Twenty Years as a Ghostwriter

 Happy Holidays. I trust everyone had a Merry Christmas. As we head into the New Year, we tend to reflect on what's happened to us during the last twelve months and see how that will stack up for what's in store. Recently, I was at a convention when another author announced that next year will bring the 20th anniversary of her first novel and mentioned that she's published twelve since then in that series, as well as several other standalones. That reminded me that in 2006, my debut novel was also released, which was later followed by six more in the Felix Gomez series, plus a YA standalone and my Cats in Quarantine memoir. Nine books under my name and a dozen-plus short stories. But compared to my author friend's accomplishments, my output seemed wanting.

However, over those twenty years, I had been very busy as a ghostwriter. When I first heard the term "ghostwriter," I asked my dad what it meant, which he explained. I thought it an odd profession, only to embrace it decades later. What interesting turns life puts in our paths.

While I enjoyed being a ghostwriter, the downside was that I was working on someone else's ideas instead of my own. It was write-for-hire with no residuals. A big positive was that the money was fairly steady. And I got to work with interesting clients on fascinating subjects I would not otherwise have explored. As a summary of that career, I've collected the covers of published works I completed as a ghostwriter or as co-author. Not every project made it to print. Several were screenplays and others stalled because of money problems or the client had second thoughts about the story. Some of our clients were very involved in the process, giving lots of feedback. Others barely read the manuscript, trusting me to produce a narrative true to their vision. 

Below, the books in the first row are novels. Good Money Gone a financial thriller set in Panama. I've always wanted to write a WW2 story but didn't have a good enough idea until Kirk Raeber hired me to help him write Forgotten Letters. My spin the classic Western was Luther, Wyoming, which suffered the sad fate of being released at the start of the Covid lockdown.

Row two are memoirs. Always Forward, one man's journey in the US Marines, from the mean streets of Detroit to the meaner streets of Mogadishu. What do I know about being a destitute Black teenager in Jamaica? My client, Petergay Dunkley-Mullings, taught me much with Can't Afford to Fail. In another project about WW2, Mark Verwiel approached Broken Destiny from a metaphysical perspective, which was how we connected. Minor-League Buzz: Major-League Life by Don Miers, a raucous, sometimes raunchy, résumé of his adventures as a baseball manager. 

Top row, below. Possibly my most unforgettable client was that high-energy tornado, Todd Saylor, with whom I wrote his Wire Differently series. Steven Schwartz outlined his business success and principles in Spiritual Consciousness. 

Second row, below. Four thrillers. Lone Justice gave me insights into the world of a Black lawyer in Dallas, Texas. Star Revelations by Steven Paul Terry, a metaphysical political thriller involving time travel, alien mentors, and Project ULTRA. The Natanz Directive, a political thriller with super-spy Jake Conlan, co-written with Mark Graham. A funny anecdote: a reviewer commented that the author Wayne Simmons showed off his CIA credentials with his detailed descriptions of Tehran when that had me using Google Maps! Writer friend Josh Viola asked me to rework his sci-fi/fantasy epic, Bane of Yoto, and amp up the violence and gore. A delightful challenge.

Below, top row. Business books. Ex-Navy fighter pilot turned investment consultant, Matthew "Whiz" Buckley showed people how to exploit stock opportunities in Covid Crash. John Manzetti presented case studies of good and bad business decisions in Small Bites of the Elephant. My last project as a ghostwriter, Patience With Patients, about the need for patient empathy, by Dr. Jim Longobardi.

Last row. Another crack at The Big One, books by Carl Haupt, a WW2 vet and an eccentric but good-hearted client who passed away shortly before we got to complete the last of his inspirations. These novels feature the adventures of Gary Catlin, who winds up in Formosa, an overlooked region during the war. Working on these stories sent me down many deep and winding rabbit holes, courtesy of vintage National Geographic magazines and maps in the Texas online university library system.

Twenty-one books in twenty years. Whew!

Can fiction save the world?

As the previous posters have said, this has been quite the week. Indeed, quite the year. Brexit, Paris and Calais, Trump... Not to mention the daily tragedies of frantic refugees risking everything to reach Europe's shores. As a Canadian, I have been watching the recent drama of conflict, accusations, and counter-accusations from afar, worrying about all the anger and confusion and fear. As I listen to the bitterness and disbelief on both sides ("How could they?" from the left, and "Sore losers" from the right), I am reminded of a Beatles song: What the world needs now is love, love, love.

Or more accurately, empathy. Because there is precious little of it around right now. People are dividing themselves into us and them. They are crossing their arms, thrusting out their chins, and refusing to listen. Refusing to hear. Worse, they are lashing out, cruelly and vindictively.

How are we ever supposed to reach across the divide if we stand on either shore, hurling insults without ever venturing out onto the bridge?

The Cambridge English Dictionary defines empathy as "the ability to share someone else's feelings and experiences by imagining what it would be like to be in that person's situation". In the majority of people, empathy develops naturally as we grow up, but psychology had focussed a lot of research on what factors influence and strengthen its development. If you're interested, here is one quick summary of their findings.

Empathy increases as we grow older, so that most of us adults are pretty good at reading minds. You can test this concept, and your own skill, by taking this short quiz on reading the mind in the eyes. But there is always room for improvement, and I'd say from the increasingly intolerant behaviour being displayed, we all have serious work to do. Here's a short article on ways even adults can increase their empathy. Not surprisingly, really listening to others and getting to know people different from yourself top the list.

BUT... There is another way that even the most brick-headed person can develop more empathy, and that's where we writers come in. Empathy is all about walking in another person's shoes, about being able to step out of your own skin (in your imagination) and into another's. Research has shown that groups of people vary in their level of empathy and in who they feel empathy for. It's easier to empathize with people who are similar to you than with people who are extremely different (from another culture, another country, even another political viewpoint). Intriguing research is also emerging about the differences between conservatives and liberals, and between extremists and moderates of either stripe, about the difference between men and women, and between the ordinary joe and the very wealthy ... But these are all subjects for a different blog.

This blog is about writing, and one of the fascinating findings is that reading fiction increases empathy. Not only do people who read a lot of fiction score higher on empathy, but even reading a piece of fiction in a psychology lab will increase your empathic reaction in the moments afterwards! Check out a summary of findings here. Despite some faults with methodology, the studies confirm what we writers and readers of fiction intuitively know -- that walking in the shoes of the characters in the book, experiencing their struggles vicariously and trying to make sense of why they act as they do — enhances our understanding of people in the real world as well. Fiction has been called empathy's "flight simulator".

Extrapolating from this, I would guess that the greater the emphasis on character, on subtle differences and changes, and on complexities and layers of motivation, the more powerful the effect would be. That's where mystery fiction comes in. Research found that literary fiction had the greatest effect because of its focus on character, but not all crime fiction is created equal. Many (but not all) of the best-selling thriller variety pays scant attention to character, and many (again, not all) cosies intentionally downplay the pain of conflict. However, I suspect that mystery fiction that reveals complex character, conflicting motive, and blurred boundaries of good and bad will foster empathy better than shoot-'em-up, "good vs. evil" action stories.

So, crime writers, take heart! Writing books that explore the human condition and invite readers to walk in you characters' shoes and think "there but for the grace of God go I," may not make us rich and famous, but they can make a difference.

And readers, in this gift-buying season, consider giving the gift of fiction, and venture past the best-sellers to the back of the store to find those lesser-known books that tell tales of struggle and conflict and the wondrous highs and lows of being human. Tales that really transport you into the world of another. Read about people and situations different from your own. From the safety of your armchair, explore beyond your comfort zone.

Book by book, we can strengthen our understanding of each other and reach across the divides where at the moment all we see is "the other". Not "us".