleagues Frankie Baily’s recent post and Tom Kies’ column, which preceded hers. Frankie wrote about the summer coming to an end and our respective academic lives beginning once again. Tom wrote about the different “personalities” writers have –– the artist at home, the widget-maker when we close the front door behind us each morning. Both of my colleagues seem to be speaking about the parallel lives writers lead.

I'm at a place, personally and professionally, sitting here in western Massachusetts in late August, that falls somewhere between the situations both Frankie and Tom wrote about. I am preparing for the school year at Northfield Mount Hermon school and, like Frankie, will spend the fall trying to carve out time to write among many other commitments. Similarly, as Tom mentioned in his post, I don't believe there is ever a time when I’m not a writer –– even when I'm making widgets.

As the father of a college senior, I find myself giving career advice. (My three daughters would probably tell you I have a habit of giving a lot of advice.) Part of the advice I give to my oldest is certainly nothing groundbreaking: find a job you enjoy leaving the house to go to every morning. Most writers I know would give their left arm to write full-time. For most of us, that's not an option. I feel like I have found the best combination there is: I get paid to talk about great books with insightful and motivated kids and with the adults who inspire them. I get to choose the curriculum and, as well as other classes, get to teach a course I've designed, Crime Literature. So when I close the front door behind me and go off to make widgets, often, these widgets are useful to my creative pursuits as well. Case in point: I’m making my way through Michael Chabon’s The Yiddish Policemen’s Union in order to teach it this fall, and I am more awed and inspired by Chabon’s prose with every passing page.

I'm currently working on a novel that is written in multiple points of view. Chabon’s control certainly won’t be lost on me when I leave the classroom. I think writers read as writers. Yes, we love reading books. We are fans of books. And when I'm reading in an airport, I'm not highlighting. But I also believe writers read books differently than people who don’t write. There’s the oft-quoted T.S. Eliot line, “Good poets borrow, great poets steal” that speaks to the writer’s desire to find inspiration and ideas from –– and have genuine admiration for –– those who came before them. I, for one, admit to learning much of what I know about punctuation through straight osmosis. Strunk and White‘s “Rules” got me through my journalism career. I couldn't diagram a sentence until I started teaching how to do so.

So as summer fades into fall, I am grateful that my passion is connected to my widgets.

Amazon - A Bricks and Mortar Field Trip

I returned recently from a trip to Seattle to visit family. One of the stories on the evening news there was the latest bricks and mortar store Amazon is opening in Seattle. Called Amazon 4-star, everything in it averages at least 4 out of 5 stars in online reviews or is currently trending on Amazon's website. There are also 4-star stores in California (Berkeley), Colorado (Denver) and New York (Manhattan – SoHo).

This reminded me that I hadn’t yet checked out the Amazon Books store that opened in Marina del Rey, not that far from where I live. So we took a field trip to it yesterday. I wasn’t expecting much from it. I’d heard things. I have to say, though, that I was pleasantly surprised.

The store is at one end of the Waterside shopping center near a California Pizza Kitchen. As soon as we walked in the door, we were greeted by an employee. There were plenty people working so there was no problem finding someone to help you. Something that’s not true at the Macy’s I frequent where it’s often difficult to find help on a weekday morning.

The store from the entrance

My first impression was that it was bigger than I expected. Books were displayed similar to a “regular” bookstore—some books were displayed in stacks on tables while others were on shelves, some with the cover facing the customer, others with the spines. I’d heard from others that all books were displayed cover out. Not the case in this store.

As you might expect, their selection of books was fairly small with pretty much everything being from well-known/best-selling authors. The mystery/thriller section featured books by Louise Penny, John Grisham, Stephen King, etc. No cozy mysteries, but I didn’t really expect there to be any in the store.

There was a fairly large Childrens’ books section as well as a nice selection of vegetarian and vegan cookbooks. There were plenty of other cookbooks as well, but I like vegetarian and vegan cookbooks, so I notice them. They also carried some items that apparently were high on people’s Amazon wishlists.

Each of the books had an Amazon Prime price, generally significantly below the “regular” price of the book. This is the same price if you bought the book online. If you’re an Amazon Prime member you’ll get that price when you purchase the item if you use the Amazon app to pay or use the credit card that is associated with your Amazon account. Those are the only two methods of payment they currently take. No cash. I’ve heard rumors, though, that they may be taking cash soon.

Electronics is featured fairly prominently in the store. You can buy a Ring Security system, various Kindles, Echos etc. There was also a fairly large display of Google Chromebooks. And employees were at the ready to answer any questions about them. Someone was right there as soon as I stopped at the Ring table display. Okay, I found that a bit annoying because sometimes I just like to look around. But employees weren’t pushy, just asking if they could answer any questions so it didn't bother me too much.

I didn’t buy anything, but it was a fun field trip. I suspect I won’t be frequenting the store because it doesn’t carry enough things that interest me.

Have any of you visited any of the Amazon bricks and mortar stores (Amazon Books, Amazon Go, Amazon 4-Star and Presented by Amazon)?

When characters wake you up at night

by Rick Blechta

Back from a few days away to regenerate the inner self, aka a lovely — although far too brief — vacation, I feel as if I’m ready to face the fall and winter.

Did I manage to get a whole bunch of writing done? Frankly, no, but now I’m primed to get back down to it.

The past few days, I haven’t written a word (except emails), but there were a number of things to catch up on. Plus I also managed to screw up my work computer again — this time completely my own fault. I should have known better than to mess around with computer things on which I’m not really “literate”. Luckily, I managed to clean up my mess myself (thank heaven for Apple’s Time Machine feature).

So I thought about my WIP (work-in-progress) a whole bunch and then didn’t act on anything yet. Seems I pissed off one of my protagonists.

She woke me up at 2:30 a.m. this morning, after I’d gotten to bed just short of midnight. Seems she wanted to talk.

Now, us writer-types are used to having discussions with our character-creations. Some of us here on Type M have written posts about it. Last night was different, though, with my character not contacting me during “business hours”.

I tried to ignore her for nearly an hour, using all my tried and true get-back-to-sleep methods. She kept shouting on me to give up and listen to what she had to say. I also must have slightly dozed off somewhere during the struggle because I had the clearest image of what she looks like. Interestingly, my previous mental image was incorrect.

I finally gave up and went downstairs, thought about various aspects of my nascent novel and realized she was trying to share some pretty good ideas while also pointing out some things I’d written that were dead wrong about her. In the end, I was glad that I hadn’t managed to roll over and go back to sleep.

After taking nearly two hours of dictation, she returned control of my brain to me and I suddenly was very sleepy.

So that’s the reason I slept in and my Tuesday post is rather late.

Honest!

_______________________
A follow up to my post from two weeks ago about the suicide of Jeffrey Epstein. Seems the closed-circuit video footage of his cell at the critical period when he supposedly took his life is "unusable". Hmmm… You’re not surprised are you? View some coverage HERE.

Literary Lush Legends

Since alcohol figures highly in my Geneva Chase mysteries, I thought I’d devote a little time to booze and writers.

I’ve long heard the mythological tales of excessive drinking by writers, the literary lush legends. True? Not true?

All I know is there’s no possible way I can write of edit while consuming alcohol.

Let’s talk about some of the legends, though. In a 2002 article about Norman Mailer written by Oliver Burkeman for The Guardian, he says, “Drinking — like writing, fighting and womanizing — is a sport he (Mailer) has pursued with reckless force ever since he crashed on to the literary landscape at 25, and it has led to fistfights in the street, head-buttings of hostile reviewers, and a vicious clubbing from a policeman whose car he was trying to hail as a taxi. Well into his 60s, he stumbled drunk on to stages and television shows, all the time railing against feminism, friends and fellow writers.”

F. Scott Fitzgerald was another party legend (along with is wife, Zelda). It was said that Fitzgerald was partial to gin because it couldn’t be smelled on his breath. His quote on alcohol is, “First you take a drink, then the drink takes a drink, then the drink takes you.”

Reportedly, it took only a small portion of gin to get Fitzgerald drunk. There are tales about how he and his wife jumped into the fountain at the Plaza Hotel and stripped at the Follies. When asked to come to a “Come as you are” party, he and Zelda arrived in their pajamas. It didn’t take long for Zelda to take hers off and dance naked for the crowd.

Raymond Chandler offered this famous quote, “I think a man ought to get drunk at least twice a year just on principle, so he won’t let himself get snotty about it.” Legend has it that before Chandler had written a single line of The Blue Dahlia, Paramount Studios put the movie into production. Before he could write the ending, Chandler was stopped cold by a severe case of writer’s block. He told his director, John Houseman, that though he was a recovering alcoholic and had been on the wagon for a long time, the only way he could complete the script was if he started drinking again.

Houseman place six secretaries in his house around the clock to look after him, hired a doctor to give Chandler vitamin shots (he stopped eating when he drank), and cars waited at his door to rush pages to the studio as they were written.

Interesting sidebar, it wasn’t until Chandler’s character Philip Marlow introduced the Gimlet in The Long Goodbye that it became a popular cocktail in the United States.

Ernest Hemingway is a favorite literary lush legend. When asked if it was true if he took a pitcher of martinis to work every morning, he answered, “Have you ever heard of anyone who drank while he worked? You’re thinking of Faulkner. He does sometimes-and I can tell right in the middle of a page when he’s had his first one. Besides, who in hell would mix more than one martini at a time?”

Part of the Hemingway legend is that his favorite cocktail was mojitos. The truth is his ‘go-to’ drink was a martini, made very cold. It’s said that he even froze his Spanish cocktail onions and bragged that he made his martinis so cold that you couldn’t hold it in your hand. “It sticks to the fingers.”

Interesting sidebar: Hemingway’s house in Key West was across the road from the Key West Lighthouse. He often said that it was convenient to live next to a lighthouse because it would guide him home from the bars when he was drunk.

So, what did other authors enjoy drinking?

Oscar Wilde- Absinthe

William Faulkner—Mint Julep

Dorothy Parker—Whiskey Sour

Edgar Allan Poe—Brandy Eggnog

Truman Capote—Screwdriver

Jack Kerouac—Margarita, of course.

I’m not any where near the ballpark as these writers, but personally, I like a nice glass of chardonnay, and I REALLY enjoy an occasional single malt scotch on ice.

Please raise your glasses. My third book, Graveyard Bay, is due out on September 10th. I know I’m going to celebrate. For more information, go to www.thomaskiesauthor.com.

Summer's Over

Well, not for most people. It's still hot, muggy, stormy. There are still a few weeks before night falls early. There is still Labor Day weekend and last picnics and barbecues. But for those of us who have never left school or are coming back, summer is over. The first day of classes is on Monday.

This year is no different than any other. Every May for three decades now, I have looked with joy and hope at all of the long days of summer. I have started with a to-do-list, had a calendar, been in control. Every summer I have planned to get so much done. Every summer I have found myself rushing to finish something before school begins.

Monday we start. Today I need to do my syllabus and plan my first lecture. I never made it away for a real vacation this summer. Didn't get to Maine. Didn't set by a lake or river. Didn't spend a summer afternoon at a matinee. Didn't have an ice cream cone (did do a decadent cup or two of my favorite blend). But I am planning to take advantage of a two-day "fall break" to get away for an October trip. A friend talked me into a "Road Scholar" tour of Kansas City. I'm going to do some background research for a jazz musician character in my 1939 book.

But meanwhile, I have a manuscript for a book about gangster films due next month. Have to clean up my dress and appearance book. Need to work on the 1939 book and a new Lizzie.

Lots of projects. . . .and summer's over. Got to go and do all I can to enjoy the weekend.

Bianca Dangereuse to the Rescue

I was struck by Tom Kies excellent entry of Aug 12 on an author's multiple personalities, because I have been thinking that very same thought lately. You can base every character you write about on a real person, or you can make somebody up out of whole cloth, but the truth is that every character you create has to be somewhere inside of you.

Yes, every little girl or knight in shining armor or housewife or serial killer is in you, and somehow you have to find that living place inside that you share.

For the past dozen years, I've been writing a historical series set in Oklahoma that features Alafair Tucker, a 40ish farm wife with ten children. She fits her life perfectly and finds deep meaning in it. She's content with her place in the universe. I admire her immensely, but I could never live like she does. Yet she is me. How could she not be?

Alafair and I have been raising her children for a long time, through the decade of the 1910s. but now the world is changing. World War I has played havoc with everything. The 1920s have dawned. Alafair's children are mostly grown. And it occurred to me that I'd like to see a little farther into the future. I've gotten several of the older children settled, but what is going to happen to the younger ones, who are coming of age in a very different era?

Besides, children don't necessarily grow into the people you wish they would. What would happen to someone who was raised in a secure, loving environment, but grew to lust after adventure and excitement?

Bianca LaBelle is cock-sure, headstrong and headlong, adventurous. She's also disappointed, wounded, and angry. But no matter how much you reject the values you were raised with, you are shaped by them. Bianca goes from being a sheltered farm girl to one of the most famous and admired women in the world, but she doesn't do it without applying a whole lot of the good old-fashioned creativity and bootstrap self-sufficiency she learned by growing up in early 20th century Oklahoma.

Bianca gets in an awful fix and has a lot of help to overcome it. But she was raised to know that you can't count on having your fat pulled out of the fire every time. You have to rely on yourself. So in the end, Bianca always takes care of it.

The Wrong Girl, the first Episode of the Adventures of Bianca Dangereuse, is finally available for pre-order on Amazon or Barnes & Noble. Remember that early reviews and preorders are important for authors, so we always appreciate it if you can do your bit to keep us in print! Want to learn how to get e-copies of books before they're published in exchange for an honest review? Check out Netgalley.

On switching hats, or boats in mid-stream

Today I'm tempted to take Rick's approach from yesterday. See ya later, all! I'm off to the beach.

But before I go to the beach – AKA my cottage – I'll just make a few comments about another reality in a writer's life. Multi-tasking. Or multi-writing. If you write more than one book, or even worse, more than one series as I do, sooner or later you'll run up against it. You'll be doing final edits on one book, doing readings and talks about an earlier book, and beginning the creative process of imagining a third book.

In my case, I have just finished Book # 4 in the Amanda Doucette series, entitled THE ANCIENT DEAD. No sooner had I pressed "send" and emailed the manuscript to the publisher last week (exactly on its due date) when the mail carrier deposited the author copies of my fourth Cedric O'Toole on my doorstep. Time to promote BLOOD TIES and give Cedric his time at centre stage.

At the same time, however, having sent off THE ANCIENT DEAD, I am already turning my thoughts to the next book in my contract. The book that will be occupying my mind for the next year until its fall deadline. The book that has the provisional title (to appease the publisher) of DARKEST BEFORE DAWN, although that will probably change once I know what it's actually about. The book that has yet no shape or plot points and only the vaguest idea of a theme. The book that brings me from the badlands of Alberta, where I have been with Amanda for the last fifteen months, back to the the familiar streets of Ottawa.

The eleventh Inspector Green novel. After five years, he's back! It will feel very strange to step back into his life and surround myself with old friends I've known for years. Ottawa Police Inspector Michael Green is back but older, maybe wiser, and no longer in the thick of things in the police service.

This week, however, feels like a transition. I've never been able to write two books simultaneously. I can edit one book while writing the first draft of another; in fact, this is almost always required because the editor's critiques from the publishing house always arrive smack in the middle of the first draft efforts of the next book. But even so, I have to set the draft aside and re-immerse myself in the first book for however long the edits take. The setting, characters, mood, and even the styles feel different from one to another. Skipping between them would feel shallow and unauthentic. I don't think either would profit from the lack of full focus. I need time to get into the feel of each book and to get the creative muse humming.

So for the next couple of weeks, I am fiddling around doing nothing very profound but celebrating the arrival of BLOOD TIES. The book is due out on August 27, and received this very nice review from Booklist:

And then I'm off to enjoy the beach! Maybe give Inspector Green a quick call.

Off for an adventure!

by Rick Blechta

It’s time for a little rest and relaxation — and writing!

Here’s where I’m going to be and this is the view that will inspire me for the next several days:

And after looking at that, there’s really not much else to say, is there — except for “See you later!’

Edinburgh is Full

It's Edinburgh Festival time.  You can tell this by the fact that the natives forced to traverse the streets of the city going about their work have black scowls in their faces as their commute takes three times as long because the buses have been diverted to make way for the shacks, selling overpriced drinks and Disney-style souvenirs, that disfigure some of the most elegant streets in Europe and they have to dodge clowns prancing in their path trying to force flyers on them inviting them to shows where the performers will almost certainly outnumber the audience.

Those of us who are lucky enough to have a choice, forswear all visits to the center and stay at home and at night pull the duvets over our heads, hoping to sleep through the midnight fireworks at the Royal Military Tattoo and the bongo drums that play on till three in the morning.  Like many other Lonely Planet top tips for tourism,  Edinburgh has Had Enough.

I guess we've all been tourists.  I'm as guilty as anyone of wanting to see the Bucket List places and I've been very lucky - try Tutunkamen's tomb,  the Summer Palace in China, the Acropolis, Niagara Falls, the Doge's Palace in Venice, among others.  But these are the memories I cherish because at the time I visited none of them were so crowded that I was hemmed in on every side and couldn't look at what I wanted to see - look at, not take a photo or an i-Pad film - without being jostled.  Go very early in the morning - tourists tend to rise late - or choose an unpopular time of year, and you can be lucky.  (Tip here - if you want to see Venice at its best, book the weekend immediately after Easter.  At one point we were the only people on the Golden Staircase in the Doge's Palace, which was magical).

But there are other visits I've made where the crowds were so thick that that magic vanished - like the Winter Palace in St Petersburg when we had to move in unison with the people round about. Astonishing interiors, but only the sort of memory that ticks a box, like having seen the Mona Lisa in the Louvre, when all I can remember is the plastic screening and the queues.

Over-tourism has become a serious problem.  Of course it's a major boost to the local economy but the quality of life for the local inhabitants is increasingly threatened.    Venice is talking about imposing a charge for entering the city and limiting the number of tickets it sells as well as banning cruise ships above a certain size.  Popular Scottish islands like Skye and Orkney are also becoming overwhelmed.

Once the Edinburgh Festival was truly a feast of culture in a stunning setting.  The sad thing for me now is that while the festivalisation of Edinburgh goes on with more and more new 'festivals' being introduced every year, the visitors who genuinely want to see the glories of our beautiful city - the vistas of the Georgian buildings, the wonderful medieval Royal Mile, the views of the gardens and the Castle - are being cheated by the Ferris wheel that dominates Princes Street, the sordid market stalls by the National Gallery, the hoardings with tacky posters right along the famous Gardens.  Taxi drivers now say they are taking visitors back to the airport who say they're not coming back.  It didn't used to happen.

If you do want to see the real Edinburgh - the Edinburgh of Walter Scott and Robert Louis Stevenson, of David Hume and Adam Smith, of Arthur Conan Doyle and yes, of Alexander McColl Smith and Ian Rankin - brave its weather (so much milder than New York's!) and come in January, when the old grey town truly reveals its soul.

Two Weeks in One

Ever feel like you've packed too much living into a very short time?

It was that kind of week for me. My daughter had a bad car accident the first of the month. She's doing just fine and will come home Monday. Despite extensive breakage in her upper body (sternum, clavicle, three ribs, and a punctured lung) there were no internal injuries and she was fully alert from the very beginning.

She has a terrific attitude and set to work cooperating with the physical therapists.

Logistics in our family are always complicated. Her youngest daughter will soon start classes at CSU. Her oldest is starting a new job. The deadline for my new mystery is September 1. We've worked everything out. I'll even have the mystery finished by the end of next week.

I drove to Kansas Tuesday to give a talk to the librarians in the Northwest Kansas Libraries System. What a terrific group of people! I was grateful for this opportunity. However, I drove through cascades of rain. It was bizarre. Kansas is usually dry.

Accidents always take a toll and I'm tired. Persons who wait for inspiration before they write are making a mistake. Once a line is crossed--when one assumes the responsibilities of a professional writer--the rules change. Or rather rules come into play for the first time.

I've read there are 75 persons involved in the production of a traditional book. There are many little deadlines that involve creating cover copy, a synopsis, courting the sales reps.

Life becomes capsulized. We learn to juggle. And before you know it, there's a new happy normal and all the balls are back in the air again.

Summer musings from a nostalgic writer

Delaney, Dad, Audrey

Each year, autumn rolls around, and my emotions are similar: summer has ended, and a new school year is upon me. It’s a time for renewal and fresh beginnings. Often, I’m starting a new book.

This year, though, my emotions are a little different. My wife and I will drop our two eldest daughters off at colleges in Ohio, two days after you read this. They will be only twenty-six miles apart (at Kenyon College and Denison University, respectively) but a twelve-hour drive from home. One, entering her senior year, works on a document she hopes will represent her well, working on it and then working it over repeatedly (welcome to Dad’s world!). This is her resume. The other packs excitedly for her own new beginning: life as a first-year college student.

And I’m left in an emotional grey area, falling somewhere between nostalgic and even sad. Where did those twenty-one years go? What has changed as the girls grew? What has stayed the same?

As I think back –– recalling four jobs, six houses, four towns –– one constant has remained: writing. The characters have passed through, sprinting it seems from my imagination, to the computer screen, to the pages, and onto my bookshelf (or the netherworld). Series have seemingly evolved into the next. And through good times and trying times, as the girls grew into smart, strong women, and I have aged (at least a little), writing has always been there, through hundreds, no, thousands, of predawn hours and late nights. Through it all, I have learned this: if you dedicate yourself to a writing life, to putting the craft above the industry, writing will never let you down.

Delaney, 21; Dad (age unknown); and Audrey, 18
I have friends we have raised children with, wonderful people with whom our kids brought us in contact. These lifelong friendships have remained. They are in the same stage of life as I am. Yet they speak of retirement, of “next phases,” of making significant life changes. But a writer doesn’t retire. My house might eventually get smaller (on many days, a condo sounds pretty good). Yet I can’t imagine a time when I won’t write. The girls will graduate and move away. Family meals will shrink to two. But the next phase will be only a new page.

And thank God for that.

Sybil's Summer Reading 2019

I’ve been doing a lot of reading this summer. Almost all fiction, which is unusual for me. In the past, I’ve split my reading pretty evenly between fiction and non-fiction. Part of the reason, I think, is that I have a stack of books I’ve gotten at various mystery conferences over the past few years and, well, I’m rather tired of having that large a stack that I haven’t read.

Here are my highlights from my reading so far:

I’ve been reading a lot of books by Camille Minichino. She writes under her own name as well as Ada Madison, Jean Flowers and Margaret Grace. I’ve been on panels with Camille and she is a delight. I also admire her. She got her PhD in Physics at a time when there weren’t many women in the field. Okay, there probably still aren’t very many women in the field. I’ve sampled all of her series and they are all great reads. My particular favorites, though, are her Sophie Knowles mystery series written as Ada Madison, featuring a mathematics professor, and her Postmistress mystery series written as Jean Flowers.

I’ve also been enjoying a lot of middle grade mysteries. Yeah, I know, I'm not the target demographic. Still, adults can enjoy them too! My favorites in the middle grade world are the Moon Base Alpha series. They are fun reads with a lot of interesting characters and situations that occur on the first moon base. I know I’m enjoying a book when I gasp as I’m reading and say no, no, no!

In the historical mystery area, I’ve enjoyed Heat Wave by Maureen Jennings, Art in the Blood by Bonnie MacBird and Dangerous to Know by Renee Patrick. Heat Wave is a new series for Jennings set in the 1930s. (She’s the author of the Murdoch Mystery series.) Art in the Blood is the first of a new Sherlock Holmes series. I bought it at the California Crime Writers Conference in June, largely based on the cover. Thoroughly enjoyed reading it. Dangerous to Know is set in the 1930s and features the famed costume designer Edith Head.

Probably my favorite of all though is The Skeleton Makes a Friend by Leigh Perry. I just love the Family Skeleton series, one of the few that I’d read over and over and over again.

There’s still more of summer left and I have a lot to read still. What have you been reading lately?

Seems like fact once again trumps fiction

by Rick Blechta

I’ve been avidly reading news reports the past few days. Current events have given us the rather horrible saga of Jeffrey Epstein. I’m sure you all have a good grasp on at least the general details at this point, so I won’t bore you with repeating them. If you need to bone up, though, go HERE.

Epstein’s case presents a star-studded cast with many very powerful people involved. They partied and spent time with this guy and if it comes out they had anything to do with underage girls, they are in serious trouble. Every single one who has been mentioned so far has stated their case strongly that they knew nothing about it, had no involvement in it, and in some cases “I hardly knew this man.” They have a lot to lose if that’s not the case. My guess is there are — or were — a lot of sweaty palms once again when Epstein was recently arrested.

Normally in a crime that’s given the “novelization” treatment, a particular case gives you one good book. Peter Robinson did an excellent job using some facets of the sensational Paul Bernardo/Karla Homolka case, turning it into the excellent Aftermath (highly recommended).

In the Epstein case, though, I’m seeing two novels. The first would involve the time up to his first trial, where he pretty well skates free spending very little time in jail for a pretty horrendous crime. Imagine how the detectives who investigated and built their case must have felt when Epstein made his deal.

Then our dedicated defenders of the law work to build a second case against Epstein (nice series character set-up here, no?) and he’s thrown back into jail to await trial since bail was denied. Then suddenly, the man is dead, apparently by his own hand.

We’ve all read the books, seen the movies. I wonder how many people feel that it was just guilt weighing down on him that drove Epstein to hang himself in his jail cell? Probably not many. There are just too many anomalies in how the jail screwed up, how all the systems failed at once.

Powerful people can do powerful things. Our intrepid sleuths would certainly have to put their lives on the line in their search for what really happened in that jail cell.

I can think of several scenarios that would make a totally gripping thriller and I’m sure you can too.

My guess, though, is that we’re far from the end of this tale. Whether the actual truth comes out or not remains to be seen.