I was interested in John's post last week, talking about character-driven versus concept-based writing. The books I enjoy most have always been the first of those, so it's probably inevitable that the ones I write come down on that side. Indeed, once I have the character and the environment set up I do have exactly the feeling John mentioned: that even between times, when I'm not there, they go on with their own life.
It started me thinking about how you begin to set up a character with a life of its own. Before I ever start, I like to know a great deal about their background, probably much more than will ever appear in print. I want to know where they've come from, what they've done, their likes and dislikes, their upbringing and genetic inheritance.
It's been interesting having that on my mind this week when I've had my grandchildren visiting. They live a long way away so I don't see them every day, just about six or seven times a year, so the differences as they grow are very visible. They're aged 11, 9 and 7, just beginning to develop their own ideas, but you can still clearly see the inheritance both of looks and abilities. One has her father's beautiful brown eyes and scientific interests. The boy has his paternal grandmother's auburn hair and his maternal grandfather's mathematical ability. The third one has big blue eyes like her mum and likes writing stories which I like to think just might come from me. It's a genetic cocktail which contains all sorts of other components from ancestors I've never even met.
But then you add in, for instance, place in the family. The oldest one, like my older sister, has a highly developed sense of responsibility; the youngest one very much sees himself as being there to be looked after. (And, confession time, as the youngest in my family, I do still, even at my advanced age.)
Then you chip in the outlook of their parents and their philosophy of child-rearing (an awesome success, given the kids' behavior – I am a very lucky granny). This will be a huge important influence, especially on their happiness and well-being, but nothing is certain and as they grow up and become independent, they could react to it positively or negatively.
This is all the sort of stuff that I need to know about my characters before I set out and on that I can base what will happen to them and how they will react. In writing a book you can do that.
With grandchildren not so much. For they, as Kahlil Gibran put it, 'dwell in the house of tomorrow which you cannot visit, even in your dreams.' Frustrating, and fascinating.
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