Several years ago while in Italy scouting locations for my most recently published full-length novel, Roses for a Diva, I saw Michelangelo’s final (unfinished) works, the Florentine Pietà. Everything is roughed out fairly well (the figure of Christ seems to be nearly finished), but the work is not by any means completed.
This is the way I now view a completed first draft. Everything is there (generally) but it’s all very coarse. Those polishing edits are still very much needed.
I want to get to that point with my current ms!
Thing is I’m also laying the foundation for a (hoped for) series and there’s a lot of spadework involved to set things up properly. There are very few relationships that are ongoing at the beginning of the story — especially between the two protagonists. So I have to include a good dose of context and information.
What I realize now is that I’m faced with having a novel that could be too long for most publishers. Working on my side: it’s a thriller (which tend to be longer than most crime novels), plus it’s a political thriller (allowed to be even longer it seems). Working against me: I don’t see how I can tell my story in fewer than 100,000 words.
All that being said, the editing process allows me the opportunity to whittle things down, chip away at my “sculpture”, polishing and refining it in much the same way Michelangelo would have done had he finished his work. I’d prefer to keep my ms to 100,000 words more or less, but at the rate I’m piling up the verbiage, that could become a tall order to tell my story effectively.
Time will tell.
Does anyone else out there have trouble keeping their mss to an appropriate length for publishing norms or am I a (verbose) exception?
For readers, do you have problems with longer novels or does good quality writing — something that’s first and foremost in my mind, believe me — enough to keep you going in longer stories?
___________________
Interesting sidebar: You'll notice the older man holding up the body of Christ in the sculpture. That’s Michelangelo who included himself in the work. So we have a very clear idea of what this famous artist looked like at the end of his life.
