No Good Tale Should Go Untold

Donis here. Sometimes, we writers wonder about the ethics of using a third party’s actual life experience as a plot line. I use real events, both historical and personal, all the time. When I have used personal events, I either disguise them or ask permission of the individual to whom it happened. I do have the writer’s mind, though, and when I hear an intriguing story, I do not forget it, though I ponder long and hard on whether or not I can use it in book. Sometimes I ponder long and hard for decades. 

The third book of my long-running Alafair Tucker series, The Drop Edge of Yonder, is a book that was thirty years in the making. There are at least two pivotal scenes in the book that owe their existence to newspaper articles that stayed with me all that time. I read the first story when I lived in Lubbock, Texas, back in the ’70′s. Two women, an elderly mother and her grown daughter, were out shopping together, walking down the street and minding their own business, when an insane person ran up and attacked the daughter without provocation. The old mother saved her daughter when she jumped on the  man’s back and pummeled him, and bit him, and basically beat the heck out of him.

Somewhere around the same time, I read in an interview with an old British soldier who had fought the Massoud in Palestine after WWII. He described a fighter who came at him tooth and claw and absolutely refused to be killed, even after he shot him and stabbed him and beat him with the butt of his rifle. The fighter finally sunk his teeth in the soldier’s foot and the soldier had to decapitate him to make him let go. The soldier said it was the scariest thing that had ever happened to him in his life. I took both these images and put them together to create one of the climatic scenes of the book.

The opening scene of Drop Edge isn’t quite as old an image in my head as the other two, but it is also a tale that took me a long time to tell. Seven or eight years before I began writing that particular book, I did a family genealogy for my sibs for Christmas, which is one of the things that inspired me to write my Alafair Tucker series in the first place. One of the things I learned while doing research on my family was the story of one of my a great-great grandfathers and three of his companions who were returning from the Civil War Battle of Pea Ridge when they stopped a few miles from home to rob a bee hive in a tree. While they were smoking the hive, they were ambushed by bushwhackers and killed. They were found by their families a few hours later but lay dead in the field over night, guarded from wild animals by their wives until morning, when they were buried where they fell.

The Drop Edge of Yonder came out almost 20 years ago, but I'm still using other people's experiences as plot jumping off points. I'm nearly finished with a first draft of a new novel with entirely an different plot, characters, eras. Yet as I go back and review what I've written, I see that the story is full of disguised events from my own life and the lives of many of my relatives, because no good tale should go untold.

The Wrong Girl, The Right Title

I (Donis) have been enjoying our recent posts about elegant variations, but today I want to throw back to last Thursday's entry concerning titles, by John. And the main reason I want to do that is because my publisher recently informed me that they have changed the title of my upcoming novel. They ran the new title by me, of course, and asked if I had objections. I didn't, even thought this is the first time in eleven books that I've had a publisher change the title I put on the manuscript. The upcoming book, which will be out in November, is the first of a new series for me, and I had a lot of trouble coming up with a title in the first place. I love the series title, The Adventures of Bianca Dangereuse, and fortunately that is not changing. The new series is structured like the episodes in an old silent movie serial, and like those movies, I had chosen a book title that was overblown and overdramatic. That's what the publisher thought, too. Overblown and overdramatic.* So they suggested that the book be called The Wrong Girl, because this is what one of the characters says to a man who seduces and kidnaps young women.

"One of these days, you're going to choose the wrong girl."

And does he ever.

I like their thinking, too. Whenever I write an Alafair Tucker mystery, I spend many weeks trying out prospective titles on friends and relatives, judging titleworthiness by the look in their eyes. For most of my past endeavors, I have chosen a title early on in the writing process, and then changed it when the book was finished. For the Alafair series, all the titles are taken from something that one of the book's characters says in the course of the story:

"I think The Old Buzzard Had It Coming"
"He was standing on The Drop Edge of Yonder"
"It looked like Hell With the Lid Blown Off"
"Here's your Forty Dead Men, McBride. Don't waste them, 'cause the man you miss may be the one who kills you."

 And so on... While I'm writing, I'm always waiting for someone in the novel to tell me what to call it.

I love reading about how the titles for my favorite books come about. Titles are important. You want to convey something of the spirit of the story, catch the reader’s eye, intrigue her enough that she wants to read that book. When friends and family hear that a new book is underway, one of the first questions I get is, "What's the title?"

How about you, dear reader? Does a fabulous title make you want to buy a book? I’m trying to think of books that I actually wanted to read because of the title. The only one that comes immediately to mind was Bad Luck and Trouble, by Lee Child. Tom Wolfe titles catch my eye, but which of his books have I actually read? Did I read Radical Chic and Mau-Mauing the Flak Catchers? No, I did not. I read The Right Stuff, Hooking Up, and I Am Charlotte Simmons. (Okay, I also read The Electric Kool-Aid Acid Test, but I was young and it was the ‘60s.)

Commonly authors don't get the final say on what the title of their novel will be. Publishers have the idea that they know what will sell a lot better than some introverted, socially inept author does. Maybe they do. Being introverted and socially inept, I wouldn't know. This time, I think they made a good business decision.
________
*The old title: Lust for Vengeance. What do you think?

An Idea Worth Pursuing

I have a good idea for a story. One of the cliche questions authors are often asked is where the story ideas come from. After Bob Dylan received his Nobel Prize last week, 60 Minutes (click on to see the interview) showed a brief clip from an earlier interview with Dylan in which Ed Bradley asked him that very question. The answer is: who knows? Dylan said it was rather like magic, and I can’t argue with that. I think sometimes you just achieve the right state of consciousness, and the ideas are bestowed upon you out of the aether. In my series, I’ve used ideas that have come to me in every conceivable fashion.

A recurring character in the series came to me in all his fully realized glory several years ago when I was at a concert of the Black Watch and Cameron Highlanders Massed Bagpipe Bands and watching a very young, very serious, athletic, rose-lipped, red-cheeked Scottish sword dancer with dewy black eyes and a shag of black hair.

The murder in The Drop Edge of Yonder is based on an actual incident that happened to one of my great-great-grandfathers on my mother’s side during the Civil War. (A lot of the incidents in my books are inspired by my own and my husband’s wild and wooly family backgrounds.)

The Sky Took Him began with an idea that came to me while I was on the Oklahoma leg of a book tour for Hornswoggled in 2006. I had set up an event in Enid, OK, which is my husband’s home town. I was sitting with my husband and his sister in a restaurant called Pasttimes, the walls of which are covered with historic pictures of Enid. I was facing a 1915 print of a street scene showing two women going into Klein’s Department Store on the town square. You know how they sometimes do the opening of a movie by starting with a still photograph that dissolves into a moving scene? As I sat there and looked at that picture, those two women became Alafair and her daughter Martha on a shopping spree. What, I asked myself, are Alafair and Martha doing in Enid, of all places?

One great thing about writing historical fiction is that when you do your research, you discover that what really happened is often better than anything you could make up. I decided to set the sixth Alafair Tucker mystery, The Wrong Hill to Die On, here in Arizona, where I live, rather than in Oklahoma, where Alafair lives. I figured this would be a nice little diversion for Alafair, and for me as well. But Alafair has ten kids and a large farm, so there are a couple of problems I had to solve before I even begin: 1. Why on earth would Alafair go to Arizona in the first place? 2. Once she gets there, what is going on that she could get herself involved in, how, and why?

So I hied myself off to the Arizona State University library here in Tempe and begin perusing the files of the Arizona Republican newspaper for March of 1916, the date I intended to set the novel. I knew I’d find something really good, for after five previous novels set in the 1910’s I’ve learned that life in the early Twentieth Century Southwest was nothing if not action-packed. Was I ever right. Plot points and atmosphere galore, and all I had to do was spend an afternoon unspooling microfilm.

Hell With the Lid Blown Off  is about a tornado. Because, I thought, I can’t write a series set in Oklahoma and not write about what life is like in tornado alley. I didn’t need to make anything up. I used some incidents from my sister’s experience in the Joplin tornado and some very strange tornado experiences from other relatives and even some pretty odd ones of my own. But it’s impossible to exaggerate reality when it comes to what a big tornado can do.

My upcoming book, The Return of the Raven Mocker (January 2017), revolves around the flu epidemic of 1918. No one knows for sure how many died in the flu pandemic, but modern estimates put the number at somewhere between thirty and fifty million people worldwide. More than six hundred thousand of those were Americans. Twelve times as many Americans died from flu in 1918 than died in battle during World War I. In early 20th Century America, every housewife had her arsenal of remedies for common ailments, and many of were quite effective. Even so, it is likely that more than a few people died from unfortunate home remedies such as turpentine, coal oil, and mercury. Some scientists think that many who died during the epidemic were killed by aspirin poisoning rather than the disease. In the book, I used a story about the curative power of onion, told to me many years ago by the person to whom it happened. My friend was a young boy, he developed such a severe case of pneumonia that the doctor told his mother to prepare herself for his imminent demise. In an act of desperation, his mother sliced up a raw onion and bound it to the bottoms of his feet with strips of sheet, then put cotton socks on him. In the morning, his fever had broken, his lungs had cleared, and the onion poultice had turned black. Is that what saved him? I don’t know. But that didn’t keep me from using the idea.

Never Waste a Good Story

Aline’s entry from Monday concerning the ethics of using a third party’s actual life experience as a plot line, plus last weekend’s guest entry by Leslie Dana Kirby about how her debut novel was inspired by the O.J. Simpson case, brought to mind an entry I (Donis) did on a similar theme several years ago on this very site. I use real events, both historical and personal, all the time in my books. When I use personal events, I either disguise them or ask permission of the individual to whom it happened. I do have the writer’s mind, though, and when I hear an intriguing story, I do not forget it, and like Aline, I ponder long and hard on how I can use it in a book. Sometimes I ponder long and hard for decades, as I noted in this entry from 2011:

My third novel, The Drop Edge of Yonder,  was thirty years in the making. There are at least two pivotal scenes in the book that owe their existence to newspaper articles that stayed with me all that time. I read the first story when I lived in Lubbock, Texas, back in the ’70′s. Two women, an elderly mother and her grown daughter, were out shopping together, walking down the street and minding their own business, when a crazy person ran up and attacked the daughter out of the blue. The old mother saved her daughter when she jumped on the crazy man’s back and pummeled him and bit on him and basically beat the heck out of him.

Somewhere around the same time, I read an interview with an old British soldier who had fought the Massoud in Palestine after WWII. He described a fighter who came at him tooth and claw and absolutely refused to be killed, even after he shot him and stabbed him and beat him with the butt of his rifle. The fighter finally sunk his teeth in the soldier’s foot and the soldier had to decapitate him to make him let go. The soldier said it was the scariest thing that had ever happened to him in his life. I took both these images and put them together to create one of the climatic scenes of the book.

The opening scene of Drop Edge isn’t quite as old an image in my head as the other two, but it is also a tale that took me a long time to tell. Seven or eight years before I began writing that particular book, I did a family genealogy for my sibs for Christmas, which as you regular Dear Readers may know, is one of the things that inspired me to write my Alafair Tucker series in the first place . One of the things I learned while doing research on my family was the story of one of my a great-great grandfathers and three of his companions who were returning from the Civil War Battle of Pea Ridge when they stopped a few miles from home to rob a bee hive in a tree. While they were smoking the hive, they were ambushed by bushwhackers and killed. They were found by their families a few hours later but lay dead in the field over night, guarded from wild animals by their wives until morning, when they were buried where they fell.

(p.s. the following was also included in the same 2011 blog entry—I repost it now because it is five years later and the high school reunion is about to recur, and now it is not just depressing, it’s unbelievably depressing) On another topic, I recently received an invitation to a depressingly high-numbered high school reunion coming up in October. I graduated from Nathan Hale High in Tulsa in a class of nearly 700 people. (Nathan Hale is the guy who, while about to be hanged by the British as a spy during the American Revolution, said, “I regret that I have but one life to give for my country,” which I always thought was one of history’s great instances of bravado in the face of death. If it had been me, I might have done my patriotic duty like Nathan did, but when it came time to die, my last words would have been along the lines of , “For the love of God, please don’t hang me.” Of course, nobody would have named a high school after me, either.)