The Hardest Part for an Amateur Sleuth

Donis here, still carrying on, still writing on a mystery and hoping my protagonist is smarter than I am. When I start a mystery novel, I usually know who the murderer is, and I usually know how and why s/he did it. I also have an idea how the killer went about trying to cover up the crime. I’m pretty good about doling out clues at appropriate intervals throughout the story. But here’s the hardest part: Bianca, my protagonist, has to figure out who did the deed.

What’s the problem, you ask? Just have your sleuth sort through the clues, make the right connections, and Bob’s your uncle.

As anyone who has ever written a mystery can attest, it’s not that easy, my friend, because you have to do it in such a way that is realistic and makes sense.

My protagonist,Bianca, is a Jazz age silent movie star, quite unlike my earlier protagonist, Alafair, who is an Oklahoma farm wife with a bunch of children. But like Alafair, Bianca is not a law enforcement professional or a private investigator. She doesn’t solve crimes for a living, nor does she have any official authority to compel people to answer her questions. She also lives in an era when people are constrained by fairly rigid gender roles. So, question number one is: what is she doing trying to solve a murder, anyway? The first thing I have to do is give her a really compelling reason to get involved.

Then I have to give her the means and the opportunities to uncover information and make connections, and I can’t force the action to fit the outcome I want. In other words, I can’t have Bianca doing things that a woman of her time and place - even one with her considerable resources - wouldn’t do. I can’t have her act against her own nature, either, just to advance the plot or create tension in an artificial way.

This is the reason I’ve been known to stare at the screen for an hour when I’m at a critical juncture, thinking, "how can Bianca figure out what a mobster is up to," or “how can I get Alafair off the farm and into that office in town to search for the gun, before sundown, when she has ten kids who want dinner?”

Whatever my heroine does, it must be realistic. Sometimes I just can’t come up with a plausible way to do it, and I have to go at it from a totally different angle or rework the scene altogether.

Forcing the action is a common mistake for a beginning writer. I often see it done in one of two ways. One is the “Idiot College Student Syndrome”. This is when the character has been brilliant throughout the book, but suddenly does something stupid just so you can put her in danger and increase the tension. One by one, five college students went into that dark room alone and were massacred by an ax murderer. In the name of all that’s holy, Number Six, don’t go in there! Call the police, you idiot!

Second is the “Wildly Unbelievable Coincidence”, in which the author hands the sleuth the vital clue in the most implausible fashion. The detective didn’t detect. He just happened to be in the right place. He just happened to stumble across an object. The killer suddenly leaped up out of his chair and confessed. I have to be sure that my sleuth honestly found the answer using the information provided in the story.

This is one of the things I like about an amateur sleuth - she has to be sneaky, persistent, smart, and clever in order to find her answers. In fact, there have been occasions where my protagonist came upon a clue that I was not aware of myself until it appeared on the page. Toward the end of my fourth book, The Sky Took Him, Alafair was sitting in a hospital corridor, having a nice, normal, conversation with the family, when she noticed something at exactly the same time I did, an observation which provided both of us with a vital piece of information. It surprised the heck out of me, but it was plausible, very much in character for Alafair, and worked like a charm. Moments like this are why writing a mystery can be such fun.

I'm working on my twelfth mystery right now, and praying for Bianca to come up with a blinding insight and let me in on it.

How to survive the pandemic and other chaos

 As Charlotte said in her Friday post, this has been an extraordinary month in an extraordinary year. Every day we ask How can it get any worse? And then fires happen, and hurricanes, and the covid case numbers start to creep up – at least in Canada. In our neighbour to the south, they have been insanely high all summer. People feel buffeted from all sides, and it's very difficult to stay centred. Sustained productive work is almost impossible. All our "normal" life anchors are gone and we can't predict or control what is coming. In the midst of this anxiety and helplessness, schools are reopening across the country, with teachers wondering how they will manage to teach anything in such an alien, socially-distanced, masked world, and students probably struggling to focus on learning the material anyway.

Some jobs require an external focus, forcing us out of our heads to deal with the task at hand, whether it's stocking grocery shelves, driving a bus, and performing heart surgery. It's possible to work through distraction and worry, at least for the short periods required to do the job. Others are more introspective and require deep delving into our own thoughts and feelings. Writing a novel is at the extreme of that. Not only do we have to inhabit our own imagination inside our own head, but we have to do so for hours at a time in order to "get into the zone" and create a meaningful. coherent chunk of story. 

Reading and TV provide a similar contrast. When I was dealing with grief, I found I couldn't read a book at all. I browsed through magazine articles and such but the sustained attention and immersion in the story required for a novel was beyond me. My thinking was fragmented and I felt flighty. I also could write the reports and articles required for my work but couldn't write a single creative sentence. TV watching was much easier than reading. You flick the switch and sit like a zombie letting the story wash over you without much effort on your part. 

Since March, I've gone through ups and downs on this continuum, as we all have. I have been more distracted and flighty, and have found I really have to work hard to stay focussed on the book I am writing. This is especially true if I've been watching too much news. I am spending much more time watching TV or browsing idly on the Web.

All this is normal in the face of a world turned upside down. And people's reactions are highly varied. Some deny there's even a problem. Some hide under their beds. Some believe in absurd conspiracies. Some take to the streets in angry protest. Some deliberately flaunt the rules with an almost frenetic, "end-of-days" enthusiasm. Most of us try to listen to the advice of experts, sort through the confusion, and take a reasoned stance in our behaviour. For us, the deniers, the flaunters, and the angry anti-maskers are just an added layer of frustration and worry, especially as the case numbers rise. 

There are no easy answers and no quick way out. We may have many more months of this uncertainty and as the days grow dark and cold, we will need all our resources of resilience and support. There have been lots of articles written about mental health, but I recently came across this interesting article which has some useful tips and information. 

I find that walking through nature helps me to find that peace and focus to connect with my creative side. What works for you?

There’s always something new to learn, but is it worth it?

I’m going to begin this week’s post with the software we here at Type M have to use in order to give our readers something to see. Since nothing says “we’re a happening website” like giving an application a new look, we’re dealing with a Blogger software update — or at least I am.

My main computer is now considered “vintage.” There is nothing wrong with it. In fact, it works rather well. As with all computers, having the latest and greatest software updates means that eventually the operating system won’t handle them. Part of this is because of advances in the heart of any computer: the processor.

I once put a question to a computer scientist, to wit: “Why are changes made to operating systems because of new processors that cause a lot of other programs to suddenly need updating too? Couldn’t it be engineered so that older programs would still work?”

He was silent for a moment and said, “Well, to be honest, then software developers wouldn’t sell nearly as many updates.”

I understand business, so I can see the sense in that, but it still left me very annoyed and feeling…sort of ripped off.

Getting back to my main computer, I can no longer use it to write my posts, and it’s a huge pain in the patootie. Fortunately, I bought a MacBook Air so I’d have something more portable, and that does have the latest and greatest software — at least for the browser app I use — but I’d rather be using my mainstay.

I got into the book-writing business back when computers still used floppy discs. There was not much internet and social messaging had not yet appeared. Things were more simple. Writers wrote book, publishers bought them, and promoted them, with the author chipping where helpful (interviews, appearances and the like).

Then applications like Facebook appeared. Twitter came along. All of a sudden publishers realized the didn’t need to do quite so much promotion. Heaven knows, everyone is happy to save money.

So a lot of the heavy promotional lifting fell on the shoulders of the poor author — and man, did we have a lot to learn! I’m certainly no Luddite when it comes to computers, but dealing with Facebook, Twitter, LinkedIn, YouTube, Instagram, etc, etc, take up massive amounts of time — and most of the time, it’s not much fun. But all of us had to learn how to self-promote, so we learned how to use all these tools. It was clear that if we didn’t, our publishers would lose interest in a big hurry.

Progress is a good thing. I’m not disputing that, but sometimes it would be nice if progress wasn’t always tied to the almighty dollar. The “new look” blogger dashboard is no better than the old one, except that it looks different. Google (who owns Blogger) decided that, in order to save a bit of money, they would no longer support older browsers. To continue here, if I didn’t have my second computer, I would be forced to go out and buy a new one, or resign from Type M.

I’m fortunate, but how many others are not — and is that fair?

Guess I am a bit of a Luddite after all.

Bewildered

 

Yesterday my daughter send me this picture taken west of her house. It's one of the many fires blazing in Colorado. She's safe, she says. The fires would have to jump Horsetooth Reservoir to reach their land.  

While the Colorado fires are not as vicious as those in California and Oregon, smoke and ashes drift and the air is filled with the aroma of destruction. 

What a sad year. This week we had a weather variation so unexpected that it's left everyone bewildered. It's as though Mother Nature has turned on us. It went from 96 degrees F. here in Fort Collins to 28 degrees F. in two days time. Trees and shrubs can't survive that severe a drop in temperature. 

My morning glories were suddenly snow capped and then drenched in ice. It's an annual plant that would not be alive in a couple of months anyway. But still, I wasn't ready to see them go. I wonder how my new bushes will fare. 

 

Last year, we had a preview of this kind of weather. Due to a sudden cold snap the trees lost their leaves before they had a chance to change color. They simply wilted and fell off without getting a chance to display the usual gorgeous array. Colorado aspens are famous for their magnificent foliage. Being deprived of fall is creepy. 

Deprivation of so many things is contributing to a gloomy lethargy right now. We have a lot to deal with. Covid, fires, the dreadful election politics, violence, unrest. 

Covid hit during the beginning of Lent. St. Luke's Episcopal could not have it's usual celebration of Easter. This denomination is highly liturgical and from Lent to Easter is a solemn ritual that I sorely missed even though our Diocese did a magnificent job of switching to on-line methods 

And the writers' conventions! I have to say that there was a hollow spot in my heart by the time June came and went without a trip to Western Writers of America. It's where I get my battery recharged every year. 

I'm proud of the country's ability to cope and come up with new ways. Groups and offices switched to Zoom in a heartbeat. Teachers and school children are the hardest hit, of course. I have no idea how they all manage. 

Hang in there everyone. We survived 9/11, the most horrific day in American history.

We will work our way through this year of plagues. 

I Wanted To Be A Cartoonist

 

I enjoyed reading the recent posts by Thomas and Rick about how they came to be writers. So I thought I’d talk about my own writing journey.

As a kid, I never once thought about writing as a career. Sure, I enjoyed the creative writing assignments in grade school and junior high. I even worked on the school newspaper. But that was only a fun thing to do, not a potential career choice.

No, the first thing I remember wanting to be was a cartoonist. I spent many happy hours in grade school drawing the Peanuts gang, copying what I saw every day on the comics page of the newspaper, dreaming about creating my own strip one day. This is the only drawing I kept from that period.

Still, the few stories I wrote must have been important to me since I saved them, stashing them away in a box of memorabilia. When I found them a few years back among the report cards, autograph books and miscellany I’d collected, I discovered I gravitated toward crime stories even then. I remember reading a lot of mysteries, but hadn’t realized I liked to write them as well.

The older of the two stories I found, “Sleepy Toes and Fido,” featured a donkey (Sleepy Toes), a hippie dog (Fido) and a jewelry theft. By the end of the (very) short story, the jewelry had been returned and all was well. The second story, “Murder in Catville,” involved cats, a murder, a ghost, a séance and a secret panel in the wall. At the end, the murderer is caught and peace restored to Catville. Both of these stories end well, so I can see at a young age I was more inclined toward cozies than noir. That’s still true today.

At the time I wrote “Murder in Catville,” my interests had turned to more academic subjects like math and history. I’d pretty much given up on the idea of being a cartoonist. When I entered college, I was considering math as a major, but hadn’t fully committed to it. Then, on the campus of the University of Southern California, I discovered Computer Science and fell in love with programming. The major was fairly new at the time and was pretty darned exciting. After graduation, I spent many fulfilling years in software development.

Fast forward twenty years. I woke up one morning with the image of a young woman finding the body of her painting teacher in her garden. That image stuck with me for days. I was coming to the end of a programming contract and looking for a new challenge so I decided to dive in and give writing a cozy mystery a try. Many years and lots of trial and error later, that idea became my first published book, FATAL BRUSHSTROKE, the first book in the Aurora Anderson Mystery series.

 I’m glad I started writing when I did. I don’t think an earlier me could have written books or short stories. Even though it can be frustrating at times, I’m proud to call myself a writer. Just goes to show you that you never know where life will take you.

I didn't want to be a novelist!

by Rick Blechta

I hope everyone has read the excellent posts by Donis and Tom about being a writer. My story is somewhat different.

Unlike probably everyone else who’s ever contributed to Type M, I never harboured a burning yen to be a writer. To be honest, I fell into it by accident. Allow me to explain.

Since November 11, 1958 I’d known I was destined to be a musician. The reason I can nail it down that precisely is it’s the date of my first piano lesson — and also the date I discovered I hated practising scales. (Also, November 11th is my sister's birthday, so that also helps me remember.)

I was a modest student at first, not really willingly practising every day the way I knew I should, but still really interested in music. Then I discovered Rock & Roll, and boy, was I off to the races! I just flat out connected with that music and found I could play it really well. I kept up with my piano lessons until right before my 13th birthday.

By the time I was 14, I had a band that eventually grew to 11 members including two horn players and five (count ’em, FIVE) singers. We were what's known as a show band and we really did put on a good show. Of course with that number of players, we were destined to not make much money, and the band imploded. My next band, which included several of the players from Band #1, was more modest. I did all the arranging and discovered I was also very good at that.

When it came time for university, I figured the best place to learn more about music in general, but also about arranging would be to go to a music school. I eventually graduated from McGill University in Montreal — long story how I wound up there, but suffice it to say there was a pretty redhead involved in that decision — with a Bachelor of Music in Education (always hedge one’s bets) and started another band with an eye to securing a record deal. This band eventually relocated to Toronto.

Sadly, we just missed on that goal even though the band was extraordinary. I tried once more with another group of musicians, and that also ultimately failed. 

Both attempts left me with some pretty substantial debts (and a lot of regrets), so I dusted off the old teaching degree and began to work in schools teaching bands. It was supposed to be for a year or two, so I could get my finances in order, but then, well, a family came along and it was 24 years before I managed to extricate myself from teaching.

However about seven years before that, I burned out as far as music went. I was teaching a full load five days a week, teaching privately and conducting Saturdays at the Royal Conservatory of Music in Toronto, and I just maxed out on music. 

This made me very unhappy and depressed. My wife told me I should find something else to occupy the creative part of my brain. “Maybe you should write something. You’ve always been good at that.”

I resisted at first, but one day, I sat down and began drafting a novel about a minor league baseball team. (I love baseball.) It didn’t go very far because I had no idea how to structure long-form fiction.

At that time, for recreation, I was tearing through the Dick Francis oeuvre and thought, Hey! I could do a similar thing, but use music instead of horse racing. 

I set out to write a short story. Seven months later I finished and realized that maybe I wasn’t suited to writing short stories because what I’d written was definitely not short.

The rest is a matter of record. I discovered I really enjoyed “messing around with words.” My creative side was satisfied and I could hold the fruits of my labour in my hands.

But it was all a happy accident. I’m still a musician, of course — and still hate practising scales —but I found another way to express myself and spend many happy hours messing around with words.

Yeah, I Wanted To Be A Novelist!

I was going to do a riff on Labor Day, but I just reread Donis Casey’s excellent piece that she posted on Thursday titled “So You Want To Be A Novelist”.   She does a good job at capturing the difficulties, the terror, the stress, and the pain that sometimes goes along with being a writer.

But yes, I’ve always wanted to be a novelist.  All my life. And, yes, there is a downside that includes hundreds and hundreds of hours spent alone in front of your laptop, your only company being the characters in your head.  The only conversations you have are the ones you make up. The only life you have are the adventures in your imagination.

It can lonely.  Luckily for me, I can take a break, go downstairs and hug my wife and pet my dog.

Obviously, there’s an upside. The joy when your editor finally signs off on your novel.  The thrill of seeing the cover of your new book.  The kick of opening up a box and seeing a dozen copies of your new mystery about to be released.

I love it when I’m out of taking a walk and someone comes up to me and asks, “Hey, are you the writer?”  Or, going into the grocery store and having a neighbor tell me how much they loved my last book.  Or, getting my haircut and see a set of my books on the shelf.

Before I was published, I’d go to book conferences and sit in the audience and listen to panels of authors talk about writing and publishing and crime. I wanted to be on those panels.

And now I am…at least I was until the damned pandemic.

Certainly, there’s a lot of work involved with writing a novel. But I love thinking about how my characters come to life in the minds of my readers, how they are captivated by stories I create, how invested they get in the plots.  I smile when someone tells me that they couldn’t put down my latest novel. And, I love doing book signings, book events, and talking to book clubs.

And I love it when my agent sends me a royalty check.  I once heard that only about 250 writers in the world can make a real living writing novels.  I’m not one of them.  But I get paid to write books.  That makes me a professional novelist and there’s a certain pride I can take in saying that.

I’ll close by paraphrasing a writer friend of mine, Jeffrey Siger.  He said, “Writing is a hard way to make a living, but it’s a great way to make a life.”

Now, a quick riff on Labor Day:

At the height of the Industrial Revolution in the United States in the late 1880s, the average American worked 12 hour days, seven days a week, just to make a meager living.  Children as young as 6 toiled in factories, farms, mills, and mines making even less than their adult counterparts.  Conditions were miserable.

As manufacturing overtook agriculture as the primary source of jobs, unions came into being.  As a result, organized strikes and protests erupted demanding better pay and fewer hours. On September 5, 1882, 10,000 workers took unpaid time off to march from City Hall to Union Square in New York City, making it the first Labor Day Parade. It was from this that a “workingmen’s holiday” celebrated on the first Monday of September began to take form.

On May 11, 1894 employees of the Pullman Palace Car Company in Chicago went on strike to protest wage cuts and the termination of union representatives. On June 26, the American Railroad Union called for a boycott of all Pullman railway cars, in effect shutting down nationwide railway traffic. The federal government dispatched troops to Chicago to break the Pullman strike.  The result was a wave of riots resulting in the deaths of more than a dozen workers.

Congress attempted to ease the massive unrest and attempted to repair ties with American workers by passing an act making Labor Day a legal holiday. President Grover Cleveland signed it into law on June 28, 1894.

So, will I be celebrating Labor Day and taking a day off?  Nah, writer’s gotta’ write.

Stay safe, stay healthy.

So You Want To Be A Novelist.

You think that it would be a pleasant life to be a published novelist, do you? Allow me to let you in on a thing or two about the act of writing a novel that no one may have told you.

It isn’t pleasant to spend weeks of your life writing scenes and sentences and paragraphs that are actually wonderful, and then have to take them out because you realize – or your editor or your writers' group points out quite correctly – that they don’t fit the story. It’s horrible! I loved that character. That was a brilliant line. But the vicious truth is that a well constructed novel does not include anything that does not advance the plot or reveal something about a character. You want that story published? If your publisher/editor says to change or delete that scene you love, you suck it up, wipe your eyes, and take it out.

If you have signed a contract, and you have agreed to deliver an acceptable manuscript by a certain date, you will undergo a period of hair-raising terror and desperation as the deadline approaches, mark my words. You will offer your first born to the muses if you can just get the requisite number of words on the page by the deadline. You will pray that your manuscript is at least good enough that your editor won’t throw it back in your face and tell you that you’ll never write in this town again. Once the MS has been read and approved, and even praised, you will be relieved beyond measure while at the same time swearing that you’ll never put yourself through this again. Until another damn good idea pops into your head. I promise you that Toni Morrison, Steven King, and William Shakespeare have all had this experience.

You will undergo actual physical pain. I’ve just spent the past week in a writing frenzy. This frenzy includes long interludes of staring at a computer screen, waiting for just the right word to occur to me. Aside from doing what is necessary to keep myself alive and fit for human society, I’ve spent day after day, hour after hour, in this chair, typing away. When I cannot take it any more, I wrench myself up into a standing position. I’m bleary-eyed, and have a headache. My back hurts. My butt is numb. My wrist hurts. Where did I put that wrist brace? My husband asks why I’m walking like Quasimoto. Take a stretch. Get a drink. Get a pillow for the chair. I go to the bathroom, splash some water on my face, and examine my face in the mirror. Oh, my God. No more writing today. I have to have something to eat. I sit down with Don and have a bowl of soup and some crusty bread. He asks me how it’s going.

"Well, my dear, I wrote a scene in which Bianca discovers a clue in the bedroom. I worked on it all day, but I’m not happy with what I’ve got. Perhaps if I approached it from another angle. Perhaps it would be more effective if it weren’t in the bedroom, but the kitchen instead. I’ll have to rework that whole scene. Maybe I don’t even need it. Four hours of writing, shot."

In the morning, you plant yourself in front of the computer and go at it again. This is one thing they don’t tell you about the author’s life. It is relentless.

What's in a name?

 Charlotte's post on characters got me thinking. I agree, it can be very difficult to keep track of characters, particularly if I'm reading the book very sporadically with gaps in between for other things like holidays, family visits, or editing. When reading a book, I sometimes have to flip back to see who the character was and what their purpose was in the story. This is harder to do with ebooks, where the "flipping back and forth" is much more cumbersome.

There are a number of tricks authors use to try to ensure readers remember the middling and minor characters. One is to give them names that are distinct from each other, or names that fit the character, either in ethnicity or age or even class and job. Thus Mario for the Italian plumber, Ethel for the old lady next door, Bob for the farmer down the lane. One can play against type in this name game too, and name the old lady Krystal and the farmer Raj. Either way, readers will take notice. 

Another way to keep characters unique is to give them a vivid, distinctive trait of some kind. It can be appearance, such as a red beard, or a speech pattern, or manner of dress, etc. A brief description that creates an instant, vivid impression is better than a long description of height, hair, and clothing. I was recently watching a period TV show in which many of the men were in uniform and all had brown hair and moustaches. I couldn't tell any of them apart, so gave up on the show. 

Choosing character names, both first and last, can be an enjoyable challenge. As noted above, the name should reflect the age of the character, and for this, checking popular baby names for the decade of your character's birth can help. In my age group, every second girl was a Barbara, but the name has barely been heard from since. Make sure the name matches the ethnicity and geography. Luckily the internet is an boundless resource. You can Google common Slovak names, both first and last, and also names that are common in a particular region through online phone listings. Elegant names like Nigel conjure up a different character than earthy names like Buck.

Last but not least, as Charlotte said, names mustn't be too similar. Five names that start with J or contain only one syllable, for example, will have readers saying "Who's Bill? Who's Bob?" One of my jobs during rewrites is to divide a page in half lengthwise for first and last names, write the alphabet down the left margin, and fill in all the character names in their proper box. That quickly shows where the problems lie and what letters are being underrepresented. Usually it's easier to change minor character names so they no longer conflict.

Which brings me to the final trick to making characters memorable. Don't have more of them than you absolutely need to tell the story. I'm not a fan of "how to" books that pretend to tell you how to write a great book, but I learned this tip in a workshop years ago and I still think of it today. Consider all the characters you've put in your book and the role they play. Then ask yourself whether you could eliminate a character by having another character take on two roles. If you do this a few times, you have reduced the number of characters while simultaneously making their relationships more complex and layered.

Happy writing!

Today's non-post

by Rick Blechta

Sorry about there being no post today. Here’s my excuse.

We preserve chopped tomatoes and tomato sauce every autumn, and while it’s not yet autumn, it is beginning to feel like it around these parts. Tomatoes are also hard to come by this year apparently because farmers only planted about 10% of their usual amount since they couldn’t be sure they could bring in enough people to harvest them. So we grabbed a few bushels when we could.

Problem is, we were going to start tomorrow and the weather is looking pretty iffy. We’ve done our preserving thing in the rain before, but it’s not nearly as enjoyable.

So we jumped our chopped tomatoes by a day and I’m currently in the thick of that with no time to write a post.

Just thought you should know.

Anybody up for a recipe post? I could do that pretty easily if you let me know right away. It would also use chopped tomatoes, I suppose.

Change of Venue

I'm a creature of habit and getting more so the older I am. I don't like a change to my routine and can become somewhat of a grump when that happens. Since I was lucky enough to work from home already, the pandemic didn't alter much for me in that regard. But the outside world does occasionally intrude into my cozy little cocoon.

Here in Colorado we have the Pine Gulch Fire, which is the largest single wildfire in the state's history. If you see photos, the scene is very much apocalyptic. My home is sixty miles east of the inferno and a gray haze colored the air. In the morning and evening you could smell the smoke. A week ago I woke up about 2 AM, sniffing smoke. I lay in bed asking myself, what was burning? I got up and walked through the house, giving every room the sniff test. The odor was so strong I expected the smoke detectors to start shrieking. When I stuck my head out the front door, there it was, the smell of forests burning. Previous to this, the state smell was weed smoldering in a bong.

Days of summer heat didn't help diminish the fire or the smoke. Then on Thursday, I noticed that the afternoon sky was overcast. I heard the crack of thunder. The Internet forecasted rain. I stepped outside to enjoy the rattle of a cool breeze though the neighborhood trees.

The fragrance of impending rain was too enticing to ignore so I decided to set my laptop on a front table table and watch the storm roll in. My dog Scout doesn't like thunder but too bad for him. I dragged him onto the porch to keep me company.

As I typed away, the rain started. A drizzle at first, then the proverbial cloud burst. I expected hail but we didn't get any, thankfully. Rain poured out the gutter spouts and spattered on the sidewalk. Scout curled up in a corner of the porch, safe from lightning and the rain, giving me a doggie stink eye the entire time.

Though I wasn't suffering from writer's block, the prose gushed out my fingers. Fifteen hundred words later, the rain subsided with a serene drip, drip from the trees. I sat back, pleased and thankful for this break in my routine.

Keeping Track

Recently I read a medium length suspense novel that was overloaded with characters. I expect a long historical novel to be packed, but with this mystery novel the number of persons was confusing.

Coupled with a weak plot, the book was a difficult read. 

The main characters and important bit players should be portrayed as memorably and distinctly as possible. Or conversely, if the author is touched by Dickensian genius, so brilliantly stereotypical, that the reader swears he's met them in real life. We already know Ebenezer Scrooge, Uriah Heep, and Madame Defarge in our hearts. They are members of our family, or the folks next door, or the ones running for office this year. 

It's better not to give major characters similar names. It's very irritating when the protagonist is named James--sometimes called Jim--and his worst enemy is called Jim all of the time. More subtle are names that sound too much alike, such as Bill and Will. Or names that people shorten. I know a man named Matthew and I carelessly say "Matt" when in fact, I've never heard his family call him by that name. 

So why do authors stumble into these traps? With a series it's very easy. In book five, for instance, we cook up a name and when this person comes into contact with a person introduced in book one, it's complicated. 

Another complication is using a name that belongs to someone in real life. It can be embarrassing and costly. Once I innocently cast the son of my husband's best customer in an unfavorable light. I did not know the kid and certainly was unaware of his history. It did not go well. Now I Google first to make sure I'm not defaming someone's character. 

I have a Word file that I carry over in the Lottie Albright Series. It's the "Lottie Albright Master Character File." Under the title of each book, I list all the characters introduced in that particular manuscript.  That way, when the family doctor is mentioned in book one, it's the same person in book five. I can go back through this Character Master File and see what I named the County Clerk in book one. If I had to do it over again, I would record a more detailed description of each character. 

Needless to say, too, not every person needs a name or a memorable description. Most days we interact with people we take for granted. I don't know the shifting series of Amazon Prime drivers who come to my door or the man driving the mail delivery truck. 

Fans have incredible memories. If you screw up, they will let you know. 

  

Take a break to add tension

This week has been a busy one. School kicks off, in a hybrid version, I published a pedagogy article, and got about 3,000 words of fiction written. I enjoyed the suspense/tension thread weaving through the Type M posts this past week as well, and will add to it here.

When my writing is going well, the experience is similar, in some ways, to Donis’s description, but less obvious to those around me. My daughter once said, “I thought you said you were writing. All I see you do is stare at the wall.” Like Donis, dialogue is being spoken, only for me it’s more like watching the movie I will later attempt to transcribe in a way that effectively gets the words from the scene in my head onto the page.

Raymond Chandler once said, (I’m paraphrasing), When things get dull, have someone walk in with a gun. I take Chandler at his word. I’ve written about this before, but I have a (tiny) outline when I begin. Often times, though, I deviate. Or, rather, the story deviates. And it’s usually for the best. For me, plot stems from character, and I try to give characters room to grow. So my outline might not remain intact.

I’m interested in the intersection of plot and tension. When I read Raymond Chandler, I marvel at the free-wheeling feel of it all. But there is a clear structure, too. A typical Chandler novel has Marlowe sitting down every hundred pages or so to think his way through the events, to date. Seated at the lunch counter, he ticks off the events and reviews questions posed by the mystery. Then another person walks in with a gun, and we’re off and running again.

I’d argue that these moments of reflection not only add clarity to the plot but by allowing readers to come up for air and process all that has occurred these breaks add to the story’s tension, allowing readers to feel the full weight of the story’s events.

Of course, it doesn’t have to be formulaic or predictable. I think of the Spenser series and Parker’s use of alternative chapters/scenes between the mystery and the homelife of Spenser and Susan. Spenser’s domestic life added levity and down time for readers and, at least for this reader, were welcomed breaks from the primary plot line.

As always, I’d love to hear what others think about all of this.

Writing in the Age of COVID-19

 

The posts this week from Thomas and Rick reminded me how writing has changed since COVID-19 reared its ugly head. I’ve heard from a number of writers how their concentration is off while others continue to write without seemingly any problems. This last week my concentration has definitely been off, but that’s largely due to the heat wave we’ve been experiencing here in Southern California. While it’s not as hot here at the beach as it is in other parts of L.A. County, it was still annoyingly hot. When it gets 86 inside the house, that’s when my brain shuts off. Luckily, it’s cooled down and I can once again think and get some work done.

Luckily, I don’t have the problem Rick has of not being able to visit an area that I’ve set a story in since all of my books so far take place in a beach city not unlike the one I live in. Any research I want to do consists largely of walking to the downtown area of my city and looking around a bit. For awhile though, the beaches, pier and the bike and walk paths were closed. Right now, though, they’re open as long as you wear masks and practice social distancing.

One other thing that’s different is the inability to interact with my fellow writers at a conference or chapter meeting of Sisters in Crime. I’ve had to content myself with attending the Zoom chapter meetings and various other things online. The most recent thing I attended was a House Arrest event sponsored by SinC/LA. This was an evening event through Zoom where 5 writers read from their books and our chapter president taught us how to make a Manhattan cocktail. 

While I don’t currently have any plans to write a story set during this pandemic, I realize I may decide to write one some day so I’ve been taking pictures to remind my future self what this time was like. Here are a few of them: 

Here are all of the gray hairs that have recently been exposed since I haven’t had my hair cut or colored in a very long time. Currently, hair salons and barbershops are closed in L.A. County unless they can cut hair outside. So it’ll probably be awhile until I get my hair done. 

It’s been interesting to see how stores have been jumping into the mask arena. Here’s a display of masks you can buy at my local CVS. Didn’t see anything like this before this pandemic. I wonder if it’ll still be around in some form after the crisis is over. 

Then there’s the coin shortage here in the U.S.. Definitely not something that I would have predicted would happen. 

Then there are all of the signs reminding people to wear masks. In my city, there’s a $100 fine for not wearing one under a lot of different conditions. This sign is on a walk path near my house.

 Then there are all of the parking spaces downtown that have been taken away to give restaurants outdoor spaces to serve food. Restaurants can’t serve food inside right now, but they can if they have a patio so a lot of cities are allowing them to expand into nearby parking spaces. 

Then there are all of the marks on the ground marking off how far apart you should stand when waiting to get into a store. I haven’t had to stand and wait to get into a store in quite awhile, but those X marks are still there just in case.

 I’m hoping we all get back to normal sometime in the near future so we can more freely travel around the country and the world and do all of those things we usually do. For now, I’ll just keep on writing albeit at a slower pace than usual.

A potpourri of thoughts

by Rick Blechta

As usual, this week again finds my thoughts scattered and with zero focus. I’ve taken to calling it “Covid brain”, and in speaking to friends, I’ve found a lot of us our suffering from this. After reading Tom’s post from yesterday, he’s got it too. 

So I’m going to make lemonade out of the handful of lemons I’ve got, hence the title of my post.

My WIP (when will it be finished and not in progress?) has hit a huge snag. A good part of the storyline was set to take place in Washington, DC, and because of the border closure between Canada and the US, that obviously ain’t going to happen. Yes, I understand I might be able to fly across the border if I had to — but I don’t. 

What to do? Move the setting someplace else? 

I come from New York so I know it well, but to be honest, I don’t think that would cut it. The book is totally about the US which means I’ve got to come up with some workable solution. I can't switch it to Canada, where I can travel anywhere I need to.

At this point I’m leaning in the direction of consulting Dr. Google, write what I need to using that limited information, then finding someone who lives in DC or knows it very well to read the “offending” portions of the book in order to tell me what’s wrong. And there will be a lot wrong.

Which brings me to setting. I’ve given that a lot of thought lately.

I tend to look askance at authors who set their novels in places they’ve never been or have only visited briefly and have the character telling the story who is a native. My feeling is you need to live someplace to really understand it enough to write about it. That’s why when I have to set something in, say, Paris (The Fallen One), I always make my “narrating character” an outsider, someone visiting or working there briefly. Then if I make an egregious error on something, I can be more easily forgiven by a reader who spots it. And I visit the place myself to gain the same knowledge my character would have.

Now I’m faced with a similar situation in my WIP, and as much as I want to, I can’t visit the place I’m writing about. I’ve flown over the US capitol a few times and driven by it as well, but I’ve never set foot in the place. To me, that’s a huge deficit to overcome.

The one hope is that maybe things will get better by the time I’ve completed my first draft (if only!) and I get to visit before I have to submit my novel to a publisher. It may be a vain hope, but what else do I have?

The last “thought” for this week is why does adversity seem so much harder to overcome than it usually does? Perhaps Barbara, being a psychologist could explain it, but I can be brought to a halt, lose heart at the most trivial of things. My “Washington” problem is a good example. I feel as if I’m staring at a blank wall without an ounce of resolve to deal with the issue.

Paging Dr. Fradkin!

Writing Distractions and Building Tension

I have a confession to make.  Other than this blog, I haven’t written a word in three days.

I’m easily distracted and the last few days have kept me from being creative.  First of all, the obvious distraction is the pandemic…and the upcoming election.  The Democratic Convention was this past week and that kept me glued to the television. 

Well, that and the new Perry Mason reboot on HBO.  I highly recommend it.

Then, on an upside, I received an email from a former student who told me I’d inspired her to finish her novel. She told me that after finishing the class, she went back and completely rewrote her first chapters.  Then she asked what her next step should be.

I gave her my phone number and told her to call me.  I advised her to get a beta reader to take a look and then, if she can afford it, a professional editor to help find typos and punctuation mistakes.  Then I told her how I found an agent.  I also told her to keep in touch. 

That was a nice distraction.

Then on Thursday, I got up at 4:30 to take my wife to a surgical center for a minor procedure.  They said it would take about three hours and they wanted me close by so the instructions were that I should stay in the parking lot.  I brought a Harlan Coben mystery to pass the time. 

About a half hour into my vigil, sitting in the North Carolina heat and humidity, I went to start my car, a hybrid, and discovered that my battery had died.  Calling my mechanic, he told me that the soonest he could get a battery for my car would be a week from then.

I was feeling the tension.

I called an Uber, went home, and got my wife’s car.  An hour later, I was driving her home.  The rest of the day, I forgot about my car and looked after her recovery.

The next day, I called Triple A, gave them my information, and they told me to call them again when I was in the same place as my car.  I drove across our high-rise bridge to the mainland and back to the surgical center to find that the road was blocked off with police officers and ambulances everywhere.  I could see that my car was the only one in the parking lot, because the center had been evacuated.  Police barriers prevented me getting anywhere near my car with a tow truck.

A police officer told me to come back in an hour. 

More tension. And a plot twist.

An hour later, they had extended the lockdown area and now there was a SWAT team onsite.  When I again asked an officer about my car, he told me it wouldn’t be before tomorrow.

Even more tension.

But out of adversity comes opportunity.  I have a work in progress and I’ve been a little dissatisfied with it. 

That’s when it came to me. It needs more tension!

And I need fewer distractions.

So, on Saturday, I had my car towed, the mechanic told me I might get my battery much earlier than he had predicted, my wife is recovering well, and I’m writing again.  And the SWAT team thing?  The press release was maddeningly vague.  Someone had threatened themselves with harm.

And they lockdown four city blocks? And have a SWAT team onsite?  That individual must have threatened to harm themselves with a nuclear weapon.

Just kidding.  It all ended peacefully.  Happy ending. 

What You Don't Know

Sorry to be so very late today. Classes begin on Monday, and this morning we had orientation for incoming grad students -- virtual orientation with each faculty member taking 3 or 4 minutes to introduce ourselves to the students who hadn't met up during PhD student weekend. 

I was thinking about my first classes of the semester on Monday and Tuesday and the work I still need to do on my online courses when I remembered today is my day to post. 

 I was up really late last night and up early this morning. The first thing I thought this morning was the short story that I have due (for an anthology) at the end of the month. The theme is the midnight hour. I had nothing -- no ideas. Then while Googling for images from 1939 (as I thought about a scene in my historical thriller), I came across one of Edward Hopper's 1942 painting. On of my favorite paintings by him, called "Nighthawks," The nighthawks are three people and a counterman in a diner. This painting always makes me think of Ernest Hemingway's short story, "A Clean, Well-Lighted Place," and of the movie based on his short story, "The Killers." 

I saw the painting, and I knew my short story would be set in a diner. I couldn't decide who my sleuths would be -- whether it would be a Lizzie Stuart mystery featuring my crime historian and her fiance, John Quinn, a former homicide detective. Or maybe a Hannah McCabe story, with my Albany homicide detective and her police partner, Mike Baxter. 

Because of a series of unexpected events -- including conversations I had with two baseball fans -- I'm now writing a Lizzie Stuart story. I have already established that Quinn is a baseball fan. And it seems that the year of the story -- the series, including my 6th book in progress, is now up to 2004. As I was informed that was a landmark year in baseball. That Red Sox curse that I then remembered. It makes sense that Quinn would stop to watch the game that he has been listening to on the radio. It's late, and he needs  a cup of coffee and something to eat after driving back to Gallagher from the airport. 

I discovered a few minutes in one of the games -- I happened on it in a video -- when play stops because one of the players is hit with a ball. That is the perfect moment for my killer to strike -- while everyone is looking at the television screen. And Lizzie, who Quinn calls from the diner decides she really wants a hamburger and fries and will sleep a lot better if she gets out of the house after spending  the day trying to finish a paper that is due. She gets to the diner just before or just after the murder.  . . 

I think it will work. But I know next to nothing about baseball. I have never been to a baseball game. I have never even seen an entire game on television. I do know a bit about the history of the game -- the 1919 Black Sox scandal, the Negro baseball league, Babe Ruth, baseball movies and documentaries. But Quinn is a fan because my friend -- with whom I talk through my plots-- convinced me that baseball is a thinking person's sport. A sport that Quinn would appreciate.

Thankfully -- one of life's blessing if you're a writer-- people who know about a topic are always willing to share their knowledge -- love sharing their knowledge. My thanks to my two guides through the 2004 baseball season.

A Refresher Course in Suspense

 When I (Donis) am really in the zone, in the midst of a scene, I’ve been known to leap up from the computer and begin pacing the floor, unaware of my surroundings, muttering dialog to myself.  I imagine that to an observer I look like a hands-free cell-phone user.  Except there’s not a person on the other end - there’s another world.

I sometimes have to figure out how I’m going to pull off a particular scene I have in mind.  I know what I would like the reader to see in her head, what emotions or feelings I’d like to convey, but what is the most effective way to paint that picture, to evoke those feelings?  If I write the scene in two or three different ways, I’ll often be able to come up with the right combination of images, but occasionally, I’ll realize that I don’t quite have it.

That’s when I go hunting.  If I need more suspense, for example, I pick out several works - literature or movies - that made me tense, and try to pick apart how it was done.

I’m always looking for effective ways to building suspense.  In the course of writing several books, I’ve seen and read all the classic suspense-building techniques in action, and keep a list of examples, not only to remind myself, but to use as a teaching tool as well.

A refresher never goes amiss, Dear Reader.  And if you have other examples, I’m all eyes.

The Ticking Clock : Our hero must accomplish something before a horrible thing happens.  Diffuse the bomb!  Find out who really did it before the wrong man is hanged!  Great example, the movie D.O.A. (the 1950 original with Edmond O’Brien is better than the 1988 Dennis Quaid version.)

Drag Out the Action : Seems counterintuitive, doesn’t it? But if you just know the trap is going to spring, and it doesn’t ... doesn’t...doesn’t...  The anticipation is killing me! The trick here is timing.  Great example, Lee Child’s Bad Luck and Trouble.

Add More Peril : Our heroine is running through the jungle and the Columbian drug suppliers are right behind her, brandishing their machetes.  She crashes through the brush, and finds herself on the edge of a cliff!  There is a river at the bottom of the gorge, so she takes a leap, just feeling the breeze as a blade slashes over her head.  She falls 75 feet into the river and realizes it’s infested with piranas! She swims like the dickens, piranas nipping at her heals, and as she nears the shore, 40 tribesmen with poisoned dart blowguns step out from the trees...   No matter how bad it is, it can always be worse.  Great example, any of the Die Hard movies. 

I Know Something You Don’t Know : We’ve seen the villain hide under the stairs, but the hero has no idea as he walks down into the dark basement.  The author gives us a piece of information that the characters don’t have.  Great example, Louise Penny’s A Fatal Grace.

The Cliffhanger : Remember the villain under the stairs?  He leaps out!  He grabs the hero around the neck!  He pulls a knife!  Meanwhile, back at the ranch...  Great example, Hour of the Hunter by J.A. Jance.

My Hands Are Tied : Our hero can see disaster about to happen, but is powerless to stop it.  Greatest example of all time, Alfred Hitchcock’s Rear Window. 

One Step Forward, Two Steps Back : The sleuth is investigating Laura’s murder.  He cannot discover a single clue to her death.  Everyone loved her! She was wonderful and squeaky clean.  He’s baffled, and sits in her apartment long into the night, pondering.  At midnight, the front door opens, and ... it’s Laura!  She’s alive!  Then who is the woman who was found lying on the floor of Laura’s apartment, wearing her clothes, shot in the face with a shotgun?  Ultimate example, the 1944 movie Laura.     

And one of my favorites, 

Foreshadowing : This takes some skill to pull off well.  Two guys are sitting around discussing the possibility of some nefarious occurrence.  “Oh, that’ll never happen,” says one.  Want to bet?  If the author has set it up well, we now spend two hundred pages waiting with baited breath for it to happen. Excellent example, Robert McCammon’s Queen of Bedlam.  What a set up!

Poking the beast again

In my post two weeks ago, I described how I was "letting my manuscript rest" before beginning rewrites. That was a good excuse for my month of inactivity while I spent much needed real time with family at my cottage and received many much needed hugs after nearly five months of isolation.

This past week I finally began to think about the notes I had made and the questions that needed to be answered, and began to fill in the holes in my research. I contacted a friend in the local duck club to tell me about ducks and a couple of retired social worker friends to ask them about issues of client confidentiality because I wasn't sure whether there were different rules for psychologists (me) and social workers. I contacted the director of a local woman's shelter to ask about their relationship with the police. The answers are beginning to flow in and the gaps in the manuscript are slowly being filled in. Fortunately none of the answers I got created major problems for my storyline, just a tweak, elaboration, or small change here and there.

Next comes a serious examination of my characters, their emotional depth and credibility, and the vividness of their conflicts. I am not a believer in "larger than life" characters who "leap off the page". I want characters who inhabit and enrich the page. I want readers to imagine them as if they were real, interesting, complex, but believable as someone they might know, for good or ill. I want their conflicts and relationships to feel both unique and relatable. Apologies for that awful word; it's late, I've had two glasses of wine, and this blog is due. 

THE DEVIL TO PAY is a police procedural with a small group of suspects. Character and motive are crucial to my stories, and so each one of the suspects has to be fully fleshed out with a credible, interesting motive. I don't usually know until I've written the climax who all the suspects are and who the actual killer is, which makes for a lot of reworking and enrichment during rewrites. To a psychologist like me, fascinated by what drives people to the choices they make and by the possibility that everyone is capable of killing someone given the right circumstances and the right reason, this character work is one of the most interesting aspects of creating the novel.

I will do a lot of thinking in the next ten days as I toy with these questions, add scenes, and poke at the heart of existing scenes. It will be frustrating and puzzling and fun. So stay tuned for the next blog, when I may report on my progress. Meanwhile, I'm curious to know what other writers do in their rewrites.

A bit of flag waving

by Rick Blechta

Photo by maplerose from FreeImages

The flag I’m referring to is the one with the big red maple leaf in the middle, i.e. Canada.

My post this week is a bit of a cheat, actually. The CBC (Canadian Broadcasting Corporation — Canada, see?) article to which I’m going make reference came out at the beginning of July, but I only ran across it this morning.

It’s a list of 14 Canadian mysteries — more correctly, books by Canadian authors and published in this country — recommended for summer reading. None of the authors listed (with one notable exception) are well-known even in this country, let alone the world at large.

Click HERE for the link. (https://www.cbc.ca/books/14-canadian-mysteries-and-thrillers-to-check-out-this-summer-1.5643368)

I’ve read two of the listed novels and I know a few of the authors, but based on other reviews of these books and my own reading experience, what you’ve got here are some damned good reads.

Canadian crime fiction is not well-known outside — or even inside, for that matter — the Great White North, and that’s a real shame. Louise Penny, lovely as her novels are, is not the only Canadian writing crime fiction. We have a real star right here on Type M: Barbara Fradkin, a multiple award winner and very fine writer. You could do no better than starting with something of hers!

There are other excellent Canadian crime writers, of course, just waiting for the larger world to discover them. This list is a great place to start if you want to read something from a different viewpoint and (generally) setting.

With many people now owning e-readers, it’s easy to have one or more of these novels ready-to-go if you’re about to head out on vacation, no waiting for shipment, just download and enjoy.

If you’ve already gone on vacation, why not make summer last a bit longer by vicariously spending a few hours in Canada?

I’m betting you’ll be glad you did!
_______________

And in a bittersweet moment, I cannot let this week pass without saying goodbye to Aline Templeton who is taking her leave from our blog. I have always enjoyed reading her posts and getting her viewpoint on various things. We all wish you well, Aline. You will be very missed — and please come back whenever you’d like to share your thoughts or promote your next book. The door is always open!