Showing posts with label Jenn McKinlay. Show all posts
Showing posts with label Jenn McKinlay. Show all posts

Thursday, April 30, 2020

All The Things I'm Going to Do



Here's a list of some of the things I've resolved to do during the quarantine:
Make pancakes.
Learn Italian.
Get back to my drawing and guitar/piano playing.
Start another book.

Have I done any of those? Well, yes, all of them. Kind of, in a desultory way. Just don't ask about housecleaning.

I find it fascinating to read the entries that my blogmates and other writers share about their time in lockdown. I have to admit that I feel better about my own lack of progress on … anything … when I see that others are struggling as well. It didn't help me feel better about myself when I watched a Poisoned Pen Bookstore Facebook video interview with author Jenn McKinlay this morning. She was touting the release of her twelfth cupcake shop mystery, Pumpkin Spice Peril. This is like, her 40th book in the past decade, and they're all good. Jenn has two teenaged sons and a husband and more energy than anyone has a right to have and manages three, four, five books a year, most reaching the NYT bestseller list.

As for me, not so much. I've recently finished writing a book, Valentino Will Die, the second in the Adventures of Bianca Dangereuse series. Sadly, it was originally scheduled to come out in November 2020, but I was recently notified that the publication date has been pushed back to February 2021. I’m disappointed, but by that time, I hope I’ll have the third book ready to go, so maybe there won’t be such a gap between books. We'll see. I usually have a period of complete blankness after I finish a book, and this hang-fire period of corona virus quarantine doesn't help my thinking processes. I’m pretty pleased by the way Valentino turned out, so I hope you’ll like it, Dear Reader. In the interim, I’m cogitating about starting another Alafair Tucker mystery. Wish me luck in coming up with a great story idea. These days I feel lucky if I manage to get out of bed before ten.


There was a starred review in the April 15 Booklist for the audio version of the first Bianca Dangereuse tale, The Wrong Girl, read by the talented Romy Nordlinger! Here’s an excerpt of the review:
“Nordlinger easily depicts lecherous cads and despicable older men and fluidly differentiates between the female leads: a childlike, inexperienced 17-year-old; a spoiled, privileged, but big-hearted star; and a stabilizing, practical assistant with a bare hint of a Southern Black accent. More impressively, she subtly shows each woman’s voice variations over time, reflecting in phrasings and darkening tonalities their changes in attitudes and expectations, as well as discoveries of unexpected capabilities and strengths as Blanche/Bianca’s life unfolds—leaving readers impatient for the sequel.”

Stay safe, read lots of books, and wash your hands.

Thursday, November 19, 2015

Promotion

This year's Suit of Lights

Donis here, writing on a sunny Wednesday in Arizona. My latest Alafair Tucker novel, All Men Fear Me, finally had its official launch at the Poisoned Pen Bookstore in Scottsdale last Saturday, the 14th. As usual I spent a lot of time picking out my outfit, or as I call it, my "suit of lights". This has become something of a ritual for me when a new book comes out. Though I don't know why. I've seen many a Big Name Author show up at personal appearances dressed like s/he just rolled out of bed.

My launch, with Betty Webb, Jenn McKinlay, and Kate Carlisle, was a lot of fun and there was a big crowd in attendance, which is always very nice. The very next day I drove the 100 miles down to Tucson to do an event at Clues Unlimited Bookstore along with fellow PP author Jeffrey Siger. Clues is a small place but it was packed. So my first two official promotional events for this book were successful and pleasant and many books were sold. I posted some photos of both events on my own website if you'd like to indulge.

I have today off, but tomorrow I'm off for another several day of appearances and programs around the state. When I'm in the middle of the Big Push it's very difficult for me to keep to my accustomed writing schedule, and howsoever much I enjoy myself, it is unlikely that my events are going to make me a New York Times bestseller.

Which brings up the question of why we do it. We mid-listers seldom get paid for our appearances, so travel is expensive, disrupts your life, and eventually becomes incredibly tiring. Yet it is very helpful to meet readers face to face. I'm often surprised by readers' thoughts about my novels. They see things that I didn't see myself. Sometimes I'm shocked by a reader's interpretation, and sometimes amazed and flattered to find out how insightful I am without even knowing it!

Also, I can't overstate how important it is to develop relationships with librarians and bookstore owners. They are the ones who are going to recommend your books to readers, so we authors had better do our best to deliver a good product and a good program for them.

When I can, I try to arrange appearances with other authors. First of all, that could broaden your audience appeal. Most importantly, it is incredibly helpful to get to know your fellow writers. In my experience they are a bright, thoughtful, intelligent and kind bunch, and it is very helpful to hear that even authors who are much more well-known than you also suffer the same writing pains as you do.

I don't know of one veteran author who hasn't had the experience of schlepping miles to do an event and then one or two (or no) people show up. If that happens, remember that even if just one person shows, your should treat her like Oprah's niece. Word of mouth is as valuable as gold.

Still, it is easy to become disillusioned with public appearances since they are not what is going to give you that push into best-sellerdom. My advice is not to expect them to. The thing that is going to make you the next J.K. Rowling is a dash of luck and writing a fabulous book.

There is only one of those things you can do anything about.

Thursday, January 29, 2015

The Best Writing Advice Ever

Jenn McKinlay, Donis Casey, Rhys Bowen, "pimping" our latest books

I, Donis, did an event last week at a library in Sun Lakes, Arizona, along with Rhys Bowen and Jenn McKinlay. If you are a lover of cozy mysteries, Dear Reader, you are familiar with both of these best-selling authors. The crowd was enthusiastic and the panel was lively, and I had a great time talking about writing, the writing life, our books, characters, you name it. At the end of the session, a woman in the audience asked if had any helpful advice for aspiring authors, and Jenn McKinlay replied, “Don’t think too much.” Just keep writing.

That is the best piece of writing advice I’ve heard in a good long while, and one that I need to take to heart. The most important thing is to get those words onto the page. You can fix it later. You can have the most brilliant idea every conceived on God’s green earth but what separates the men from the boys is the ability to get it down on paper in an effective way.

Both Jenn and Rhys are not just talented, they are disciplined and effective. Both of them produce two or three (or sometimes four or five) books a year, and they are wonderful books, too. Rhys, whose Royal Spyness and Molly Murphy series are two of my favorites, has been writing professionally for all of her adult life, and with any art, the only way to get to Carnegie Hall is to practice, practice, practice. One of my favorite adages, and one I repeat constantly, is that you can study music theory until you have a Ph.D., but unless you practice the violin until your fingers bleed, you’ll never be a virtuoso.

Jenn told the crowd that she writes a book from beginning to end without stopping, without making any corrections. As she writes she keeps a list of things she will go back and fix once she has the first draft finished. My technique is similar. I always intend to write from beginning to end without stopping. If I get stuck or can’t quite figure out what to do next, I just write something, a filler, or leave a blank and plow onwards. Get that first draft done. By the time you write the last word, the story may have taken quite a turn from the way you thought it would go when you were writing the beginning.

But now you have something to work with. You can go back, if you need to, and craft the beginning to fit the end. You can cut out all the blather and redundancies that you put in there on the fly. You can tighten up that saggy middle and add another clue that will make things clearer.

I know all this very well and this is what I tell anyone who aspires to write a book. Yet sometimes I’m not so successful in taking my own advice. I’m working on a manuscript right now, and I keep obsessing over one particular scene. I sit down every day to go, go, go from beginning to end, but for the past several days I keep going back to a family dinner and messing with it. Big mistake, and I know it. If I get the whole story down, the dinner scene will resolve itself. So today my fervent resolution is to take Jenn McKinlay’s advice and not think so much. To hell with the dinner scene. Onward to the end!

The eighth Alafair Tucker novel is on the publisher’s schedule for release in November. My deadline for the complete manuscript is April 20. That is the day that no matter what, I’ll be forced to pronounce the book done and send it in to her. Sometimes this is the only way a book ever gets finished. You simply have to turn it in.

I’ll get it done. I always do.