Don't Tell Me

   You may remember this comic strip:

    Linus is watching television. His older sister, Lucy, walks up and asks what he is watching.      

    He says "Citizen Kane."

    She says that she has seen it "about ten times."

    Linus tells her that he has never seen it before.

    Lucy turns to walk away. As she leaves she lets drop what "Rosebud" means.

    Linus's response?

    "AAUGH!!" 

I saw this "Classic Peanuts" strip in my Sunday newspaper. I was reminded of it again this week when I was reading a comment that one of my students had made in an essay about a movie that I have seen many times. The student wrote about having been in suspense ("edge of seat") during the movie and being "shocked" and "surprised" by the ending. 

I was delighted that the student had enjoyed the movie. 

And I was reminded of the need to be careful when I talk about movies and books to my students and other audiences (e.g., book discussion groups). 

Some people -- many people -- don't want to know how it ends. They will put their fingers in their ears, shouting, "Don't tell me!"

On the other hand, I'm one of those people -- probably a minority -- who have no objection to knowing in advance who lives or dies or walks away together into the sunset.  

Not only do I have no objection, sometimes I really want to know how it ends. No Country for Old Men? Yes, I cared about the characters. The Usual Suspects? I really enjoyed but could wait for the twist. Am I saying too much by revealing there was a twist?

If the level of tension is particularly high I like to know that the characters I'm invested in will survive -- or, at least, die well. In bookstores, I sometimes pick up a book, read the blurb, and flip to the last page.

I don't mind knowing the ending because I enjoy seeing how the writer gets there. But that's me. I need to remember that many other people don't want to know how it -- the movie or the book -- ends.

I need to keep my student and dear Linus in mind as I work on my historical thriller. My goal should be to write a book that an adult Lucy can read "about 10 times" and still enjoy. . . and that an adult Linus will close feeling satisfied that "The End" was worth the wait.

A New Year, a New Book.

Donis here. Thank goodness this horrible year is almost over. May 2021 be a better year and new beginning for all of us. As for me, I'm looking forward to being able to get out of the house and see actual people again. Not that my husband isn't an actual person. I think he probably is, and thank God for him. I'm also looking forward to the launch of a new book in February, the second installment of my Adventures of Bianca Dangereuse series, set in 1920s Hollywood. The new book is called Valentino Will Die, and it's available for pre-order RIGHT NOW, as a paperback, audio, or ebook. My next task is to start publicizing, which is going to be an interesting proposition during this pandemic — but that's another story for another blog entry. 

Here is the publisher's blurb for the Valentino Will Die, along with a preview of the gorgeous cover. And please take Rick's admonition to heart and support your local bookstores this Christmas, and remember all the wonderful contributing authors this blog — the best gift you can give us is to help us keep giving you the gift of our storytelling!

VALENTINO WILL DIE, by Donis Casey

Champagne wishes and caviar dreams take a backseat when a murderer strikes in Hollywood.

Silent film sensation Bianca LaBelle, formerly farm girl Blanche Tucker of duller-than-dull Boynton, Oklahoma, has put a lot of distance between her humble roots and her glamorous new Hollywood life. Her life is now fashionable and dazzling, and it becomes even more so when she gets to make a film with her good friend and screen idol, Rudolph Valentino.

But when Rudy confides in Bianca that someone is trying to kill him, and then falls deathly ill days later, Bianca vows to find out who is behind the underhanded deed. A jilted lover, a delusional fan, or maybe even a mobster? Calling on P.I. Ted Oliver to help her investigate, the two delve into the end of what had seemed to be the charmed life of Valentino.

Searching for that grain of sand

Before I explain that title, I want to second Rick's excellent suggestion about buying a book (or more!) from your local independent bookstore as a gift this holiday season, and I love the idea of Type Mers buying one another's books. Read and transport yourselves this holiday!

Now for my actual blog. I'm probably not the first person to use the oyster metaphor to describe writing a novel. An oyster starts with a single grain of sand inside and then works layer upon layer around it to create a beautiful pearl. For me, that's how my novels start. With a single intriguing idea. It can be a simple image like a pair of shoes, a character that I am curious about, a small snippet from the newspaper. No matter how small, it's a toehold that allows me to start spinning the story around it, expanding and developing and adding until sometimes the original germ of the idea has completely disappeared as it's subsumed by the bigger story it inspired.

I am just embarking on the fifth Amanda Doucette novel, and at the outset I knew only one thing; it would be set in British Columbia. Because of the constraints I'd set upon this series, it should involve Amanda creating a charity event somewhere in the wilderness. Luckily, British Columbia has plenty of absolutely spectacular wilderness, so there was a lot to choose from. After some thinking and some reading, I narrowed it down to the west coast of Vancouver Island, in part because I always travel for research and it's on my bucket list. But a setting does not make a story by itself. I needed an idea. So I started to read about the history and people of the area, looking for that inspirational grain of sand. Lots of history. Lots of drama. Shipwrecks and swindles and epidemics and heartbreaking loss. It was way too big a canvas. Most novels, especially mystery/ thrillers are about struggles and triumphs on a more intimate scale. So I continued to read, asking myself all the time "what is this book going to be about?"

Then this morning, the idea came to me in a single word. Hermits. Apparently the wild west coast of Vancouver Island is a haven for hermits. Every hermit has a very intimate story, of tragedy, triumph, rejections, and perseverance. And in that single word lay a world of possibilities. A grain of sand I can build a story around. In the few short hours since reading that, the tiniest pearl has already begun in my head. It will mean a whole lot more research but now it will be focussed. I will no longer be casting about aimlessly but slowly building the knowledge I need. I am still far from setting pen to paper, and I know there will be moments of despair and frustration as the story develops, but it's an exciting moment.

I even came up with the title, far earlier than I usually do. But that's a secret until I'm more confident about the pearl I'm hoping is in there.

 

A prescription for this holiday season

By Rick Blechta

Toronto, where I live, is currently in a partial lockdown. My wife and I decided when the current lockdown began three weeks ago, that if we needed anything we were going to do our best to patronize our small local shops because they need all the help they can get.

So no fast food from the big chain restaurants, using our local hardware store instead of Homeless Despot. Sure, online providers such as Amazon are pretty damned convenient and super-fast, but at the end of all this, we want to have small shops still in business so we do our best to help.

If you’re hear on Type M, either as a reader or one of our group of excellent writers, I certain you have the warm and fuzzies for at least one independent book store and I’ll further posit that it is one that specializes in crime fiction. Perhaps it sells nothing else.

Here’s something you may not know, that bookseller — like all others — can easily order any book you might want. Sure, you might have to wait a week or two, rather than next-day service from Amazon, but you will get your book, and you’ll be helping a business that is likely having a hard go of it right now.

Here in Toronto, we crime fiction lovers are blessed with the most excellent Sleuth of Baker Street, so last week, faced with a curtailed holiday season, when my wife and I decided to make use of that down time to enjoy a bit of reading (with no guilt!), the only place to call was Sleuth. Several of our favourite authors have new books out and there are two Type M members who I’m looking forward to get into their work, so we have a big pile waiting for pick-up.

It dawned on me that with all the gift-giving coming up in three weeks, we have the opportunity right now to do some good, so I have a proposal for every one of the people reading this post to buy at least two books this holiday season.

First, you  deserve a book. Since March, you’ve put up with a lot, haven’t you? You need a reward! Could I suggest buying one from one of the Type M authors — especially if you’ve never read one of their books. We have some exceptional authors here, and I can recommend all of them without hesitation, plus we “cover the waterfront” as far as subject matter goes. The bottom line is, though, just buy a book, any book. Then put up your feet and enjoy several hours in a made up world.

Also, as many of us have mentioned in previous December posts, there is a tradition in Iceland, a very wonderful tradition, to give or exchange books on Christmas Eve. Whether you celebrate that holiday or not, why not give someone a book before year’s end? It would make them very happy I’m sure, help out a struggling business, and give you a warm and fuzzy feeling.

Heaven knows we need more of those!

So that’s Dr. Blechta’s prescription for making this month better than it might be. I’ve bought my comfort reading, and I’ve ordered books to be given as presents. I’ve managed to do something good and bring smiles to a lot of faces along the way.

Taking the city heat

Write what you know.

It's one of the golden rules of the game. There are many golden rules. Too many but this is the one that concerns me today.

But what does it really mean?

Well, shall I tell you what I think it means? That's a rhetorical question, of course. I'm going to tell you whether you want me to or not, otherwise this blog will be pretty darn short.

On the face of it, write what you know suggests you should only write, you know, what you know. In other words only what you have experienced on a personal level.

Obviously that's not something most writers do. Tolkien, for instance, was not a Hobbit, nor a wizard nor an orc. Ed McBain was not a cop, although Steve Carella did bear an uncanny resemblance to the author himself. Larry McMurtry was never a Texas Ranger.

However, what each of those authors did was make sure that they knew whereof, and whatof, they wrote. Tolkien was an expert on mythology and languages. McBain (or Evan Hunter or Salvatore Albert Lombino or any other names he cared to use) made it his business to understand policework. McMurtry, a Texan, researched and researched and researched until he knew his world.

And that, to me, is what the rule really means. Know your world before you write it.

That world may be a Scottish city, it may be a nuclear submarine or a galaxy far away but before putting pen to paper (figuratively speaking) the writer should know as much about it as possible.

A few years ago I both followed - and broke - the rule.

The Janus Run was set in New York. I am not from New York. I have visited (love the place) but could not do so for various reasons when writing this conspiracy chase thriller. I couldn't set it in Glasgow because the plot needed the pulse, the aura, that only a city like New York can offer. 

That was how I broke the rule.

It is also how I adhered to it, for the New York I wanted to write about was not the real one.

Okay, I can hear you scratching your heads so I'll try to explain.

I'm a huge movie fan. Too huge, to be honest. It's all the popcorn and hot dogs and I should go on a diet.

What I wanted to do with that book was create an action movie in prose, something that just kept moving. And although it was set in the present day, it was at its core a tribute to the 70s thrillers I love so much. Films like Three Days of the Condor, Marathon Man, The Parallax View, The French Connection, The 7 Upsm Across 110th Street, Report to the Commissioner. So the New York I wrote about was a movie New York, the one I have been researching for years. I took characters and tropes and even modes of speech from that era while also trying to make it as close to the real-life city as I could.

It made the book highly stylised. It wasn't a parody, it wasn't a spoof. It was designed to be an affectionate nod to those movies, as well as the writing of Ed McBain and Robert Ludlum and William Goldman.

Did I pull it off?

To an extent. It was read by people who had lived in New York and they said the setting was fine but I am certain native New Yorkers would raise a few eyebrows. I also made a rookie error regarding a gun which annoys me now. Most of the readers who have commented seemed to have enjoyed it. One even missed his stop on a train journey because he was so wrapped up in the story.

In my mind I succeeded because I did what I wanted to do. For some readers who were not aware of my intention it did not work quite so well and I get that, I really do. They didn't believe the backdrop, they didn't believe the dialogue, they didn't believe the characters. As such, it is my least successful novel.

But hey, them's the breaks, kid.

Would I do it again? I don't think so, not without at least spending time in the location. I know it can be irritating when a someone writes about your home town without doing the work. Google Earth just don't cut it.

I am still proud of it, though. I did what I set out to do, even though I kinda broke that pesky golden rule.

Yup, I'm a maverick that way.

Evildoers

 I 'm late posting today. I intended to write about my river trip, but there were a number of interruptions yesterday and today went the same way. So I'm going to repeat an old post that seems strangely apt right now: 

Evildoers

I'm not a total wimp. Not spectacularly brave either. My tastes in mysteries are decidedly on the side of physiological literary mysteries. I hate books with no plot. Even if the writing is exquisite, if there is no story I feel cheated. I also lean toward "mean streets" in mysteries rather than cozies.

So I was surprised at my reaction to the beginning of a book a couple of days ago. A rape was so obviously going to take place and I simply could not stomach it. I laid the book aside. I was reading it in bed. Bedtime reading is a well-established habit and I've learned that certain kinds of books keep me awake. If a book is too upsetting it interferes with a good night's sleep. Which means I will be sluggish and unhappy the next day.

The next afternoon I resumed reading the book. It's terrific! I'm not going to identify it right now because I haven't finished it and will review it when I'm done. Here's what impressed me about the dreaded rape scene; it was not described after all. Yes, it took place, but the focus of the book was on the downfall of a young man who was a non-participating bystander who is bribed by the wealthy family the men involved to keep information to himself. The details of the crime emerge slowly as does the consequences of his disastrous choices.

It's a tale of intricate vengeance wrought by the father of the damaged young woman who committed suicide because of the rape.

Part of my reluctance to continue the book that first night was because this book is so well-written, which means literary, I suppose, which I'm beginning to equate with sad unsatisfying tales. I'm fed up with powerful, wealthy people getting away with anything and everything in literature as well as in real life. I'm disheartened by the number of books where such people are never brought to justice. It's a class issue and it's becoming more obvious all the time in our society.

The book has great characterization and I have hopes that the protagonist who is slowly growing in courage and a thirst for justice will decide to do the right thing. Wouldn't that be wonderful?

Evildoers used to be identified as such. I want those days back.

My trusty notebook

Fifteen years ago, in a used bookstore in Portland, Maine, I stumbled upon a copy of The Wasteland: A Facsimile and Transcript of the Original Drafts including the Annotations of Ezra Pound, for the glorious price of $7. The book was published by Harvest in 1971. I’ve never seen another copy anywhere, and, believe me, with tape holding it together, I’ve looked.

I’m fascinated by Pound’s annotations –– cross-outs, notations, and comments like “often used” in the margins. Yes, I’m witnessing genius in action, reading Pound’s marginalia, but moreover, I’m intrigued by the inner workings, the mind processing, the pen gliding.

Joan Didion said somewhere, “I don’t know what I think until I write it down.” There’s some of that in Pound’s cursive, in his declarative commentary. We’re seeing Pound experience the great text before the rest of us, processing, thinking on paper, responding as a first reader.

I, too, like to think on paper. I think I always have. As a dyslexic, I stuttered as a kid. Writing things down alleviated that. I didn’t stutter when I wrote. And the page is a place where I go to think. Tom’s great post this week about reading with a critical eye, got me thinking about my journal, the place where I go to ramble (mentally) about plots and characters and generally figure things out before setting hands to keyboard. That’s not to say I outline or prewrite. No, I’m not that organized. And, frankly, my mind just doesn’t work that way. I journal to solve problems, as the photo I’ve shared here might indicate. If you can read my henscratch, you may see question marks. I’m asking questions and thinking through answers to a plot problem. I’m writing dialogue in what might be a scene.

Just, as Didion said, writing things down to learn what I think in my trusty notebook.

Everyone should have one.

Random Thoughts

 

by Sybil Johnson

My head is filled with random thoughts about nothing in particular. I’m pretty focused when I’m writing or working on a plot for a story, but outside of that lots of odd thoughts pop into my mind. Here are some of the most recent ones.

Welcome to my mind.

- I woke up the other morning with the words to “If I Had a Hammer” running through my mind. (1963, Trini Lopez) Doesn’t take a psychiatrist to figure out where that came from with its lyrics about hammer of justice and talking about love between brothers and sisters all over this land.

- smitten – Have you ever thought about the word smitten? It’s a past particple of to smite. Smiting someone isn’t a very nice thing: to attack, damage or destroy by blows. It also means to affect sharply with great feeling. I think most people use smitten to mean someone who is deeply in love with someone where it’s very obvious to everyone around. I find it interesting that it derives from smite. Sometimes being smitten with someone can be destructive.

- How should cats wear pants? This one didn’t come from my mind, but I’ve been thinking about it ever since Ellen talked about it on her talk show. In the photo on Twitter (https://twitter.com/lorenzothecat/status/1284930351798923270?lang=en) I opt for A (pants goes over the back legs with a hole cut for the tail). B just seems stupid. (pants goes over both legs and around the whole cat). Hard to explain. Look at the picture.

- Is cereal a soup? Heard about this one on Ellen, too. Apparently, it’s been making the rounds on the internet. Of course not, I say. Advocates say there are cold soups and cereal is served in a bowl. Really, I shake my head on this one. Still occasionally pops into my head.

- English words with be- prefix. I feel like we don’t use these words enough. bedim (to make dim), besmirch (okay, that one we use), belittle (another one we use). Maybe we should bring more of them back to common usage. How about bedew (to wet with or as if with dew)? belaud (to praise usually to excess)? befog (to confuse)? befool (to make a fool of)? bedaub (to ornament with vulgar excess is one meaning)?

- agitate – to discuss excitedly and earnestly is one of its meanings. One that I never really thought about until I was doing a workout video and the leader talked about agitating meaning talking. Hmmm...

Those are some of things going through my mind recently. How about you? What random thoughts have you had recently? 

#

On another note, Merriam-Webster announced its word for 2020. It’s pandemic. They decide the word based on statistical analysis of words that are looked up in their online dictionary. Not terribly surprising that they chose pandemic. Dictionary.com’s word of the year is also pandemic. https://www.dictionary.com/e/word-of-the-year/ The American Dialect Society will be voting on their word of the year on December 17. You can register to view the livestream vote here: https://www.americandialect.org/register-2020-woty

To read or not to read; that is the question

by Rick Blechta

I have two sons. One is an avid reader. One is not.

Recently I got into a discussion about reading with my non-reading son. His first comment was, “I don’t know when I last read a book.” I have a good idea that it was way back in 2006 and he read my novel When Hell Freezes Over which I had dedicated to him. His assessment, by the way — if I’m remembering correctly — “It was pretty good.”

To me, 14 years (and counting) with not one book read is appalling to contemplate. I love him just as much, but I don’t understand how he does not enjoy reading. If you’re visiting Type M, I naturally assume you are an avid reader. Am I right in feeling this way towards someone?

I decided to engage him on this subject. “Why don’t you enjoy reading?”

“It takes too long. I enjoy movie and TV shows much better and I don’t have to commit so much time to it. Reading is boring.”

While I picked my jaw off the floor, he went on to say that watching movies accomplishes the same thing anyway. “You’re still watching a story, and movies can do it so much better — and quicker — than books.

I couldn’t disagree very much with that, except I don’t think watching something unfold in front of your eyes is necessarily better than reading a description of the same thing and then having to imagine it. First off, you’re involved; you’re supplying something that’s needed. Watching a movie, you’re completely passive in that regard.

And that’s the crux of the matter: use of imagination. With a movie, you’re watching a director’s imagining of the story being presented.

Extending this idea further, it’s this way with an performing art. You’re a non-involved viewer of someone else’s imagination.

I’ll put on my musician’s hat on here, if I may. Watching a performance of a symphony orchestra, as an example, is to experience a conductor’s interpretation of the musical works being presented. In effect, the conductor is “playing” the musicians. But there’s also something hidden, something magical at work here. Each musician in the orchestra is also adding their little bit of imagination to what they’re playing — within parameters, of course. It is a wonderful thing to sit inside this mass of artistic humanity and experience the energy that is produced when humans work together to make music happen. In the best of circumstances, it is breath-taking.

The same sort of thing goes on when a movie is filmed, or a play is staged, whatever. Actors often talk about the experience of bouncing off their fellow actors’ performances.

However, for the audience, it doesn’t change. One remains on the outside looking in. The energy can be felt sometimes, but really can’t be participated in.

With books, though, the reader must participate. Imagination is required to interpret what the writer has first imagined — and that is a very wonderful thing, isn’t it?

Now, to figure out some way to get my son to enjoy reading as much as I (and his older brother and my wife) do.

____________________

By the way, the typeface used to set When Hell Freezes Over’ in the cover above, is my non-reading son’s hand. I turned it into a font. I call it Jan Casual.

Mr. Critical

 By Thomas Kies

I tell my Creative Writing students that once they’ve taken the class, they’ll find themselves being much more critical of the novels that they read.

I know I am.

I recently read Squeeze Me by Carl Hiaasen.  I absolutely loved it because it’s a complex current satire that’s laugh-out-loud hilarious.  Mr. Hiaasen writes about the rich and the ridiculously rich in Palm Beach, Florida, boa constrictors terrorizing the area’s country clubs, crooks, killers, cops, and a POTUS nicknamed Mastodon by the secret service. 

Needless to say, I enjoyed Squeeze Me very much. 

About a month ago, I finished reading Harlan Coben’s mystery thriller, The Boy from the Woods. The story begins thirty years ago when the police discover a feral boy living alone in the wilds of New Jersey.  The kid grows up and becomes a reluctant investigator looking into the case of a missing high school girl that no one seems to be too concerned about.  The book moves fast and is a cracker jack mystery.  My one complaint was the book never explained how the feral boy came to be in the woods in the first place.

I guess Mr. Coben wanted to leave room for a sequel.

I’m currently reading Brad Parks' newest mystery Interference.  In it, a brilliant physicist is working on the Entanglement Theory of quantum physics.  This is where two particles can be born with intrinsic connection to each other. You can separate the particles across galaxies and the connection remains: poke one and the other feels it. Immediately. Einstein called this “spooky action at a distance.”

The physicist goes missing and the suspect in a possible kidnapping might be a reclusive billionaire. 

This book moves really fast.  The chapters are short.  I’m loving it.

My only complaint is most of the book is written in the third person.  Except for the physicist's wife who is written in the first person.  I find it distracting. 

Now, I have some criticisms for a couple of authors that I will not name.  One sent me his book to read and I loved it, right up until the end when I found a plot hole large enough you could drive a truck through it.  

One recently sent me a book he’d written asking me to critique it. He’s already got a publisher for the book.  It had been professionally edited so there were few distracting typos and the plot hung together pretty well.  There were about three chapters early on that I thought could have been cut, but the characters were well drawn, and the story held my interest.  I even wrote a blurb for his book cover. 

A few weeks ago, I visited one of my favorite bookstores here in our area and there was a delightful lady signing books that she had written.  I like to support local authors and plunked down the money to purchase her novella.  

I couldn’t finish it.  I couldn’t keep the characters straight, they didn’t seem to act true to the situations they were in, and the plot seemed muddled. 

That being said, I recently read a book by one of the biggest names in the mystery business.  After I finished the book, I felt mildly dissatisfied.  I took a look at some of the professional reviews.  One of them described the author as telling the story without breaking a sweat.

To me that meant that the author had mailed this one in.   But honestly, can anyone really crank out two or three books a year and stay sharp?

Let’s change the subject.

Since we’re in the season of giving thanks.  I’d like to thank my agent, my editors, my publisher, and my readers.  When I go back and reread some of my early work, I shake my head and wonder how I finally managed to write something that anyone would want to read let alone publish.

While I was talking to my publisher a few weeks ago, I told her that she’d changed my life.

She told me that it was me who had changed my life.  

I’ll always be grateful to the people who held my hand along the way, and I especially want to give a huge hug and shout out to my wife, who never let me give up and kept telling me that I was a good writer.

Even when I wasn’t.  Cheers and Happy, albeit belated, Thanksgiving.

Stories from Cuba and Mexico

If you want to be a good writer, you'd better be good reader. To that end, I've got a bunch of books in my reading stack and at the moment, the titles are limited to a pair of writers, Leonardo Padura and Silvia Moreno-Garcia. You may recognize Padura as the acclaimed author of the Mario Conde series, the exploits of a Cuban police detective. The novels spin through the tropes of the big-city gumshoe: a deep cynicism about society, a distrust in authority, hangovers, stale cigarettes, failed romances, and an overbearing boss. What keeps the stories fresh is the location, contemporary Havana, which seems exotic in the details and setting, and Padura's incisive scrutiny of Cuba's political structure. Who knew so many sketchy characters thrived in the cracks of Marxist society? I tend to be a fast reader, which means I end up skimming more than I should, but in Padura's books, because I'm reading them in Spanish, that causes me to sift through the prose and better appreciate its rich texture.

I recently interviewed Moreno-Garcia for StokerCon 2021, scheduled for Denver...God willing. She's a Mexican writer (now living in Vancouver, BC). Besides extending congratulations for having her novel, Mexican Gothic, being adapted by Hulu TV, we discussed the writing process and her career. All of her novels are set during a definitive time period in Mexico. Every narrative carves a swarth through Mexican society, experienced through a woman's perspective, and what emerges is a Mexico quite different from the cliché that we're used to seeing from this side of the border. Mexico does not perceive itself as a Third-World country but a nation with modern sensibilities. Her novel Signal to Noise is framed by the mixed-tape pop culture of the 80s. Gods of Jade and Shadow is a supernatural tale blending Mayan legends with the 20s jazz age as it unfolded in Mexico. For sure, class privilege and historical antecedents create the stage upon which the characters appear, but that is true in any good story. In the interview we shared this quizzical take on what constitutes Latino literature in the US. Seems that the only accepted works as American "Latino" literature must focus on the immigrant experience (recent and impoverished) or on occasion, relate the tribulations involving the sisterhood of sassy Latinas. Even though my books feature a Chicano detective-vampire and draw from Mexican and Southwestern mythology, they are branded as supernatural stories, front to back. Then too, just one drop of science fiction or the paranormal keeps even a good detective yarn off the shelves of mystery fiction.

Dogs and Afternoons

 I'm thinking of getting a puppy. A little Cavalier King Charles Spaniel. I'm working at home, and I really need to get out of the house every day and walk.  But, the thing is that a puppy requires thinking through the logistics. I just got a vet recommendation from my neighbor because my cat's vets only see felines. 

 So far, I can't get Harry, my Maine Coon, to comment about having a canine sibling. But since this dog breed is known for being cat-friendly and his breed tends to get along with cats, I think he would be okay with her. Especially since he would get to help train her about the rules of the house. So I'm

pondering the puppy, and thinking oddly enough about Dog Day Afternoon.  Al Pacino is pacing around, shouting "Attica!" in my head. That adds nothing to my decision-making about the puppy, for whom I would also need to fence my backyard. But it does remind me that I'm not a morning person. And it reminds me that I want to check with the curators at New York State Museum to see if the planned commemoration of the 50th anniversary of the prison rebellion is going forward next year.

But I'm rambling. It's been one of those weeks. One of those months. One of those years. We'll all be happy to see the last of 2020. I did realize this year that working at home and not being able to go into my office at school isn't any fun. I need structure, or, at least, to be able to leave home and go some place else for a while. I would be happy to go to a coffee shop or the library or a bookstore and write. As it is, I'm trying to move back and forth mentally between teaching online, working on my academic book, and finding time to work on my 1939 historical thriller (my November NaNoWriMo project). 

I didn't realize how much my ability to focus depended on my ability to move physically between office at school and home. I do academic work at school. I write crime fiction at home. In the summer, when I find myself watching soap operas and old movies, I hop in my car and go into school in the afternoon. The last time I was in my campus office, all of my plants had died of thirst. Now, the campus is closed down at the end of semester, and I would have to pick up my COVID-19 test kit if I set foot on campus. So I'm waiting until I'd ready to return all the books I brought home back in March. And I'm trying to remind myself that I need to swing by and pick up my 2020/2021 parking sticker that I ordered online during the summer, but never picked up. I'm trying to gear up to go back into a familiar building that feels creepy now not only because the elevator is ancient and creaks, but because anyone who is in the building is told to avoid anyone else who is there. We are keeping safe, but we are only seeing each other on Zoom meetings.

The other side of this whole pandemic thing -- and hardly compensation, but at least something that is a lesson learned about technology -- is that writers are able to interact more and in really interesting ways. At our last upstate NY Sisters in Crime chapter meeting, we had guests from a chapter in Ohio. The meeting before that we had guests from Northern California. I have been attending online writing workshops, meetings, readings, and webinars. 

Of course, this is no substitute for bookstore gatherings and the ability to interact with our readers in person. We are all trying to think that through. How do you launch a book during a pandemic?

However, I am going to take advantage of the technology to do something I've been wanting to do wearing my academic hat. In 2021, I'm finally going to have the opportunity to host a symposium of Crime Writers of Color (now an official group). I've been wanting to do this for years, but I didn't have the funding to bring so many writers in. But this March, I can do it virtually, and I will have the capacity to invite thousands of people to attend. I'm excited about that. 

But I'm still sitting here in my chair -- or standing up by my virtual desk -- and getting stiff and out of shape. I need a dog to play in the yard with and to get me out and moving. I need a canine with a leash in her mouth. Harry, my cat, refuses to wear the harness I bought him. He licked his paw and gave me his, "Could you possibly even think I would do that?" look. But, who knows? If the dog and I go for a walks, he may want to come along. I'm his person, and he may not want the puppy to get too much of my time.

 If I should get the puppy, we'll have all next spring and possibly summer to become a happy family. 

Anyway, that's the news from here in my house. Take care and stay well. 

Happy Thanksgiving, 2020 be Damned

 Donis here, wishing you United Statesians a Happy Thanksgiving, Dear Readers. I hope you are all happy and healthy and staying safe, and may we all be together next year. When next I write you here at Type M 4 Murder, I'll have some fun news about my upcoming book release, but today I'm treating you to my mother's go-to Thanksgiving pumpkin pie recipe, delicious, easy and it makes its own crust. Eat hearty!

The following recipe is for the easiest and most amazing pumpkin pie ever made. This is my mother’s recipe, and I’m presenting it here exactly as she wrote it down.

3/4 cup sugar

2 eggs

1/2 cup biscuit mix (such as Bisquick)

1 can (16 oz) pumpkin

2 tsp. butter

2 1/2 tsp. pumpkin pie spice

1 can (13 oz.) evaporated milk

2 tsp. vanilla

Heat oven to 350 degrees. Grease 9 inch pie pan. Beat all ingredients until smooth. Pour into pan. Bake until knife inserted in center comes out clean, 50-55 minutes.

(No, you don’t make a crust. The pie will make its own crust.)

The best-laid plans

I acknowledge that I write this post from a position of extreme privilege. I live in Canada, which has universal public health care and a supportive government that is managing the pandemic reasonably well. I live in my own home and have a pension (hard-earned) that keeps the terror of destitution at bay. I have not yet lost friends or loved ones to Covid. I miss the company and hugs of friends and family, but as a writer, I am used to solitude and can conjure up playmates inside my own head. 

Many people, my own children included, have had their lives completely thrown off course by this pandemic. By comparison, I have absolutely no right to complain. But in the interests of documenting the pandemic's frustrations, big and small, here I go.

The first frustration surrounds the release of my upcoming book, THE ANCIENT DEAD, meant to come out in October 2020, in time for holiday signings, readings, and gift-buying. Covid crushed that plan and the publisher pushed the release to the dead zone of January 2021, with no possibility of in-person appearances and launches. Sales and publicity out the window. I gamely switched gears to think virtual. How do I hold a virtual launch? How do people attend and buy books? How do I greet and thank everyone who tunes in? I love my book launches, and the thought of staring at myself on the Zoom screen while disembodied attendees watch is profoundly unsatisfying. But I will figure it out. And I will figure out the Zoom book clubs and readings that I hope will follow in the months afterwards.

The second frustration is more serious, although still petty measured against the struggles of the world. I am just beginning to research the fifth Amanda Doucette book. I know nothing about it beyond the setting, which is British Columbia. The series has been moving across the country, and it is now British Columbia's turn. It was initially to have been set on a small cruise boat going through the inside passage, but after watching the cruise ship disasters of the past few months, I gave up that idea. Instead, I thought maybe Haida Gwai, a fascinating area I have always wanted to visit. Then access to the area was closed, with no guarantee when and how it would be opened up. So I started researching other possibilities on Vancouver Island and the mainland. Now, however, there is a real possibility that borders between regions and provinces may be closed and/or 14-day quarantines imposed on travellers. That would make the research trip untenable. I have no place to quarantine in BC and can't afford the extra time and cost of accommodation and dog care.

With one exception, I have never written a book without visiting the area. So much rich detail is missed when I can't walk the paths my characters walk, see the sights and hear the sounds, talk to local people and get a sense of the real place. I cannot imagine writing about the stunning and unique place that is wild BC while relying only on books, the internet, and friends. The book would be a pale imitation of what it could be. 

To meet this book's deadline, I need to do the trip in the spring of 2021, or at the latest by early September. But who knows where we'll be by then? Will there be a successful vaccine in general use? Will everything be in lockdown again? Will I be able to visit the places I want to, and find restaurants and accommodations there? I probably won't know these answers for months, and so am unable to plan ahead. This book may turn out to be a last-minute, fly-by-the-seat-of-my-pants scramble.

Not the way I want to write it at all. But... Covid doesn't care.

Today's post

by Rick Blechta

Oh my God, it’s Tuesday! You’ll see that I haven’t written a post. I can’t do my usual bale-out of posting a clever cartoon having something to do with book buying or the world of publishing. I can’t cartoon worth a fig and since you can’t just “borrow” something from another web page without worrying that you’re going to get your butt sued off, there’s no quick fix.

So I’ll try on the old tried and true excuse of “the dog at my blog post.”

Works for me. Does it work for you?

(Barbara, may I borrow one of your lovely dogs for the day just so I can prove that I have a dog if someone challenges me?)

Court in the Act

Ah, Scotland.

As you know, I'm a Scot, living in Scotland. And because many of you enjoyed the images last time (well, a number of you. Okay, a few. Fine! A couple) here's a taster of the delights:

The aptly-named Rest and Be Thankful

Not all if it looks like that, despite what the tourist board or Outlander may tell you. Yes, vast tracts of our 31k square miles and around 800 islands are picture postcard perfect, there's no denying it. We have mountains and valleys and lochs (one lake!) and green fields and rivers and beaches that can take the breath away. Usually by the weather. 

But there are a lot of misconceptions about my country.

We don't all wear kilts. We don't all look like Sam Heughan (no matter how much we suck in our gut). We don't all eat haggis regularly (they are tricky little rascals to catch). We don't all have the urge to go out and kill an Englishman when we hear the skirl of the pipes (although sometimes we do have the urge to kill the piper).

Not every part of my country looks like that above. There are areas that have absolutely no picturesque qualities at all. We have neighbourhoods that suffer from urban blight. We have crime.

It is our legal system that is arguably the least understood, even by Scots. We have seen and read so many legal dramas from the USA and England that there are many who do not know that, like the past, we do things differently.

For instance - juries. In Scotland they are 15 strong not 12, which means there can be no prospect of a hung jury. However, a judge can allow a trial to proceed with as few as 12 should any drop out due to illness. A majority here can be a straight 8 to 7, which means that if only one person believes guilt - or otherwise - the accused can be jailed. Or otherwise. 

Juries have three verdicts from which to choose - Guilty, Not Guilty and the controversial Not Proven. This is a holdover from the older system where charges were either Proven or Nor Proven. 

Our judges do not bang gavels and demand order. 

There are no opening statements. 

We do not have charges such as manslaughter or arson - they are culpable homicide and wilful fireraising. Other, more arcane, charges include hamesucken - home invasion today - and plagium - child stealing.

It was some of these differences that the Scottish Faculty of Advocates, the court service and forensic scientists wanted to illustrate in a courtroom drama in which I played a part. A real-life case was selected - one from the 1930s - and then adapted to fit a modern setting and names changed to be  presented in an actual courtroom during the Bloody Scotland crime writing festival in 2019 under the title You the Jury. 

Real lawyers played the advocates, a real judge presided, real court staff kept proceedings going, real forensic scientists played themselves and the jury was selected from the audience. I had put together the various witness statements and some of the evidence, the forensic experts handled their own. I also played the accused but did not give evidence. All I did was sit in the dock and look innocent or guilty, depending on your point of view.

Two performances were scheduled but they sold out within a matter of days so a third was slotted in. It sold out too.  

We had intended to take the show on the road but then 2020 happened and that was that. A charity event in Glasgow and almost two weeks at the Edinburgh Festival Fringe went by the board. 

One performance was filmed and the highly professional result, which has been made available for study in schools and colleges, was screened as part of this year's virtual Bloody Scotland Festival. It was again hugely popular.

In two of the three performances I was found Not Proven, which given the evidence presented was the best we could expect. It was, however, interesting to note that the evidence was presented in exactly the same way by the same advocates and witnesses each time and yet one jury was convinced of my guilt by a majority while the other two were not. They were not certain enough to vote Not Guilty, though, so the tricky third verdict proved useful to them. When someone could be sent away for life on the basis of a single vote, the Not Proven verdict is necessary, I believe.

It was a pleasure and an honour to work with the legal professionals and it was an incredible experience to watch it all come together in the single day rehearsal we had.

I am certain, though, if I'd had more to do than merely sit in the dock and look guilty, innocent or somewhere in between, we would have required a LOT more rehearsal time!

A rehearsal shot for You the Jury

Weird, Weirder and Weirdest

 

Thanksgiving is getting beyond strange. Our county (Larimer) is begging people not to gather in person for Thanksgiving. Our county is under a directive to limit gatherings to ten persons and two households. 

I fudged last weekend. I drove to my daughter Michele's house. One household--she and her husband Harry also live in Fort Collins. However much to my delight, my granddaughter, Audrey, and her husband Pete were also there. Two households right off the bat. I stayed anyway. Three households. But what the heck? It was just five people. Not so bad. But I felt sneaky. I'm freakily law-abiding. 

So what to do about Thanksgiving? Everyone was going to come. Michele volunteered (sort of) to hold the annual celebration. Her dispassionate wording (as I recall) went something like "we'll be here. Anyone can come who wants to." The truth is no one in this family really wants anyone to come to their house for Thanksgiving in this county this year. And no one wants to visit relatives either. 

The simple truth is Larimer County's medical facilities are overloaded. We are dangerously close to filling all our ICU beds. 

So being the senior member of this highly dysfunctional family (don't blame me, I tried) I generously decided to stay home and have a Marie Callendar's Turkey Pot Pie for dinner. I would let someone else be the the lucky ducky who got to be the second household at the Crockett's. 

Then Michele had a splendid idea. She called last night and said she and Harry and Audrey and Pete had decided to go on a float trip for Thanksgiving. She magnanimously invited me to tag along. It would not be a dangerous white water adventure. No, no, no. Not the gleeful adventures they were famous for. Also they had plenty of warm sleeping bags. I would be quite comfortable camping out for the first time. Warm, even. They would do all the cooking.  

I considered my rather fragile bones, my precarious sense of balance, my sensible aversion to any sort of discomfort, but disregarded all my liabilities and immediately said yes, I would love to go. Michele did not expect this. 

I hope they are well and truly frightened at the thought of trying to keep an old lady alive on a cold river. 

Got to give the kid credit. While living in Kansas with vast swarms of people descending on our little house on the prairie--usually to hunt pheasants-- it never once occurred to me to suggest they all go on a river trip instead.

Possibly because we had no rivers. 

A mind in knots

My youngest daughter, Keeley, loves to bake and to play the piano. She loves to read and daydream. Monday night, she sat down at the piano and said, “I don’t want to practice. I just want to play.”

She was talking about riffing. It’s something I’ve been thinking about a lot lately.

“Don’t overthink it,” we tell Keeley often. “Don’t over analyze things. Just go do it.”

Keeley with her latest culinary creation

I feel like when my writing isn’t going well, I’m not freeing myself up. My mind is in knots, and my plot soon follows. It happens when I think and overthink. Plot is a result of character; therefore, what happens in the story is what must logically happen, based on the attributes of the characters. I know this to be true.

Yet, when I’m struggling with plot, I’m overthinking. Elmore Leonard said he wrote the first hundred pages before thinking about the plot. Just meeting the characters and seeing where they’re going. I don’t believe in the fifty-page dilemma –– that fifty pages in, the book is either going to work or not. I’m with Leonard. It’s a hundred pages.

When I hit a hundred pages, sometimes, I start to think about where we’re headed. If it’s not going well, I’m trying to steer, rather than following along like a reader. Maybe it’s overthinking. My mind can get tied in knots. Then my focus can turn to wonderful distractions: work emails or student writing (would you really rather grade a paper than figure out your damn plot, John?!) or conference presentations (death or public speaking?) or even U.S. politics (let it go, John. Biden won. You can sleep now).

The first half-mile is fine, but then the woods get dark. This is when I need to freewheel, to let things go. I used to listen to music when I wrote. Heavy stuff. Everclear, Nirvana. I got away from that. Not sure why. I think I felt like I needed to concentrate more. I’m not sure that helps the work.

Overthink it? I wonder where my twelve-year-old gets it.

Bank Robberies and Money Bail

One of my favorite things about being a writer is doing research. I’ve learned so many things that I never would have found out about if I hadn’t been writing a story: raw food, the annual Marilyn Monroe memorial service, temporary tattoos, surfing...and now bank robbery.

I decided one of the crimes in my WIP would be a bank robbery. We have a lot of those here in Southern California, probably because of our extensive freeway system. Pick a bank near a freeway onramp, rob it, then get on the freeway.

Since I know nothing about bank robberies, I did some research. Here’s some of the more interesting things I found out.

Robbing a bank became a federal crime in 1934 so you’d think the FBI would be the one investigating all of them. In practice, however, they focus on those suspects who pose the greatest safety threats to the public. So they leave the investigation of “note jobs”, where the robber hands a note to a teller and no violence is involved, to the local police departments, helping out where needed.

The FBI aggressively responds to violent bank robberies, robberies in which a significant financial loss occurs and serial robbers who cross jurisdictional boundaries. In 2012, the FBI launched the Wanted Bank Robbers website, which is national in scope. It’s there to enlist the public’s help in identifying and locating suspects. In 2016, they added an app. Yep, an app.

They also compile statistics on bank robberies throughout the country. The last report I found was for 2018. Lots of interesting statistics here. In 2018, there were 2, 975 bank robberies in the U.S., including its territories. 568 of those were in the Pacific region which includes the states of Alaska, California, Hawaii, Oregon and Washington. 405 of those were in California.

The crime in my book is a “note job” so I feel fairly comfortable not bringing the FBI in on this one, leaving it to the local police department.

Here in Southern California, there’s an LA Bank Robbers (www.labankrobbers.org) website which focuses on local bank robberies. According to the site, it is “devoted to the identification and apprehension of bank robbers (a.k.a. bank bandits) in the Southern California territory”. It includes actual surveillance photos of robbers taken during the commission of the crime.

All of this helped me out considerably in writing my story. I write cozies, not police procedurals, so I’m happy if my story “kisses the truth”, which I think it will after doing this research.

*** 

Here's an update for you on the bail situation in California. In 2018, I wrote a blog post, "Bye Bye Bail", that talked about the state legislature passing a bill that eliminated money bail in the state, replacing it with a risk-assessment system.

As predicted, the bail bonds industry fought back in a big way. The law was put on hold until the recent election where Proposition 25 was on the ballot. The votes are in. The cash bail system will remain in the state. No risk assessment system. I’m not terribly surprised. The bail bonds industry spent a lot of money on ads for this proposition. It was one of the more confusing ones on the ballot. I had to read it a couple times to figure out what voting yes meant.

Getting a little wind in our blogging sails

by Rick Blechta

Today’s post will be a short one (I still have a balustrade to install on our new front porch. Look it up if you have no idea what I’m talking about.)

Anyway, Tom Kies received an email last week from CamCat Books listing their favourite mystery blogs — and guess who’s second on the list? Click HERE to read the posting on CamCat’s blog.  

Type M for Murder has been around since the summer of 2006 and that’s a hell of a long time for this type of social media. We’ve had a cast of terrific writers involved since the beginning. Authors may come and go from our role, but we’ve always had such a great group here. I remain very proud of my involvement in this enterprise.

But it can be daunting to sit down to write a post for Type M, wondering how many people are actually going to bother reading it. Long-time member Barbara Fradkin has been known to liken this to “shouting into the void,” which is a pretty accurate description of what it feels like.

Then someone gives us a nice shout-out as CamCat did and you realize that people are noticing what we’re doing — and care about it.

And that certainly makes it easier to keep “the mystery little blog that could” chugging down the Information Superhighway.

Thanks CamCat!