I acknowledge that I write this post from a position of extreme privilege. I live in Canada, which has universal public health care and a supportive government that is managing the pandemic reasonably well. I live in my own home and have a pension (hard-earned) that keeps the terror of destitution at bay. I have not yet lost friends or loved ones to Covid. I miss the company and hugs of friends and family, but as a writer, I am used to solitude and can conjure up playmates inside my own head.
Many people, my own children included, have had their lives completely thrown off course by this pandemic. By comparison, I have absolutely no right to complain. But in the interests of documenting the pandemic's frustrations, big and small, here I go.
The first frustration surrounds the release of my upcoming book, THE ANCIENT DEAD, meant to come out in October 2020, in time for holiday signings, readings, and gift-buying. Covid crushed that plan and the publisher pushed the release to the dead zone of January 2021, with no possibility of in-person appearances and launches. Sales and publicity out the window. I gamely switched gears to think virtual. How do I hold a virtual launch? How do people attend and buy books? How do I greet and thank everyone who tunes in? I love my book launches, and the thought of staring at myself on the Zoom screen while disembodied attendees watch is profoundly unsatisfying. But I will figure it out. And I will figure out the Zoom book clubs and readings that I hope will follow in the months afterwards.
The second frustration is more serious, although still petty measured against the struggles of the world. I am just beginning to research the fifth Amanda Doucette book. I know nothing about it beyond the setting, which is British Columbia. The series has been moving across the country, and it is now British Columbia's turn. It was initially to have been set on a small cruise boat going through the inside passage, but after watching the cruise ship disasters of the past few months, I gave up that idea. Instead, I thought maybe Haida Gwai, a fascinating area I have always wanted to visit. Then access to the area was closed, with no guarantee when and how it would be opened up. So I started researching other possibilities on Vancouver Island and the mainland. Now, however, there is a real possibility that borders between regions and provinces may be closed and/or 14-day quarantines imposed on travellers. That would make the research trip untenable. I have no place to quarantine in BC and can't afford the extra time and cost of accommodation and dog care.
With one exception, I have never written a book without visiting the area. So much rich detail is missed when I can't walk the paths my characters walk, see the sights and hear the sounds, talk to local people and get a sense of the real place. I cannot imagine writing about the stunning and unique place that is wild BC while relying only on books, the internet, and friends. The book would be a pale imitation of what it could be.
To meet this book's deadline, I need to do the trip in the spring of 2021, or at the latest by early September. But who knows where we'll be by then? Will there be a successful vaccine in general use? Will everything be in lockdown again? Will I be able to visit the places I want to, and find restaurants and accommodations there? I probably won't know these answers for months, and so am unable to plan ahead. This book may turn out to be a last-minute, fly-by-the-seat-of-my-pants scramble.
Not the way I want to write it at all. But... Covid doesn't care.
2 comments:
Barbara, I have EXACTLY the same book-launch worries as you do. My next book was pushed from November to February and I'm thinking the same thoughts you are about publicity. If you come up with some good ideas, let me know. Last launch I did several book-themed podcasts, and that worked out pretty well. I guess ZOOMing and guest-blogging are next up, plus a bunch of book-givaways. Good luck!
How frustrating! But once you get to BC and take Amanda with you, will you and she be able to view the works of Emily Carr?
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