Twenty Years as a Ghostwriter

 Happy Holidays. I trust everyone had a Merry Christmas. As we head into the New Year, we tend to reflect on what's happened to us during the last twelve months and see how that will stack up for what's in store. Recently, I was at a convention when another author announced that next year will bring the 20th anniversary of her first novel and mentioned that she's published twelve since then in that series, as well as several other standalones. That reminded me that in 2006, my debut novel was also released, which was later followed by six more in the Felix Gomez series, plus a YA standalone and my Cats in Quarantine memoir. Nine books under my name and a dozen-plus short stories. But compared to my author friend's accomplishments, my output seemed wanting.

However, over those twenty years, I had been very busy as a ghostwriter. When I first heard the term "ghostwriter," I asked my dad what it meant, which he explained. I thought it an odd profession, only to embrace it decades later. What interesting turns life puts in our paths.

While I enjoyed being a ghostwriter, the downside was that I was working on someone else's ideas instead of my own. It was write-for-hire with no residuals. A big positive was that the money was fairly steady. And I got to work with interesting clients on fascinating subjects I would not otherwise have explored. As a summary of that career, I've collected the covers of published works I completed as a ghostwriter or as co-author. Not every project made it to print. Several were screenplays and others stalled because of money problems or the client had second thoughts about the story. Some of our clients were very involved in the process, giving lots of feedback. Others barely read the manuscript, trusting me to produce a narrative true to their vision. 

Below, the books in the first row are novels. Good Money Gone a financial thriller set in Panama. I've always wanted to write a WW2 story but didn't have a good enough idea until Kirk Raeber hired me to help him write Forgotten Letters. My spin the classic Western was Luther, Wyoming, which suffered the sad fate of being released at the start of the Covid lockdown.

Row two are memoirs. Always Forward, one man's journey in the US Marines, from the mean streets of Detroit to the meaner streets of Mogadishu. What do I know about being a destitute Black teenager in Jamaica? My client, Petergay Dunkley-Mullings, taught me much with Can't Afford to Fail. In another project about WW2, Mark Verwiel approached Broken Destiny from a metaphysical perspective, which was how we connected. Minor-League Buzz: Major-League Life by Don Miers, a raucous, sometimes raunchy, résumé of his adventures as a baseball manager. 

Top row, below. Possibly my most unforgettable client was that high-energy tornado, Todd Saylor, with whom I wrote his Wire Differently series. Steven Schwartz outlined his business success and principles in Spiritual Consciousness. 

Second row, below. Four thrillers. Lone Justice gave me insights into the world of a Black lawyer in Dallas, Texas. Star Revelations by Steven Paul Terry, a metaphysical political thriller involving time travel, alien mentors, and Project ULTRA. The Natanz Directive, a political thriller with super-spy Jake Conlan, co-written with Mark Graham. A funny anecdote: a reviewer commented that the author Wayne Simmons showed off his CIA credentials with his detailed descriptions of Tehran when that had me using Google Maps! Writer friend Josh Viola asked me to rework his sci-fi/fantasy epic, Bane of Yoto, and amp up the violence and gore. A delightful challenge.

Below, top row. Business books. Ex-Navy fighter pilot turned investment consultant, Matthew "Whiz" Buckley showed people how to exploit stock opportunities in Covid Crash. John Manzetti presented case studies of good and bad business decisions in Small Bites of the Elephant. My last project as a ghostwriter, Patience With Patients, about the need for patient empathy, by Dr. Jim Longobardi.

Last row. Another crack at The Big One, books by Carl Haupt, a WW2 vet and an eccentric but good-hearted client who passed away shortly before we got to complete the last of his inspirations. These novels feature the adventures of Gary Catlin, who winds up in Formosa, an overlooked region during the war. Working on these stories sent me down many deep and winding rabbit holes, courtesy of vintage National Geographic magazines and maps in the Texas online university library system.

Twenty-one books in twenty years. Whew!

Cooks In The Kitchen

                                            

If you've ever written a book, you know what a solitary process that can be. It's just you and those ideas in your head that you're trying to get on the page. But what happens when it's not just your ideas but someone else's? I've worked as ghostwriter on over a dozen books so I'm well aware of another set of eyes looming over my shoulder as I peck away at the keyboard. Some of my clients have been quite generous with feedback while others have given me broad latitude to interpret their vision of the work. Other gigs have been collaborate efforts with other writers, either fleshing out a new concept or in a deep revision process. Despite all the good intentions, the old proverb comes to mind: Too many cooks in the kitchen spoil the broth. 

But that hasn't been my experience. Another writer and I worked on a screenplay and after drafting the story outline, we divvied up the scenes. Afterwards, we were amazed at how well everything meshed together with little break in continuity. What helped was our empathy for the protagonist, a down-and-out goon hired to eliminate a snitch while investigating the suspicious death of his daughter in an S&M episode gone wrong. Much perviness and violence which I guess is why we were in such synch. Another collaborative venture, albeit where I worked as a ghostwriter, was on the high-tech thriller, The Natanz Directive, and again, our contributions joined seamlessly.

More recently, I was asked to collaborate in the rewrite for The Bane of Yoto. While I don't have any experience writing epic fantasy, I do understand the mechanics of dialog, character, and narrative structure. The efforts of our writing team paid off as Booklife of Publishers Weekly, gave us an A in every category.

 

Gritty, vividly told, pulsing with a spirit of old-school adventure, Bane of Yoto is steeped in the history and present of its genre, drawing from the pulps, comic books, video games, and—in its seamless three-author approach—shared-universe collective storytelling...All this is delivered with welcome earnest confidence, as the authors resist the temptations to wink at their readers or to overcomplicate their characters. The villains are villains, full stop, and the heroes, though often preoccupied by vengeance, fight for freedom. Readers eager for moral ambiguity should look elsewhere...