My Year in Books 2019

It’s time for my annual reading wrap-up.

In 2019 I read 108 books, 38 more than last year! Unlike last year where about half of my reading was non-fiction, only about 5% was in 2019. Not really sure why that was since I do love reading non-fiction. Maybe because I listened to a lot of Great Courses series this past year instead.

The most interesting non-fiction book I read in 2019 was “The Trial of Lizzie Borden” by Cara Robertson. Just a fascinating book with a lot of details of the investigation and the trial. Well worth reading.

Another book of note in the non-fiction category was “The Library Book” by Susan Orlean. You may remember I mentioned it in a post last March. It’s about the library fire in the downtown branch of the Los Angeles Public Library. Also well worth reading.

As you know, I read a lot of cozies. This past year I finished up some series that I really enjoy. I read the last books in the Button Box Mysteries by Kylie Logan and the Mall Cop series by Laura DiSilverio. I’m saddened that there won’t be any more of these. I enjoy them so much they have a permanent place on my bookshelf and they’re probably one of the few series I will read again.

But my absolute favorite books in the cozy category were two in the Family Skeleton series by Leigh Perry: “The Skeleton Makes a Friend” and “The Skeleton Stuffs a Stocking”. I’m hoping there are many more of these on the horizon.

Another great traditional mystery series (I hesitate to call them cozies) is John Gaspard’s Eli Marks mystery series featuring magician Eli Marks. I’d recommend reading all of them, but if you only read one make it “The Floating Light Bulb”.

I also continued my fascination with middle grade books. I finished off the Lockwood & Co. series by Jonathan Stroud and discovered the Sixty-Eight Room series (which I finished reading) by Marianne Malone. Another series worth mentioning is the Moon Base Alpha series by Stuart Gibbs. Just pick up anything by Gibbs and you’ll enjoy it, but this series is my favorite.

In the non-mystery fiction category, I recommend “Year of Wonders” by Geraldine Brooks set in 1666 when the plague reared its ugly head once again in England. It’s about a town that voluntarily cuts itself off when plague surfaces in their midst and the consequences of doing that. It’s based on the real town of Eyam who isolated themselves from the outside until all signs of the plague had disappeared. I found this one particularly interesting because I’d just listened to the Great Courses series on the Black Death.

I also read a fair amount of historical mysteries. 2019 was the year I discovered Bonnie MacBird’s series featuring Sherlock Holmes

(“Art in the Blood”, “Unquiet Spirits”) as well as Renee Patrick’s series featuring Lillian Frost and Edith Head (“Design For Dying”, “Dangerous to Know”.) I picked up MacBird’s books largely because I love the covers. They turned out to be great reads. And I had to have Renee Patrick’s series because it has the Edith Head in it. I remember when I was growing up seeing her accept Oscars for her work in films. I always found her fascinating.

I could go on and on about other great books I read, but I won’t. Did you have any particular favorites from this past year of reading?

Can a crime novel have too much tension?

by Rick Blechta

As seems to happen more often than not, a previous post from one of my Type M confreres causes my well-made plans to change at the last minute. That’s happened again today — and is the reason I’m so late with my own post.

Yesterday, Tom posted a great piece on successfully building tension and stress into a plot. It is something every single crime fiction writer must face and overcome. If this isn’t accomplished the book is not likely to hold readers’ attention.

Probably the most important thing he points out is this: “Be mindful that there should be an ebb and flow of tension, a little breathing space. Otherwise, you'll wear your reader out. But at the end of the breather, that's always a great place to put a plot twist.”

A novel’s plot? feel? can only approach “relentlessness” in those few final chapters. By that point the writer should just be dragging readers along at a run. But you may disagree.

Tom is very right about breathing space. Sure, start a novel with a bang. We all try to do that. As we’ve all pointed out a one point or another, those first few pages are where readers are “auditioning” the story. It can’t be all exposition at that point, some action is needed to keep things zinging along. But once you figure you’ve got ’em hooked, it’s time to relax and let some of your characters’ other qualities come out, it’s time to get your readers invested in your characters.

Years ago I read a spy novel — the title of which escapes me at the moment — that opened with some tremendous, gut-wrenching action scenes. I was hooked. But then the action kept on…and on…and on.

A third of the way into the book I was exhausted. Not only that, there was no substance to any of the characters, especially the protagonist, because there had been no time to develop any. This was long before video games, but the plot structure was very much like a video game’s. The whole plot involved our intrepid hero going from one “level” to the next. There was no real substance.

My job that summer was as the “pool boy” at a resort in Maine. The place was not very busy and basically my job was to watch over the pool more than serve the guests. Consequently I had hours each week to spend reading. The book mentioned above is the only one during my entire time there that I remember not finishing.

I was too gormless at the time to analyze why this was so, but it’s interesting to note that most of the books I literally galloped through were ones written by recognized masters of the genre: Agatha Christie, Dorothy L. Sayers, Rex Stout, Dashiell Hammett, and Raymond Chandler. It would be hard to stack up well against these authors even if the novel were pretty good. But I do remember thinking, “Time to find something else to read,” and putting the book back on the resort library’s shelves.

So it’s a balance, a very precarious one, that each author must find for every novel they write. And it can be very tough to do.

Next week: Never fall in love with your characters!

Tension

I received this by private messenger in Facebook this morning:

“Good evening, any idea when Shadow Hill will be hitting the bookshelves? I just started Graveyard Bay this week and can’t believe how much your books make my heart race. I find myself tensing and holding my breath, trying to prepare myself for when the boogeyman jumps out. I just ordered all three of your books today for a friend at work. They’ve got a birthday coming up and I know they’ll love them. Your books are really amazing.”

That made my day! I can't stop smiling.

Tension—the mighty engine that moves the plot forward. The dictionary defines tension as mental or emotional strain; intense, suppressed suspense, anxiety, or excitement. It also defines it as being stretched or strained. Isn’t that the ringer we want to put our readers through?

Here are my thoughts about creating tension.

The readers have to like and relate to the characters. They need to be invested in them, to care for them, and worry about them.

The protagonist has to be an active participant in the plot, their decisions and actions have consequences. How many times have you gone to a movie where the protagonist starts down a dark stairwell or dangerous hallway when your inner voice is screaming, “Don’t go down there!”

Be careful here, however. There’s something called “Too Stupid to Live” syndrome. If you’re allowing your lead character to walk into the serial killer’s tool shed, she’d better have a damned good reason. Otherwise your reader’s going to be saying, “Oh, for heaven's sake, she’s too stupid to live” and close the book.

There should be character conflict. We’ve all been in relationships with friends, family, lovers, or even co-workers and sooner or later, there's gonna' be drama. Readers can relate to that. They've been through it. No relationship is rosy all the time.

There’s internal character conflict. My protagonist has a problem with alcohol and relating to authority. And in spite of being extremely intelligent and aware, she makes bad life decisions. Most of my readers find these quirks to be endearing. I want her to be someone you'd like to have a glass of wine with...just not too many of them.

Your lead character should have a dark threat hanging over her head like the sword of Damocles. Maybe it starts out when your protagonist doesn’t know how she's going to pay her bills. Or when a lover talks about leaving. Then it might build with an unknown killer on the loose. Oh, my God, the boogeyman is hiding around the corner. Escalate the threats.

Want to ramp that up even higher? Threaten your lead character’s loved ones! Put them in danger.

Time itself might be a threat. Your character may only have a specified amount of time to solve the mystery before there are horrible consequences. Tension escalates when the clock is ticking.

Have you written a tense scene? Is your protagonist racing to beat a deadline? Is she running through the forest to save her daughter? Ramp it up. Do it during an ice storm, making it difficult to get traction, dodging falling tree branches, the clock is ticking. As the story unfolds, the road to any kind of success should get harder and the stakes get higher. Just when you think things couldn’t get any worse, create another hurdle.

Be mindful that there should be an ebb and flow of tension, a little breathing space. Otherwise, you'll wear your reader out. But at the end of the breather, that's always a great place to put a plot twist.

In some ways, writers have to be cruel. You’re putting your babies in harm’s way, putting them in extreme danger, striking fear in their hearts, dropping them into a life and death situation.

In real life, I think we try to avoid tension and drama. I know I do. But when I read a novel or watch a movie, I want to be on that roller coaster ride with characters in whom I’m invested and want to see survive. I want to see them win.

A New Year, A New Book, an Old Problem

Happy at Magic City Books in Tulsa

If you haven't been following the recent entries here on Type M, Dear Reader, you've missed some interesting observations about the joy/problem of writing and trying to have a life at the same time.
I lost a little height and slinked away when I read Aline's last entry wherein she said "I'm so impressed with fellow-Type Mers like Donis and John who have gone on with their determination to write every day, no matter what, right through the festive season."

Because guess what? Did I faithfully work over the holidays? No, I did not. And here is my perfectly excellent reason - I took a road trip back to my homeland of Oklahoma in the middle of December. It was the first time Don and I have driven back together since he began having health problems over ten years ago, and it was great fun (though more tiring than when we were energetic young things) We drove through our old stomping grounds, through the mountains of New Mexico past the Very Large Array and Pie Town, through Lubbock Texas, where we were married oh so many years ago, to Norman Oklahoma, where we first met in grad school and went back to years later to work at the University. I did an author event at the new Public Library in Norman which is a beautiful three story building, and the event was beautifully attended. I was told that I was the very first author to talk in the new building, and for the inaugural event featuring my 1920s era novel, The Wrong Girl, a jazz band played before and after my presentation, and silent movies were projected on the back wall above the cookies and punch. The very nice crowd included five - count'em! - five of my first cousins, along with the cousins-in-law and cousins once removed they brought with them.

My sister Martha and my husband Don

If that wasn't lovely enough, we drove to Tulsa the next day, where I was born and raised and near where all my siblings have returned after a lifetime of being scattered all over the U.S. and the world. I'm the only one still living away from the homeland. For now, at least. We spent five nights with my youngest sister and her husband in their new house. Oh, brave Martha. Can you imagine hosting relatives in your house for five days? Fortunately we all get along great and spent some quality time yelling at the television together. Don and I tried to make a point of getting out of their hair for several hours a day. I had lunch with a childhood friend, and visited with the great Carolyn Hart, who now lives in Tulsa. The other siblings did meet us for meals, etc. Middle sister and her husband drove down from Joplin to see us a mere few hours before they caught a plane for Florida and a Christmas cruise to the Bahamas.

On the day before we left for home I did an event at a new bookstore in downtown Tulsa called Magic City Books, also surprisingly well attended considering that it was icy cold and drizzling. I have to admit that I am related to about a third of the people who showed up. We had gorgeous sunny weather on the drive back to Arizona, of course. Then the instant I got home I became deathly ill and collapsed in a heap for several days.

The gist of all this is that I did not write a word for three weeks. I'm back in the land of the living again, and desperately trying to write. Desperate, because my editor wants to see at least the first 100 pages in mid-January.

VERY IMPORTANT POINT HERE. PLEASE READ. If you are a writer, you really should sit down and write every single day, because if you don't YOU WILL LOSE IT. I didn't write for three weeks, and when I finally got back to the computer, I had forgotten everything I ever knew. It's still in there somewhere, because it's been several days now, and I feel the muses stirring again. But let me tell you, I had a few days of panic, there. Oh, I wrote down words, crappy words, but they were words, and words can be shaped and smoothed and made uncrappy, because as you know, you cannot edit a blank page. Some writing days are good, and some make you question your life choices. As Barbara Fradkin said yesterday, "at some point the descent will slow, even reverse, and I will grind to a halt, forced to plod along and even climb again with great effort. Stories bog down and become mired in dead ends when one is a pantser. More and more forks crop up, with no clear path forward. The one principle I keep in mind (which is the same in skiing) is: choose the fork that promises momentum." And keep on going!

Ready, set, go!

I've been amused by the recent posts by my fellow bloggers, all along the lines of Happy Holidays, here's what I did with the family, why I didn't do any writing, and so on. I confess that because my last post was due on Christmas Day itself, it didn't get posted at all. I had a house full of family, a seventeen pound turkey to cook, and more family coming to help eat it. I was too busy even to take photos. So here's my first holiday photo of the blog. This is only one table of two. I call it The Aftermath. 

But I was most intrigued by Aline's post about starting her new book, to which I said "That's exactly me!" In fact, I think that so often when I read Aline's posts that I wonder if we aren't secret identical twins with different accents.

I have been researching my next book for almost three months, reading cheerful tomes on domestic violence and trolling through the internet to learn about shelters, police response, therapy groups, etc. As I read, the characters in my drama slowly began to take shape in my imagination and some key plot possibilities emerged. But I kept stalling on actually getting down to write. New Year's Day was my drop-dead deadline. Like Aline, I am mostly a pantser and once I have a couple of opening scenes, I start the journey, knowing that if I planned ahead, I would be seduced by the first intriguing fork in the road and be off in another direction anyway. If anything, trying to follow a plan would only frustrate and bore me. I do think ahead in fits and starts, but I like the surprises my imagination comes up with and I like not knowing how it's all going to work out.

But it is also terrifying to be lost in the wilderness, not knowing where I'm going or whether I'll ever get there. This is the curious paradox that I think pantsers find so addictive. The journey is both thrilling and terrifying. Rather like plunging down a ski hill on the very edge of losing control. And, keeping with that metaphor, there I was on New Years, poised at the top of the mountain with my ski tips pointing over the abyss, gathering my courage. Finally there is nothing for it but to push off. Put pen to paper and start the first scene. Which I did on January 4. It's a brand new Inspector Green novel: I am bringing my favourite detective back after an absence of almost six years. So on January 4 I started feeling my way down the mountain and now have four scenes written, with ideas for the next three that emerged out of the writing of the last one. The story is picking up momentum.

The skiing analogy breaks down somewhat at this point, unless the mountain is very high and the path very circuitous. Because although at the moment I am gliding along and enjoying it, I know at some point the descent will slow, even reverse, and I will grind to a halt, forced to plod along and even climb again with great effort. Stories bog down and become mired in dead ends when one is a pantser. More and more forks crop up, with no clear path forward. The one principle I keep in mind (which is the same in skiing) is: choose the fork that promises momentum. The Goldilocks fork. Not the Black Diamond run that plunges me to the finish line too fast and recklessly out of control. Not the Bunny Hill that lulls me effortlessly down through each safe and predictable turn. But the Intermediate hill that keeps me close to the edge of my skis, gripping my poles and screaming curses into the wind.

I've got a long way to go, but each day I try to put myself back on that mountain, picking up where I left off and feeling my way down through the open spaces and dense woods, the cliffs and the bogs. I've got about eight months to go and 85,000 more words to write, but it's exciting to be starting the journey. 

Robot Writing

by Rick Blechta

I began last year’s post with an article about books as works of art. That’s physical works of art rather than written ones.

Call it fateful, but in December I found a very interesting article in the Washington Post about people turning to computerized robots to write invitation, greeting cards, inscriptions and the like.

CLICK HERE for a link to the article.

My first encounter with robot handwriting happened a number of years ago at the (late and lamented) Toronto Book Fair. Believe it or not, Margaret Atwood was there to present a machine the idea for which she had conceived. It was called LongPen. CLICK HERE for a link to the website.

Her idea was being able to attend book signings in remote places (like the Canadian north without actually being there. She would be visible on a computer monitor and attendees could get personally signed and inscribed books by Ms Atwood via her LongPen invention. If you’ve looked at the website, you know how this was accomplished.

I duly took my place in line and after a short wait, got to sit down at one of the LongPens and wrote out something. Being the cheeky bastard I am, it went something like: “Now the amazing Ms Atwood in an inventor. Brava!” She thought that was very “sweet” and thanked me. She even said I could call her Peggy as we chatted about working out the tech details for the prototype. How cool is that?

Now people are using a simpler and speedier riff of the LongPen idea to make their greeting cards seem more personal. Since mostly pre-existing fonts are being used for this, the results don’t seem all that personal.

That’s something like getting computer software to write short stories or books. It can be done, and while the results might be interesting as a mental exercise, we imperfect humans are still definitely needed to conceive of and write works that truly are worth reading.

So why the pretense of sending a personal message when it really isn’t actually personal? It might just be me, but I would be more insulted getting something like this than I would be with some sort of printed out message that isn’t trying to look as if it was actually written by the person sending the message.

How about you? Have you received a faux personalized greeting card? Do you feel the same way?

If you’re going to go to all the trouble of this kind of subterfuge, why not get hold of a LongPen and do it right? Just let me know and I’ll get in touch with my good friend Peggy!

Ploughing the Field

I'm so impressed with fellow-Type Mers like Donis and John who have gone on with their determination to write every day, no matter what, right through the festive season. That admirable habit failed with me around mid-December when with the entire family coming for Christmas I realised that it was a choice between having a clean house, food in the fridge and freezer and no work done and having a thousand or two words written, plus chaos and a nervous breakdown where I just kept mumbling wildly, 'Mince pies! Christmas pudding! Home-made fudge...'

So I've been a bit of a slacker lately, but now I feel the better for the break. As it happened, Christmas came along at just the right time, when I felt I'd done all I could on the new book in the way of planning.

We've all talked a lot about being planners or pantsers and at heart I'm a pantser, usually prepared to set off once I've got the first couple of chapters ready to roll and a vague idea of what the ending will be (usually wrong) but this time I thought I would try looking a bit further ahead, attracted by the notion that once you had blacked it all out in summary, the book itself would be a doddle.

To be honest, it just didn't do it for me. I even tried that theory of writing one paragraph, then expanding it to a page, then a chapter and so on... By the time I'd got on to the second stage, I was completely revising what I'd written in the paragraph, and the chapter never happened. All it seemed to be doing was stopping the flow and making me panic that it wouldn't happen, ever.

Still, I did spend a lot of the planning time doing research that I'm inclined to postpone until I need the details on the way through. I checked out possible names for the characters I have in mind, instead of grabbing for a baby names dictionary every time a new character is introduced and thumbing desperately through it (there are people who actually call a helpless baby Zipporah?). I've got to know the characters themselves better now by living with them without putting them under pressure - though of course once I actually start writing they will change. They always do. I even have lots of ideas and snatches of dialogue written down ready for use later.

So I'm starting the new decade with the new book, ready to find out what the story is really about. And yes, to some extent it feels as if I've got the field ploughed ready for sowing but the drive that keeps me writing – to find out what happens in the end – is still there.

January gets a bad name, but I like it. After the frenzy of the festive season I'm looking forward to all of its 31 quiet days, when it's just me and the new book

A New Decade! Hip Hip Hooray

Short but heart felt. May this be the best year ever for my fellow Type M'ers and for all our faithful followers.

Onward and Upward!

Sneaking off....

Happy belated New Year!

I’ve been holed up with family and friends through the holidays, and it’s been wonderful.

As I mentioned in my last post, it’s always a challenge to keep pace –– at least for me, it is –– during the holidays. But I’m sneaking away (to the basement) here and there and getting some writing done. But most of the highlights from the past two weeks have involved having my two college kids home and the five of us spending time together. (My oldest is, after all, 21. So how many more holidays will the five of us have together?!)

Therefore this week, I’d like to share some pictures with you.

(And then sneak off to write a little more…)

Delaney, 21, and Keeley, 11, enjoying Old Orchard Beach (Maine, U.S.A.)

Delaney, Keeley, and Audrey, 18, on New Year's Eve "Lighthouse Tour"

The Corrigans

My step-father, mother, and sister Kelli in the kitchen working on Christmas dinner.

The college girls return....

Happy New Year!

May your year be filled with love and laughter.

May your days be filled with joy.

May you read many wonderful books.

For all those writers out there, may the words flow onto the page.

Happy New Year!

A year-end wish to you all

by Rick Blechta

2019 was not a banner year for the planet nor for many people. Rather than give you my enumeration of the good and bad things of the year for me, I’m voting to just turn the page and hope the coming 365 days are better for everyone.

Resolving to Write Every Single Day!

Since the beginning of December, I haven’t been on a deadline and have fallen into a very bad habit.  I’m not sitting down and writing every day.

Whenever I offer a workshop or give a talk to a group of readers and aspiring writers, I’m asked for my advice.  I always tell them, no matter what- write something every day.  Even if it’s a single sentence.

Write something every single day.

But how much should you write?

There’s no good answer to that, but let’s break it down in a quasi-scientific manner.  Most novels are between 70,000 and 100,000 words.  If we average that out to 85,000 words and we write 1000 words a day, you could write a novel in 85 days.  That’s under three months.


But that’s not counting revisions, false starts, or tossing your first, second, and third draft into the fireplace.

Michael Crichton, who passed away in 2008, wrote 28 novels, some under his own name and some under a pen name.  Author of books like Jurassic Park, The Andromeda Strain, and The Great Train Robbery, Crichton was extremely prolific, writing up to 10,000 words a day.  He said, “Books aren’t written, they’re rewritten.  It is one of the hardest things to accept, especially after the seventh rewrite hasn’t quite done it.”

Anne Rice is the author of an eclectic mix of gothic horror, Christian literature, and erotica. Best known for her book Interview with a Vampire, she knocks out about 3,000 words a day.  In her words, “I have to get all the distractions out of the way. I plunge into the work and write an episode; I can’t just clock in at 3,000 words.  I have to have time free to resolve things.  I write in episodic ways.  But when I’m ready to plunge in, I write from late morning through all afternoon, all evening.”

Arthur Conan Doyle, the grand master of mysteries and the author of the iconic Sherlock Holmes stories, wrote 3,000 words a day.  He said, “Anything is better than stagnation.”

Lee Child who pens the Jack Reacher novels writes about 1,800 words a day.  “I write in the afternoon, from about 12 until about 6 or 7,” he said.  “I use an upstairs room as my office.  Once I get going, I keep at it, and it usually takes about six months from the first blank screen until the end.”

Here are a few of my suggestions for reaching a word goal.

1) Work in a location in which you are comfortable.  Much like Lee Child, I have an office in a small room over the garage.  I’m near enough to a window that I can see if it’s raining but it’s not a distraction.  I have access to the internet in case I need to do some research, but I try not to overdo it. When I’m writing, I usually have some low ambient music in the background.

2) Limit internet usage.  It is a killer of time.  Facebook, Twitter, Instagram, news websites, and kitty videos are addicting and rob you of your productivity.

3) Find the time of day that you are the most productive.  Most writers find that they can get into a writing rhythm during a certain time of day.  Whenever it is, make sure it’s devoid of distractions.  For me it’s about 1 in the afternoon until about 5.

4) Don’t write boring stuff. If you can’t stay excited about your work, readers won’t either.

5) Don’t be afraid.  A bad first draft is better than no draft at all.  Keep in mind, that unlike in real life, you can go back and change a scene, or make dialogue sharper and wittier.

Shifting gears for just a moment, let’s talk about New Year’s resolutions.  Mine are the same as last year, with one important addition!

1) A healthier diet…more salads, less carbs, less sugar…which means less wine. Well, we all know how that resolution is going to end up.

2) Exercise more often. Carve out time for a long walk or the stationary bike.

3) Don’t be afraid of my first draft. I have to remember that a bad first draft is better than no draft at all.  Wait a minute, didn’t I already say that?

4) Read more. I’m a voracious news junkie, but I find when I’m writing, I can’t seem to find time to read books.  That should be every bit as important as time for writing.

5) Cut back…way back…on the internet. That is a time KILLER.

6) Learn to relax, take a deep breath, look around and appreciate life.

The addition?  Write. Every. Single.  Day.

Happy New Year!

Something old, too much new

As a kid I loved Christmas presents. I liked to think I was easy to shop for since what would always make me happy were model airplanes. There was the year that I dropped hints, in the form of brochures, of my desire for a minibike. The experience taught me not to put much credence in the Law of Attraction. Older now, and as a dad having masqueraded many times as Santa Claus, my perspective on the giving of presents has shifted. I realize that the best things we can give one another are not material objects. But I'm not going to risk being labeled as a Grinch by withholding gifts. I know the pressure of giving something, and the closer the relationship, the more money you tend to spend. As a result, I've bought expensive gifts that ended up gathering dust or were promptly regifted. Gift cards are a convenient way to assuage gift-giving guilt.

At my age, I pretty much have what I need. As to what I'd like? Beachfront mansions are unfortunately out of the question. In fact, like most of us, I have too much stuff. I have a closet full of coats, of which I wear only three with any frequency. My spring/autumn coat, my winter coat, and my Are You Kidding, It's a Blizzard Out There coat. For some reason I have five pairs of heavy-duty snow boots. Years ago I wrote a story where a gangster told a smart-mouth wannabe, "Hey kid, I got shoes under my bed older than you." Which is true.

When I was growing up, I was always losing stuff. Since then I've earned how to hang onto things. I'm proud that I still carry a pocketknife that I bought for myself for my 40th, twenty-four years ago.  My yoga mat is likewise more than twenty years old. On my nightstand rests my Ninja Turtle water bottle that dates back to the mid-80s. I get cranky if I lose gloves or a pair of sunglasses, even though I only buy cheepy ones. What doesn't last? I can wear out a pair of jeans in two years. Sneakers and bedroom slippers last about a year. And I've got a cardboard box of obsolete phones, mismatched chargers, tangles of cable, busted keyboards, and dead mouses.

Seeing as this is a writer's blog, I'd like to say that I give the gift of reading, i.e., books. Which I do, sparingly. I have a stack of books given to me which do little more than gather dust. It's bad karma to give them away until the requisite time has passed. I could give cards to Amazon or a local book store, but that seems too much like, "Here, let me give you something that's good for you, versus what you'd rather have."

So as we close out 2019, enjoy the rest of the holidays and have a Great New Year!

Farewell to 2019

It's the end of another year. This time it's also the end of a decade.

I would like to think that I'm not only older but much wiser. But I keep forgetting the lessons I thought I had learned.

This year I forgot the lesson I should have learned about saying "yes". I have this superstition about not answering the door when opportunity knocks. I'm always afraid that I will miss a chance to do something that would be life-changing. As superstitions go, this one isn't irrational. For example, I found a publisher for my Lizzie Stuart mystery series because I said "yes" when I was invited to take part in a mystery/detective fiction conference in New York City -- and then "yes" (or, at least, a hesitant "okay") when I was asked to lead a tour group on a walking tour of Harlem (a place that this Virginian had never been). A friend who knew Harlem came along. . . and, as it happened, a criminal justice professor from the Southwest was in New York, came to the conference, and joined the walking tour. While we were engaging in shop talk, we both admitted that we were would-be mystery writers. It was he who later passed on a tip about the crime fiction imprint that a Southern publisher was launching. So, you see, if I had said "no" my mystery series might never have been published. That's why I am superstitious about not saying "yes." But this year I should have thought more about what I could get done.

That brings me to that other lesson. We all know that one -- assuming that life will go along as one planned with calendar in hand. That there will be no snow, no household emergency, no two-week cold, no . . . this month, it was Harry, my cat. A bacterial infection and not eating. One weekend when we make an emergency trip to a vet clinic, the following Monday when I had to take him to his own vet because he wasn't eating. He got a shot and a couple of days later was eating again, but had a cold. Now the cold seems to be over. But I'm stopping to play when he wants to because I relieved that he's healthy again. Life happens and writing schedules fall by the wayside.

The third lesson is about staying organized while juggling multiple balls in the air. Being organized ensures that you don't waste valuable time trying to find something -- an article, a book, a website -- that is crucial to the project. Once, for a week or two this year, I was on the verge of being organized. Then I had to get to work on something that was more urgent. But what I should have learned is that I need to make the time to be organized. I have gone beyond the point of knowing what is in my stacks of papers. Before 2020 begins, I need to go through those piles and make sense of them.

But there was one lesson that I'm glad I didn't learn. I have been trying to be more productive by forcing myself to plow ahead even when I'm not happy with what I'm writing. This year, I missed a real deadline for a nonfiction book and deadline or two I had self-imposed while my agent waited for the thriller I'm writing. But all of my false starts have produced results. I've been digging deeper than I intended for the nonfiction book and made some fascinating discoveries. With the thriller, a few days ago I had an idea that solved my POV problem. Instead of a book written from the points of view of four characters, I am now down to two. These are the two characters who have the strongest voices and the clearest views of the events in the book.

 So I'm going into 2020 and the new decade, older and slightly wiser.

Happy New Year to my Type M mates and to all of you who join us here!

Happy Boxing Day

Don and I hope you all had a wonderful holiday, be it Christmas or Hanukkah or Kwanza or Festivus. We had Christmas brunch with friends and then went home to take a nap, since neither of us has recovered from our two-week driving trip to Oklahoma, which was most productive and we were happy to see millions (yes, millions) of relatives, though after living in Arizona for 35 years I can no longer tolerate cold weather. I'll tell you all about my Oklahoma trip soon, Dear Reader, when we aren't both bloated from too many cookies and latkes. Today I feel I might as well talk about Boxing Day. Boxing Day isn’t much celebrated in the States. In fact, I never heard of it until I was a teenager. For me, December 26 is the day that Good King Wenceslas looked out.

Until I was about ten, I thought that Good King Wenceslas looked out upon the feets of Stephen. At the time, I supposed the reason that Good King Wenceslas was looking upon Stephen’s feets was that Stephen was barefoot. Since the snow lay round about, deep and crisp and even, it occurred to the King that Stephen’s feets were very cold. And so, moved by the poor man’s plight, the King had his goodly page bring him flesh and bring him wine, and bring him pine logs hither. Then page and monarch, forth they went together, through the rude wind’s wild lament, so that they could bear them thither and see him dine.

I did eventually discover that Stephen was not yonder peasant, but the Saint upon whose feast day Good King Wenceslas looked out. That realization took some of the joy out of the story for me, for the the thought of the actual Saint Stephen’s broken corpse lying under a pile of rocks doesn’t comfort me much. I loved the idea of poor cold-footed Peasant Stephen standing in the king’s toasty footprints and receiving an armload of pine logs and meat and wine for Christmas dinner, and to this day, I am warmed by the image of this act of compassion.

Therefore, Christian men, be sure
Wealth or rank possessing
Ye who now will bless the poor
Shall yourselves find blessing.

My holiday wish to you — assuming you don't already live in Iceland!

by Rick Blechta

By all accounts, Iceland is a very admirable and civilized country. Sadly, I haven’t had the opportunity to visit, but it is definitely on my list.

One of the things that makes Icelandic society stand out to people like us is their tradition of giving books on Christmas Eve. Speaking not as an author here, I feel this is a very lovely thing. There is something wonderful about people spending an evening reading together. Sure, it’s sort of a solitary thing to do, but so is listening to music or watching television. It is also, well, very civilized.

So my holiday wish to all of you is this: may you receive a wonderful book this holiday season and may you enjoy the heck out of reading it!

Happy Christmas

I'm sorry! No time to write a full blog - and I suspect you wouldn't have time to read it if I did!

Every good wish to you all for a happy, healthy and successful 2020.

Guest Post - Laura Oles

Please welcome author Laura Oles to Type M. I had the pleasure of hanging out with her and her sidekick, Micki Browning, at Bouchercon in Dallas. It was a fun and, sometimes, silly time. I look forward to catching up with both of them at future conventions. Take it away, Laura...

Meta Magic: (Listening to) Writers on Writing

by Laura Oles

 

As writers, we often contend with voices inside our heads.

It’s not just me, is it?

As much as I love these characters who demand to be heard, there are moments when I need a break. I need someone else’s voice inside my head. Someone to inspire me or to teach me something interesting that could also prove useful in a future scene or novel.

I’m one of those people who enjoys listening to other creatives discuss their process. I think, early on in my writing career, I hoped to glean that ONE RIGHT WAY to outline/plot/write a novel, but after so many years, I have come to learn that there is no single right way. And that each book may be different. A process that worked for one book no longer seems to bring results on the next project. Still, there’s something inspiring and interesting about listening to others talk about how they take their ideas and turn them into a story, how they wrestle with the demands of work/family/life obligations while working on a project. So, when I want to remain in the creative space but need a little distance from my own work, I turn to others to better understand how they manage their creative lives.

Here are a few of my favorites:

(Night Vale Presents) Start With This (Podcast): This podcast, from the creators of Welcome to Night Vale, tackle all aspects of writing from dialogue and pacing to creative crises and dealing with feedback. Each episode is in the half hour range, perfect for a listen as you walk your dog or work around the house. If you’re struggling with some aspect of your writing, take a break and tune in. It might be just what you need to get back on track.

Comedians in Cars Getting Coffee (Netflix): Jerry Seinfeld is known for his intense discipline to the craft of writing, for the daily dedication he still has in improving his skill at one-man storytelling, even though his Seinfeld show fame means he would never need to work again. This passion for creating and writing is on full display as he interviews other comedians to discuss all aspects of storytelling, writing and entertaining an audience. It’s a quirky show that speaks to my quirky heart. And the episode with Mel Brooks is pure gold.

Ten Minute Writers Workshop (NPR Podcast): Although this podcast wrapped last year, there are sixty ten-minute episodes with writers such as Louise Penny, Ian Rankin, Tana French, and Tom Perrotta. This remains one of my favorite podcasts because Virginia Prescott gives us a peak into the habits of some of today’s most talented writers, and her interview format is designed to help other writers in their own pursuits.

Here’s the Thing (NPR Podcast): Alex Baldwin’s personal antics can be up for debate, but you can’t argue with the man’s interviewing skills. This one surprised me in all the best ways. He’s interviewed everyone from Billy Joel and Carly Simon to Cameron Crowe and Kyle MacLachlan. Alec’s questions dig down deep into the topic of the creation of art of all kinds and how those pursuits impact personal relationships. For those who want to listen to the inside-baseball elements of writing, acting, and other creative endeavors, this public radio podcast pulls strong.

Laura Oles isn't quite sure where she's from. As an Air Force brat, she started school in the Philippines and ended up Texas, attending a different school almost every year in between.

Laura’s debut mystery, DAUGHTERS OF BAD MEN, was an Agatha nominee, a Claymore Award finalist and a Killer Nashville Readers' Choice nominee. She is also a Writers' League of Texas Award Finalist. Her short stories have appeared in several anthologies, including MURDER ON WHEELS, which won the Silver Falchion Award in 2016. Her most recent short story, “The Deed” was included DENIM, DIAMONDS AND DEATH: Bouchercon Anthology 2019. 

Before turning to crime fiction, Laura spent two decades as a photo industry journalist covering technology trends for a variety of consumer and industry magazines. She lives in the Texas Hill Country with her family. You can find her at https://lauraoles.com

Winterly (and Writerly) Conflicts

Less than a week before Christmas, here in western Massachusetts, and things are great and a tad frustrating at the same time.

As a dad with an 11-year-old fully engaged in the coming of Santa and a 21-year-old and an 18-year-old arriving home from college, it’s a wonderful time, one during which memories will surely be made. Day trips. Walks. Late nights. Maybe not much writing.

Keeley, our fifth-graders, has maybe a year or two of Santa left. So the Corrigan family –– parents and older sisters –– are all in. The Elf on the Shelf is moving magically each night. The note to Santa has been written. Gifts are hidden in nooks and crannies throughout. I’ve got my ugly Christmas sweater out and at the ready; my Santa hat on.

We are traveling to my parents’ home this year, and saying my mother enjoys Christmas is like saying the Easter Bunny has a minor affection for eggs. The house has been decorated for a month. Empty boxes are wrapped and displayed on staircases. She got –– because three granddaughters are coming –– a 12-foot tree (you and I are both glad we didn’t have to bring it inside, believe me). We will all eat too much, drink a little too much, and have a ball.

But…

...the writer in me knows the holidays are always a time of stops and starts, momentum rushes and halts. I’m eager to spend time with my family, for sure, but my New Year’s resolution will inevitably be to play catch-up.

First-world problems? Absolutely. I’m lucky to have a great family, and I am looking forward to spending time with them.

Still, if I’m being completely honest, I won’t be upset if the ladies in the house want to go shopping and leave me and the dog behind for a few hours…

Happy holidays!

More Christmas Favorites

I enjoyed Thomas’ post on Monday about favorite Christmas movies and books, though I have to admit I’m always taken aback when someone names Die Hard as their favorite Christmas movie. I don’t really think of it as a Christmas movie. I think of it as a great action flick. But, hey, what makes a Christmas movie, anyway? It is set around Christmastime so I guess that’s good enough.

I read my share of Christmas cozies. Any time there’s a Christmas-ish cover on a mystery I check it out so I was pretty excited when I got a chance to write my own mystery set around Christmas, Ghosts of Painting Past. It’s the latest (and 5th) installment in my Aurora Anderson mystery series.

My personal favorite Christmas book is Dickens’ A Christmas Carol. I try to read it around this time every year or at least have Patrick Stewart read it to me. Not in person, alas, but he did record a wonderful audio version years ago when cassette tapes were still common. I believe it was reissued on audio CD in the early 2000s.

Not surprisingly, my absolute favorite Christmas movie is a version of the story: The Muppet Christmas Carol from 1992. Michael Caine is great as Scrooge and you can’t beat Gonzo as the narrator, Kermit as Bob Cratchit and Miss Piggy as Mrs. Cratchit. Plus there are some nice songs. My second favorite is Holiday Inn which Thomas also mentioned. I've seen both of them more times than I can count.

We can’t forget those TV specials, though. I grew up on A Charlie Brown Christmas and Rudolph The Red-Nosed Reindeer, both of which debuted in the 1960s. I have them on DVD and still enjoy them to this day.

Then there’s the Christmas music. I have a huge selection of holiday music from Big Band versions of songs to Bing Crosby to Chris Botti’s Christmas album to Lindsey Stirling and Barry Manilow and Michael Buble and, well you get the picture. But my favorite Christmas album of all times is one I remember from my childhood, one that my father picked up at our local Firestone tire store. Yep, tire store. Back in the 60s and 70s, both Firestone and Goodyear produced some great albums that they either gave away or sold in their stores for $1. Firestone produced 7 volumes. The one we had was Volume 4, which included songs by Julie Andrews, Vic Damone, The Young Americans and Dorothy Kirsten among others. I played it over and over again growing up. Two songs in particular that I love are on this album: Julie Andrew singing The Bells of Christmas and Dorothy Kirsten and the Young Americans singing I Wonder as I Wander.

I hope you all are having a wonderful holiday season and get a chance to enjoy your own favorite books, movies, TV shows and music with your friends and family.